I’ve been thinking a lot about Olruggio and masks. Especially after Shirahama helpfully gave us the image of him quite literally putting on a mask to go to work and perform his public self, in case we were having trouble picking up what she was putting down lol, BUT I think to a certain extent and with no malicious intent, even the Olly of the atelier — Qifrey's Olly as he functions day to day in the now — is a little bit of a mask as well. Behind even that there's a watchful eye (if you'll pardon me the word choice) that's looking out and taking care not to be watched too closely in return. After reading the whole manga, I think this Olruggio might be closest to the core of who he is of all we’ve gotten to see so far:
The kindness, the warmth, the goofiness, the flash and brilliance, the bursts of perhaps worrying intensity bordering on desperation ala ‘y’know I know what I said but I think it’s time to just burn this whole fucking forest down’ or ‘you’re okay I’m okay (I can still be a witch I can save people I have to save everyone)’; those are all also true. But I think this is at the heart, and it shines through to where we can see so rarely. He’s been at this for a long time: he had hiding it down to an art already at the tender age of like eleven. If you’re anything like me, he’ll have you as a reader bought into it for the longest time, even when you’re really paying attention and love this kind of character. I don’t think it’s coincidental that the chapter 77 cover is for a part of the story where his ability to present himself, play a certain role (the one of a witch, of a competent adult, the person who can come in and help and not need help themselves) is compromised by a broken, traumatized part of his mind getting triggered and roaring to the surface on him, and it makes him stare into nothing, lose focus. Something frozen and watchful lives under the surface.
A thing about Olruggio is that he knows who he is, I think -- indeed, his whole plan for keeping Qifrey TreeFree TM is predicated on self-knowledge, his understanding of how he himself will think and feel and behave. (See also that one cover that’s Olruggio in the middle of changing frames while staying completely constant himself etc.) And as a child he chose a very different path to get to keep his self than Richeh did, for example: where she stubbornly, bravely, held on to herself in the face of everything that wanted to dismantle her, in active defiant opposition, Olruggio hid his real self where no one could find it or suspect it even existed, that what they were getting from him wasn’t it. It’s somewhere in there behind the smile. He will slip away like so much smoke if you try to get too close. But there is one person in the world he wants to be seen by and to see completely.
That's a layer of tragedy with the whole Olufrey situation that gets me so badly — not only Qifrey, who wanted so badly to never have to lie again to Olly specifically, but also that Olruggio can never be completely honest even with the person he loves the most because Qifrey can't receive it or reciprocate as things stand right now. (because. of the fucking tree. we always return. to the fucking tree. the tree is the metaphor for trauma and how it can put down roots and linger in us lest we forget but also. a fucking tree.) He is who he is these days partially because it’s who Qifrey needs him to be, it’s what (it seems like) Qifrey can handle from him. Olruggio of the Torch is his public persona, Olly is his private persona... and there *is* something else and more under that too. Something which I don't think anyone but maybe Qifrey at the end of it all would be allowed to see or know, but that nevertheless aches to be Beheld and safe in that beholding.
which is not to say that I think Atelier Olly is like a fake thing he puts on or anything -- it's certainly much closer to the truth than Mr. of the Torch haha. Far nearer the heart of the onion as it were. But. There's a little bit of a lie only a friend would tell to it. Which like… not even a bad, manipulative, always undesirable or entirely unhealthy thing necessarily! There are parts of yourself that have no place in your relationship with your children for example. You don't want to expose them to the rawness of your trauma — that's not their responsibility or within their capacity to hold. As he himself says, there are lessons he’s in no hurry to teach them. It's not inherently an act of deception or sign of ill health in itself to exist in many layers; that’s just being a person. (hey. guess who olly is the main foil for btw. lmao. mr frames within frames of himself logging on to the containing multitudes contest and finding only one credible opponent: his best friend and other half of his soul. Unstoppable force marries immovable object and make a perpetual motion machine of misery out of it to use as life support news at 11.)
But I do think the longing to be known fully and wholly by someone and know them in return, and the grief of not finding a way there is so fundamental to the Qifrey and Olruggio relationship, and to what grieves them individually and together. Cue that trusty old The Seven Husbands of Evelyn Hugo quote about intimacy, right. ‘People think that intimacy is about sex. But intimacy is about truth. When you realize you can tell someone your truth, when you can show yourself to them, when you stand in front of them bare and their response is 'you're safe with me'- that's intimacy.’ And Olruggio knows this! At like twelve years old, he already knew this completely!!!! He knew to want to be that to someone, to have that with someone, he already knew that’s what he wanted to be with Qifrey. And Qifrey wants that back, so much that it’s driving him slightly mad, and yet. And still. The Tree. and necessary masks over skinless truths.