i dont "go on walks," i dont "use character sheets" and i dont "plot before writing," i raw dog it, and if it doesnt flow, I FUCKING CRY.

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Sweet Seals For You, Always

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Love Begins
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@shinon-0
i dont "go on walks," i dont "use character sheets" and i dont "plot before writing," i raw dog it, and if it doesnt flow, I FUCKING CRY.
that post that's like. fans have got too used to acting as stakeholders. media analysis is about the narrative intentions not a checklist of what fans want. i think criticism of the finale because it didn't include specific elements we wanted to see is separate (if sometimes intertwined) from whether the narrative worked overall. because as an overall arc it makes sense. from the start they wanted an earth where humans could live their lives free to make their own choices, without interference or pre-determined rules and plans and divisions into heaven and hell. crowley believed the system couldn't be fixed, aziraphale believed god could be reasoned with, and in the end they were both right and they both got what they wanted: a chance for humans and them to make choices that were true to who they were. for crowley and aziraphale that was choosing each other. it always would be
GO hot take apparently
Imagine finding out you have 90 minutes to tie up a love story that's developed over thousands of years. You create something beautifully in character and completely on point for the plot. You pay homage to the original writer's legacy in a fitting and poetic way and create an ending that not only shows the depth of two people's love for each other but the wider love they have for the thing that brought them together in the first place.
And then you go online to find the loudest outcry is that everyone hates it and "THEY DIDN'T EVEN KISS!"
I feel sorry for people who didn't get anything out of that stunning finale.
The point is, Lucy is so, so, so Cooper-coded, and the more we learn about him, the more we can see why Lucy’s attitude irritates him so much. Basically, the guy has been beating himself up for 200 years for being an idiot, for trusting the Establishment, for being stubborn, gullible, and naive, precisely the way Lucy is in some ways. So seeing her is like seeing himself from so long ago, hoping in a social structure that’s nothing more than smoke and mirrors, with moral values that, in reality, never actually apply. And his problem with her isn’t really with her, nor with the fact that she’s a VaulTec creation (though it might seem that way at first) it’s a problem with himself, with accepting his past self that he’s tried to kill off completely, but that always comes back to him somehow.
What I think both Cooper and Hank don’t get is that Lucy is not how they think she is at all. Yes, there are a lot of parallels between them, but she’s not Cooper. And second, this is something I think is made pretty clear in the last episode: Lucy is not a kid. Her father treats her like a dumb little girl, and Cooper treats her like a naive young girl and she's not any of those things. What it's ironically amazing about this is that then there’s Norman, who knows exactly what his sister is capable of and doesn’t doubt for a single second that Lucy could have survived the Wasteland. He even says, “You don’t know my sister,” because in a way he’s saying that he grew up with her and knows she’s the most stubborn, headstrong, annoying person in the universe and if she sets her mind on surviving the Wasteland and seven nuclear wars, she will do it, because that’s who she is.
And in a moment of desperation, before he even tries to talk to his father over the radio, the first person Norm turns to is Lucy, because Lucy is his fucking older sister, and he doesn’t see her as an innocent girl or daddy’s little girl. He sees her as a reference point, as someone who raised him in the absence of a mother, and as someone totally capable, not only of surviving every single danger in the Wasteland, but of coming to find him and saving his life. Everyone underestimates Lucy Maclean except her fucking little brother, because he doesn’t see her as a kid, he sees her as a role model.
I mean this was obvious since season one, but I do love when they edited Coop and the Ghoul together and it's not "oh shit the Ghoul was inside him waiting to come out" but au contraire the Ghoul doesn't fucking exist actually, there is only Cooper Howard, he's not a cowboy, he's not a killer, he's Cooper Howard and he's lost as fuck
farewell to thems for now :']
To what gods should I pray to if I want to get out of writing and reading slump?
What's the story/fanfic/draft/book/any written creation you're most proud of?
For me it's my dnd character's backstory. His name is Kvinris Alam Silverpride and he's a total disaster. He's a child of a noble family who accidentally hurt himself and his only friend. At the time of the campaign he started talking to this friend again, he is accused of crimes against the king and he's a recovering alcoholic. And that's only a small portion of info about him.
Firstly his backstory was 2 pages long at most, but after some time playing this campaign I wrote a whole more about him(and will forever be grateful to our DM for allowing this).
Now it's 70 pages of my soul. I tear up every time I reread them. I cannot even explain why, but seeing my friends loving this character as much as I love him, seeing that my writing can have such an impact on others makes me think that I did something right in this life. I wonder how a 13 year old kid, who wrote very weak don't starve fanfics would react seeing where they are now.
So good at feeling not so good at expressing
Hey man, I think your god-killing weapon is developing personhood, you should probably check on that-
Ah fuck, he's become a theatre snob.
I finally started reading again, after a whole year of reading slump. I hope it will inspire me to write something new for once
Yeah..
Born to write about my OCs, forced to work.
they've literally done nothing wrong ever
Jester and Nott: having a blast pranking a temple
Fjord and Beau: chilling in a bathhouse
Caleb: going shopping
Molly subplot:
dess pov
Man