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@shermeral
I 🩵 Biney!
I LOVE THIS SIMPLY LOVE THIS
no more skipping rope, skipping heartbeats with the boys downtown
i hate the yellow filter sm so I tried my best to remove it
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Okay, so I was just reading an interview and I came across this quote by Bryan Cranston about Walt and Jesse, probably referring to their final scene:
"At least there was some conclusion to their association. Their friendship did matter. And it was because of that history and friendship, that was the basis of his impulsivity. Because otherwise it would just be, ‘Jesus, look at that guy, that poor bastard.’ but I’m not going to risk my life for some stranger. There is more than familiarity. It’s deep-rooted. And it’s so true. Because sometimes you don’t know the depth of what you feel until you’re tested." - Bryan Cranston"
What really struck me about this quote is that it doesn’t just apply to that one moment. It actually reflects their entire relationship from the beginning. One thing I’ve always noticed about Walt and Jesse is that neither of them fully understands what their bond means to the other, not until it’s tested. They constantly hurt each other, manipulate each other, and act on harsh instincts toward one another. Yet every time a situation arises where the other is truly at risk, something deeper surfaced
Remember when Walt walked into that drug den for Jesse. At first glance it almost feels obvious, like Walt is capable of doing the most hurtful and inhuman things to him. But even then, the extent to which he can actually hurt Jesse seems to have a limit. he still cannot simply leave him there.
And it doesn’t feel like it comes from guilt or the sense that he owes Jesse something. It’s more like there is a point where Walt could technically let Jesse go, where he could allow that hurt and destruction to completely consume him, but he just can’t. Something deeper interrupts that moment. There’s a depth to what he feels that comes in between those actions and stops him from fully abandoning Jesse.
You can see him almost processing it through his expressions, like he’s confronting it in that moment. Because whatever exists between them is deep-rooted, and he can’t simply let Jesse disappear or be consumed by it.
And that’s just keeps happening
he didn’t hug Jesse out of pity or simply as a goodbye. Jesse had already said everything he needed to say to Walt in that moment, yet Walt doesn’t utter a single word in his defense. He knows he has to let Jesse go, that sending him away is the right thing for both of them.But there is still a part of him that feels the need to hug him. It’s almost like he recognizes the depth of Jesse’s feelings in that moment, and he has an instinct to meet them, to give that emotion space before he finally lets him go.And Jesse doesn’t pull away from the hug either, because despite everything between them, it’s something he still wants, no matter how much it hurts. That deep bond between them creates this pull toward a shared moment of understanding, where both of them meet on the same ground before they finally separate.
And that depth also comes from the urgency they feel to protect and save each other, even in situations where resentment already exists between them.
They’ve had so many physical fights where they’ve hurt each other, but whenever an external factor comes in and tests their bond, their reactions shift toward protecting the other. In those moments, neither of them can tolerate someone else laying a finger on the other.When they say things like “you’ll have to kill me first,” it’s not just a stance or an emotional outburst in the moment.
It shows up through their actions and decisions. It’s almost like an unspoken boundary: no one else gets to harm the other while they are still there. And that response comes from something deeper. There is a level of feeling between them that they don’t fully recognize themselves, yet it still influences their choices.
And you can also see that depth in the feeling of understanding between them, in the way they instinctively try to protect each other’s vulnerability
This Bryan quote really pulled a string for me. It felt so telling, because it doesn’t seem limited to just a single moment. Instead, it feels like a culmination of everything their bond had been building toward throughout their entire journey.
There was always a depth to their connection, even if neither of them fully recognized it. That unspoken element kept influencing their actions until the very end. And every time their relationship was tested, it revealed something deeper.
deuteragonist
Better Call Saul’s Most Surprising Crossover Transcends Fan Service, Ben Rosenstock // BCS 6x12 "Waterworks" // "From Eden," Hozier // BrBa 1x01 "Pilot" // Peter Pan, J.M. Barrie // BCS 3x07 "Expenses" // BrBa 4x09 "Bug" // The Divers' Game, Jesse Ball // BCS 6x08 "Point and Shoot" // BrBa 3x13 "Full Measure" // BrBa 4x07 "Problem Dog" // BCS 6x09 "Fun and Games" // A Door Behind A Door, Yelena Moskovich // BrBa 5x12 "Rabid Dog" // "Mirror Piece," Yoko Ono // Becoming Moral People: The Character Arcs of Jesse Pinkman and Kim Wexler, Madeleine D. // BrBa 5x16 "Felina"
Made a post talking about this a few days ago lol
Ok then..
And historians will call them father and son
Someone really blocked me on TikTok cause I told them new blood Harrison was obnoxious.
Look, the character of Harrison was never meant to be more than a symbol. In the original show, Dexter finds out Rita is pregnant. Harrison is born, Rita is killed. Dexter sees himself in Harrison and tries to save him. He tries to be a good father. He fails.
Harrison returning in new blood MAKES ZERO SENSE. But that’s not my problem with him, it’s just how obnoxious and badly written he is. It’s evident the writers knew they screwed up killing Deb, since she represented Dexter’s human side. She was his moral compass and the other half of him. They were both raised and broken by Harry, they were trauma bonded and the results of opposite sides of abuse. Dexter was groomed into being a serial killer. Deb was chronically neglected and thought she was broken because she could seemingly never make her father proud. Their names reference deMorgan’s laws. They marked each other’s beginnings and each other’s ends. What happens to them is always reciprocal. The only logical end was for them to die together as a result of their own attempts at saving each other, but what do we get instead? Lumberjack ending.
And when I say the writers knew they messed up, it’s because evidently they tried to make Harrison into the new deb. The whole “we can only understand each other” feels so forced. Never mind the fact that Harrison was raised by the worst written character in the whole series, and who ultimately season 8 insufferably awful, Hannah McKay.
THIS WILL NEVER WORK. Harrison can never replace the bond those two broken halves had. I don’t care about resurrection season 2, season 3, or season 10. Dexter without Debra cannot logically exist.
Jesse listening about Walt’s death and his reaction is something that stays with you. He is trying to listen, you can see that. He is not blocking it out on purpose. But at the same time he looks numb, like the words are reaching him but not fully settling. His expressions sit in between everything. Not relief. Not anger. Not even proper grief.
What I find so distinct is that he doesn’t look satisfied. After everything Walt did, after all the damage, you would expect at least some kind of release. But there is none. It’s almost like hearing it doesn’t free him. It just reminds him.
The person he admired, the one he went through so much with, is gone. And it’s not the death itself that hurts him. It’s what that person became. It’s the betrayal mixed with the memories. It’s caring so deeply about someone who also destroyed you.
He is sitting there and it feels like he can’t even properly process it because the pain is layered. It’s not “he is gone.” It’s “the man I once looked up to crushed my soul.” And when someone does that, their death doesn’t fix anything.
And so he shuts it off. Because thinking of him, whether as good or bad, is not something he can afford anymore. Either way, it will haunt him now and forever. So he doesn’t choose anger. He doesn’t choose grief. He just disconnects. He is left with no real capability to react.
collecting age gap yaoi like pokemon cards
darling how could you forget the MURDER HUSBANDS???
vince gilligan’s trifecta of toxic relationships
Marina Tsvetaeva - I’ve loved you every day of my whole life, 1918
People like to compare Kim wexler to Skyler white as in the literary role they’re fulfilling. But Kim wexler might be more a mirror to Jesse pinkman than Skyler white. Both skyler and Kim are the romantic partners of a man who has a moral decay, but the actual roles they fulfill in the narrative are widely different. Skyler was an unwilling participant that got pulled into evil’s orbit. Kim was a willing participant and a partner in crime to jimmy. She was not there unwillingly, or accidentally stepped into evil. She already knew Jimmy was a con-artist, and went along with him. Exept she retreated when a moral line was crossed, the death of Howard, just as Jesse drew the line when a kid was harmed. They’re both deuteragonists, while Skyler was a secondary character, and a tragic symbol that represented the family Walt was supposedly choosing evil for. Narratively, Kim and Jesse are more similar than Kim and Skyler.
Something About Vince Gilligan’s Idea on Walt and Jesse’s Ending
something that holds a deep meaning about their entire journey and story–What Vince talked about, and what he wanted from their ending, and how it fit their dynamic so perfectly.
Vince: "A lot of astute viewers who know their film history are going to say, 'It's the ending to The Searchers.' And indeed it is. The wonderful western The Searchers has John Wayne looking for Natalie Wood for the entire three-hour length of the movie. She's been kidnapped by Indians and raised as one of their own, and throughout the whole movie, John Wayne says, 'I need to put her out of her misery. As soon as I find her, I'm going to kill her.' The whole movie Jeffrey Hunter is saying, 'No, we're not—she's my blood kin, we're saving her,' and he says, 'We're killing her.' And you're like, 'Oh my god, John Wayne is a monster and he's going to do it. You know for the whole movie that this is the major drama between these two characters looking for Natalie Wood. And then at the end of the movie, on impulse, you think he's riding toward her to shoot her, and instead he sweeps her up off her feet and he carries her away and he says, 'Let's go home.' It just gets me every time—the ending of that movie just chokes you up, it's wonderful. In the writers' room, we said, 'Hey, what about the Searchers ending?' So, it's always a matter of stealing from the best. [Laughs]"
And reading it just made me realized about how it embodies their dynamic in a very special way. their relationship carried so much resentment and complexity, at times driving them to the edge of wanting to kill each other, yet whenever that line was truly approached, the other could not bear it.
No matter what one says, no matter how much walt manipulated or hurt him, he has always been someone who could not walk away without doing something for Jesse. Like in Salud, when he has a complete meltdown over him, or when he let Jane die but then goes into that drug den to help him, or the times he huged him . there is this complicated, almost caught relationship. He keeps chasing him to destroy him, but in the end, he cannot cross that final line.
And that’s where Vince’s Searchers comparison works so well. The power of that ending, as Vince describes it, lies in expectation collapsing at the last moment. You spend the entire story believing the character will finish what he has promised, only for him to not being able to do that, not because he has become better, but because something he cares about deeply resurfaces.
Walt and Jesse’s ending works because it honors that truth. They could ruin each other, hurt each other, and drive each other to the edge, but they could not fully cross that final line.
Walt saving Jesse is not driven purely by guilt or sudden clarity. It is the natural conclusion of a relationship that could never resolve itself through violence. Their bond was always tangled—part of it wanting to get away, part of it staying because deep down, one wanted the other to live. That is where the Searchers-style ending becomes so fitting. When you step back and look at how they end, it is clear there is something profoundly deep in their bond, a force between them that could never be fully severed. It’s the most honest resolution their story could have had.
Among the ballsiest of Walter White's power plays: forcing his wife and his mistress to sit down and have dinner together.
Who’s really the wife though