no no that’s a bop, i love it
“Woman!” cried I, somewhat tearsome,
“Who are you to stand so fearsome
With your wavy locks of auburn hair and eyes of emerald green?”
Quoth the woman, “I’m Jolene”

No title available
tumblr dot com

祝日 / Permanent Vacation
Claire Keane
RMH

Origami Around
No title available
styofa doing anything
Stranger Things
we're not kids anymore.
Aqua Utopia|海の底で記憶を紡ぐ
Misplaced Lens Cap
TVSTRANGERTHINGS
DEAR READER

pixel skylines

❣ Chile in a Photography ❣
Peter Solarz
I'd rather be in outer space 🛸
Cosmic Funnies
Sweet Seals For You, Always
seen from Germany
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seen from Italy
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seen from United States
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seen from United States

seen from United States
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@singfortheastronauts
no no that’s a bop, i love it
“Woman!” cried I, somewhat tearsome,
“Who are you to stand so fearsome
With your wavy locks of auburn hair and eyes of emerald green?”
Quoth the woman, “I’m Jolene”
Gerry, materializing directly next to jon's desk: mcr's back
Jon: wha-i burned your page months ago! How did you-
Gerry, applying additional eyeliner and walking out the door: mcr's back that's how
my night manager (who is a gay man) and i sometimes sit down and exchange stories and tidbits about our sexuality and our experiences in the queer cultural enclave. and tonight he and i were talking about the AIDS epidemic. he’s about 50 years old. talking to him about it really hit me hard. like, at one point i commented, “yeah, i’ve heard that every gay person who lived through the epidemic knew at least 2 or 3 people who died,” and he was like “2 or 3? if you went to any bar in manhattan from 1980 to 1990, you knew at least two or three dozen. and if you worked at gay men’s health crisis, you knew hundreds.” and he just listed off so many of his friends who died from it, people who he knew personally and for years. and he even said he has no idea how he made it out alive.
it was really interesting because he said before the aids epidemic, being gay was almost cool. like, it was really becoming accepted. but aids forced everyone back in the closet. it destroyed friendships, relationships, so many cultural centers closed down over it. it basically obliterated all of the progress that queer people had made in the past 50 years.
and like, it’s weird to me, and what i brought to the conversation (i really couldn’t say much though, i was speechless mostly) was like, it’s so weird to me that there’s no continuity in our history? like, aids literally destroyed an entire generation of queer people and our culture. and when you think about it, we are really the first generation of queer people after the aids epidemic. but like, when does anyone our age (16-28 i guess?) ever really talk about aids in terms of the history of queer people? like it’s almost totally forgotten. but it was so huge. imagine that. like, dozens of your friends just dropping dead around you, and you had no idea why, no idea how, and no idea if you would be the next person to die. and it wasn’t a quick death. you would waste away for months and become emaciated and then, eventually, die. and i know it’s kinda sophomoric to suggest this, but like, imagine that happening today with blogs and the internet? like people would just disappear off your tumblr, facebook, instagram, etc. and eventually you’d find out from someone “oh yeah, they and four of their friends died from aids.”
so idk. it was really moving to hear it from someone who experienced it firsthand. and that’s the outrageous thing - every queer person you meet over the age of, what, 40? has a story to tell about aids. every time you see a queer person over the age of 40, you know they had friends who died of aids. so idk, i feel like we as the first generation of queer people coming out of the epidemic really have a responsibility to do justice to the history of aids, and we haven’t been doing a very good job of it.
Younger than 40.
I’m 36. I came out in 1995, 20 years ago. My girlfriend and I started volunteering at the local AIDS support agency, basically just to meet gay adults and meet people who maybe had it together a little better than our classmates. The antiretrovirals were out by then, but all they were doing yet was slowing things down. AIDS was still a death sentence.
The agency had a bunch of different services, and we did a lot of things helping out there, from bagging up canned goods from a food drive to sorting condoms by expiration date to peer safer sex education. But we both sewed, so… we both ended up helping people with Quilt panels for their beloved dead.
Do the young queers coming up know about the Quilt? If you want history, my darlings, there it is. They started it in 1985. When someone died, his loved ones would get together and make a quilt panel, 3’x6’, the size of a grave. They were works of art, many of them. Even the simplest, just pieces of fabric with messages of loved scrawled in permanent ink, were so beautiful and so sad.
They sewed them together in groups of 8 to form a panel. By the 90s, huge chunks of it were traveling the country all the time. They’d get an exhibition hall or a gym or park or whatever in your area, and lay out the blocks, all over the ground with paths between them, so you could walk around and see them. And at all times, there was someone reading. Reading off the names of the dead. There was this huge long list, of people whose names were in the Quilt, and people would volunteer to just read them aloud in shifts.
HIV- people would come in to work on panels, too, of course, but most of the people we were helping were dying themselves. The first time someone I’d worked closely with died, it was my first semester away at college. I caught the Greyhound home for his funeral in the beautiful, tiny, old church in the old downtown, with the bells. I’d helped him with his partner’s panel. Before I went back to school, I left supplies to be used for his, since I couldn’t be there to sew a stitch. I lost track of a lot of the people I knew there, busy with college and then plunged into my first really serious depressive cycle. I have no idea who, of all the people I knew, lived for how long.
The Quilt, by the way, weighs more than 54 tons, and has over 96,000 names. At that, it represents maybe 20% of the people who died of AIDS in the US alone.
There were many trans women dying, too, btw. Don’t forget them. (Cis queer women did die of AIDS, too, but in far smaller numbers.) Life was and is incredibly hard for trans women, especially TWOC. Pushed out to live on the streets young, or unable to get legal work, they were (and are) often forced into sex work of the most dangerous kinds, a really good way to get HIV at the time. Those for whom life was not quite so bad often found homes in the gay community, if they were attracted to men, and identified as drag queens, often for years before transitioning. In that situation, they were at the same risk for the virus as cis gay men.
Cis queer women, while at a much lower risk on a sexual vector, were there, too. Helping. Most of the case workers at that agency and every agency I later encountered were queer women. Queer woman cooked and cleaned and cared for the dying, and for the survivors. We held hands with those waiting for their test results. Went out on the protests, helped friends who could barely move to lie down on the steps of the hospitals that would not take them in — those were the original Die-Ins, btw, people who were literally lying down to die rather than move, who meant to die right there out in public — marched, carted the Quilt panels from place to place. Whatever our friends and brothers needed. We did what we could.
OK, that’s it, that’s all I can write. I keep crying. Go read some history. Or watch it, there are several good documentaries out there. Don’t watch fictional movies, don’t read or watch anything done by straight people, fuck them anyway, they always made it about the tragedy and noble suffering. Fuck that. Learn about the terror and the anger and the radicalism and the raw, naked grief.
I was there, though, for a tiny piece of it. And even that tiny piece of it left its stamp on me. Deep.
2011
A visual aid: this is the Quilt from the Names Project laid out on the Washington Mall
I was born (in Australia) at the time that the first AIDS cases began to surface in the US. While I was a witness after it finally became mainstream news (mid-85), I was also a child for much of it. For me there was never really a world Before. I’m 35 now and I wanted to know and understand what happened. I have some recommendations for sources from what I’ve been reading lately:
And the Band Played On: Politics, People and the AIDS Epidemic by Randy Shilts is a seminal work on the history of HIV/AIDS. It’s chronological and gives an essential understanding of all the factors that contributed to the specific history of the virus’ spread through the US and the rest of the world, the political landscape into which it landed (almost the worst possible)*. Investigative journalism and eyewitness account. Shilts was himself an AIDS casualty in 1994.
AIDS at 30: A History by Victoria Harden
The Origin of AIDS by Jaques Pepin for the science of it all.
Moving Politics: Emotion and ACT UP’s Fight against AIDS.
The Secret Epidemic: The Story of AIDS and Black America.
Larry Kramer is a pretty polarising figure and he had issues with the sexual politics of gay New York to begin with (see: Faggots) but he’s polarising for a reason: he’s the epidemic’s Cassandra. Reports from the Holocaust collects his writings on AIDS.
I don’t think I can actually bring myself to read memoirs for the same reason I can’t read about the Holocaust or Stalinist Russia any more. But I have a list:
The AIDS Generation: Stories of Survival and Resilience
The Quilt: Stories from the Names Project
Body Counts: A Memoir of Politics, Sex, AIDS, and Survival by Sean Strub
Borrowed Time: And AIDS Memoir by Paul Monette
Read or watch The Normal Heart. Read or watch Angels in America. Read The Mayor of Castro Street or watch Milk. Dallas Buyers Club has its issues but it’s also heartbreaking because the characters are exactly the politically unsavory people used to justify the lack of spending on research and treatment. It’s also an important look at the exercise of agency by those afflicted and abandoned by their government/s, how they found their own ways to survive. There’s a film of And the Band Played On but JFC it’s a mess. You need to have read the book.
Some documentaries:
Common Threads: Stories from the Quilt (1989) [hard to find]
How to Survive a Plague (2012)
We Were Here (2011)
Everyone should read about the history of the AIDS epidemic. Especially if you are American, especially if you are a gay American man. HIV/AIDS is not now the death sentence it once was but before antiretrovirals it was just that. It was long-incubating and a-symptomatic until, suddenly, it was not.
Read histories. Read them because reality is complex and histories attempt to elucidate that complexity. Read them because past is prologue and the past is always, in some form, present. We can’t understand here and now if we don’t know about then.
*there are just SO MANY people I want to punch in the throat.
They’ve recently digitized the Quilt as well with a map making software, I spent about three hours looking through it the other day and crying. There are parts of it that look like they were signed by someone’s peers in support and memoriam, and then you realize that the names were all written in the same writing.
That these were all names of over 20 dead people that someone knew, often it was people who’d all been members of a club or threatre group.
Here’s the link to the digitization: http://research.microsoft.com/en-us/um/redmond/projects/aidsquilt/
As well, there are numerous people who were buried in graves without headstones, having been disenfranchised from their families. I read this story the other day on that which went really in depth (I would warn that it highlights the efforts of a cishet woman throughout the crisis): http://arktimes.com/arkansas/ruth-coker-burks-the-cemetery-angel/Content?oid=3602959
I’ve had several conversations recently with younger guys for whom this part of our history isn’t well known. Here are some resources for y'all. Please, take care of one another.
http://www.aidsquilt.org/view-the-quilt/search-the-quilt
Updated link to the quilt
this is so hard to read or even think about but… it’s so important. it’s so important to understand just the …overwhelming SCALE of this. how many people died while the government did NOTHING.
Reblogging for pride
Never forget your fallen. Your people were nearly annihilated in an epidemic. Never forget how lucky we are, never forget how they tried to let us die.
I grew up hearing about the Quilt all the time and this post reminded me how long it’s been since I’ve heard about it. Kids, go out and learn your history.
weathering with you (2019) dir. makoto shinkai
there's two types of conspiracy theories in american culture:
blatant antisemitism
not actually a conspiracy theory the cia really admitted to doing this in declassified documents that are publicly available but the average american is so brainwashed by nationalist fervor that they refuse to believe it and call it a conspiracy even though, and i cannot stress this enough, the government literally admits to doing it
list of mundane things that feel like ancient human rituals
cleaning or wipe your bare feet
breaking off a piece of bread and handing it to someone
putting the weight of a basket on your hip or head
eating nuts or berries while hunched over close to the ground
seeing something startling just out of your line of sight and very quickly stepping or leaping on to a larger object to get a better view
cupping your hands into running water to wash your face
the unanimous protection of a baby or child in a public space where women are present
when an elderly woman laughs and grips your forearm tightly
May I add?
Touching someone’s face with the back of your hand to see if they have a fever
Stopping to watch animals moving in groups (geese, fish, horses, butterflies, bees)
Helping an elderly person to walk or sit
telling stories around a fire
huddling together for warmth when it’s cold
marveling at sunlight through leaves
wonderment at the brightness of a full moon
bringing food to sick or grieving families
is that you, in those paintings?
https://www.instagram.com/p/CIlMzjOLWPZ/
Keying/graffiti-ing someones car is old news now if someone cheats we go at their wardrobe with a seam ripper
yknow what? Fuck you *unstitches all your shirts and jeans*
My mother did this to my father once. They got into an argument, my very pregnant and hormonal mother stormed off…except they lived in a tiny apartment so the only place to go was to shut herself into the closet for a good long sulk. And while she was sitting in there, fuming, she looked up and saw her sewing kit on the shelf, and all my father’s uniforms hanging right there.
So she picked one shirt and one pair of trousers, carefully, methodically ripped every third stitch out of every seam, and then hung them back up together so that he would be likely to pick them at the same time. This took her a couple hours, so by the time she was done, the anger had worn down. She came out, she and my father had a talk that ended in apologies, after which they were tired and went to bed. My mother swears up and down that she meant to warn my father about the sabotaged clothes in the morning, but he wore a different uniform set and they were both still feeling a little raw, so she didn’t want to bring up the fight again. She decided to tell him that night instead.
And then she forgot.
Anyway, about four days later, my father apparently came home roughly an hour after he left for work, his clothes slowly, gently shredding off his body, the most bewildered expression on his face. “Paula,” he said, his voice mildly shell-shocked. “Paula, my clothes are broken.”
My mother promptly burst out laughing so hard that she went into labor. And that’s the story of my birth, heralded by petty vengeance and utter confusion.
I spy.
You guys, you must stop doing this. You must. We cannot keep yelling at you about it because it makes us so angry, and we are already angry all the time, about real things, like how our lives are turning into a real world Handmaid’s Tale, ha ha ha ha ha ha ha haha ha ha ha ha ha. We cannot keep spending our energy being mad at mediocre men for writing mediocre books that inexplicably win awards and that people tell us to read, for some fucking godawful who knows reason.
So men. My guys. My dudes. My bros. My writers. I am begging you to help me here. When you have this man in your workshop, you must turn to him. You must take his clammy hands in yours. You must look deep into his eyes, his man eyes, with your man eyes, and you must say to him, “Peter, I am a man, and you are a man, so let us talk to each other like men. Peter, look at the way you have written about the only four women in this book.” And Peter will say, trying to free his hands, “What? These are sexy, dynamic, interesting women.” And you must grip his hands even tighter and you must say to him, “ARE THEY, PETER? Why are they interesting? What are their hobbies? What are their private habits? What are their strange dreams? What choices are they making, Peter? They are not making choices. They are not interesting. What they are is sexy, and you have those things confused, and not in the good way where someone’s interestingness makes them become sexy, like Steve Buscemi or Pauline Viardot. Why must women be sexy to be interesting to you? The women you don’t find sexy are where, Peter? They are invisible? They are all dead?” He is trying to escape! Tighten your grasp. “Peter, look at this. I mean, where to begin. ‘She could have been any age between eighteen and thirty-five?’ There are no other ages, I guess? Do you know what eighteen-year-olds really look like, in life? Do you know what thirty-SEVEN-year-olds look like, god forbid? And not that this is even the point, but why are these supposedly sexy and dynamic and interesting women BOTHERING with your boring garbage ‘on the skinny side of average’ protagonist? Why did you write it like this, Peter?”
And maybe Peter will say at last, “I don’t know.” Maybe he will be silent for a long long long time, and then maybe he will say, “I guess it’s scary and difficult for me to imagine the interiority of women because then i would have to know that my mother had an interiority of her own: private, petty, sexually unstimulating, strange: unrelated to me and undevoted to my needs. That sometimes I was nothing to my mother, just as sometimes she is nothing to me. That I was not at all times her immediate concern.”
“I know, Peter,” you can tell him gently.
“I don’t want to know that my mother was a human being with an internal life, because to know that would be to risk a frightening intimacy with her,” Peter will say, maybe. “Because to know that would be to know that she was only a small, complicated person, no bigger or smaller than I am, and I am so small. To know how alone she was. How alone I am. How alone we all are. That my mother survived with no resources more mysterious than my own. And yet she gave me life. My God: she gave me life. How can I pay her back for that? And how can I forgive her for it? How can I ever repay her for the good and the evil of it, my life, every day of my life?” He will be sobbing probably. “I am frightened of her. I am frightened of loneliness. I am frightened of dying. O God. My God. I didn’t know. I didn’t know.” Drool will run from his mouth as he cries. The way babies cry. He will be ashamed. You must hold him. You must say, “Shh, Peter. Shh.” Wrap your man arms around him. Hum into his thin hair as your own mother hummed once into your own sweet-smelling baby scalp. Kiss him gently on his mouth. There. You did it, men. You fixed sexism. Thank you. You’re the real hero here, as always, you men, and your special man powers, for making art.
Big yawn
i am of course Extremely Gay for madam/sir/??¿ knives-for-hands but also my main criteria for drawing fanart at this point is, can i reasonably put them in a very loud suit y/n?
(i do have a queue of other characters in mind and am also very easily persuaded to design more loud patterns so, uuuh, if you throw it out i might pick it up)
Gopher Tortoise
7.5 X7.5 in
marker, ink on thin paper
$30 original
$10 digital reproduction
(spoilers for tma season3) canonically assigned hot by basira
comment creds to the wonderful commenters in the screenshots, transcription will b in reblog
(u can find me at elliotly on youtube, soundcloud, n spotify for more music! also check out my musical podcast ”@whirlwindforhire if ur into musicals)
@themountedperfumier hey friend so i went on a tumblr dive and found some fucking treasure in Tim Stoker appreciation
My boyfriend is trying to explain cricket to me again. “He’s only got two balls to make 48 runs”, he says. The camera focuses on a man. Underneath him it says LEFT ARM FAST MEDIUM. A ball flies into the stands and presumably fractures someone’s skull. “There’s a free six”, my boyfriend says. 348 SIXES says the screen. A child in the audience waves a sign referencing Weet-Bix
The first time he showed me this I assumed he was pranking me
if people haven’t been exposed to cricket before, here is the experience. The person who likes cricket turns on a radio with an air of happy expectation. “We’ll just catch up with the cricket,” they say.
An elderly British man with an accent - you can picture exactly what he looks like and what he is wearing, somehow, and you know that he will explain the important concept of Yorkshire to you at length if you make eye contact - is saying “And w’ four snickets t’ wicket, Umbleby dives under the covers and romps home for a sticky bicket.”
There is a deep and satisfied silence. Weather happens over the radio. This lasts for three minutes.
A gentle young gentleman with an Indian accent, whose perfect and beautiful clear voice makes him sound like a poet sipping from a cup of honeyed drink always, says mildly “Of course we cannot forget that when Pakistan last had the biscuit under the covers, they were thrown out of bed. In 1957, I believe.”
You mouth “what the fucking fuck.”
A morally ambiguous villain from a superhero movie says off-microphone, “Crumbs everywhere.”
Apparently continuing a previous conversation, the villain asks, “Do seagulls eat tacos?”
“I’m sure someone will tell us eventually,” the poet says. His voice is so beautiful that it should be familiar; he should be the only announcer on the radio, the only reader of audiobooks.
The villain says with sudden interest, “Oh, a leg over straight and under the covers, Peterson and Singh are rumping along with a straight fine leg and good pumping action. Thanks to his powerful thighs, Peterson is an excellent legspinner, apart from being rude on Twitter.”
The man from Yorkshire roars potently, like a bull seeing another bull. There might be words in his roar, but otherwise it is primal and sizzling.
“That isn’t straight,” the poet says. “It’s silly.”
“What the fucking fuck,” you say out loud at this point.
“Shh,” says the person who likes cricket. They listen, tensely. Something in the distance makes a very small “thwack,” like a baby dropping an egg.
“Was that a doosra or a googly?” the villain asks.
“IT’S A WRONG ‘UN,” roars the Yorkshireman in his wrath. A powerful insult has been offered. They begin to scuffle.
“With that double doozy, Crumpet is baffled for three turns, Agarwal is deep in the biscuit tin and Padgett has gone to the shops undercover,” the poet says quickly, to cover the action while his companions are busy. The villain is being throttled, in a friendly companionable way.
An intern apparently brings a message scrawled on a scrap of paper like a courier sprinting across a battlefield. “Reddy has rolled a nat 20,” the poet says with barely contained excitement. “Australia is both a continent and an island. But we’re running out of time!”
“Is that true?” You ask suddenly.
“Shh!” Says the person who likes cricket. “It’s a test match.”
“About Australia.”
“We won’t know THAT until the third DAY.”
A distant “pock” noise. The sound of thirty people saying “tsk,” sorrowfully.
“And the baby’s dropped the egg. Four legs over or we’re done for, as long as it doesn’t rain.”
The villain might be dead? You begin to find yourself emotionally invested.
There are mild distant cheers. “Oh, and with twelve sticky wickets t’ over and t’ seagull’s exploded,” the man from the North says as if all of his dreams have come true. “What a beautiful day.” Your person who likes cricket relaxes. It is tea break.
The villain, apparently alive, describes the best hat in the audience as “like a funnel made of dove-colored net, but backwards, with flies trapped in it.”
This is every bit as good as that time in Australia in 1975, they all agree, drinking their tea and eating home-made cakes sent in by the fans. The poet comments favorably on the icing and sugar-preserved violets. The Yorkshire man discourses on the nature of sponge. The villain clatters his cup too hard on his saucer. To cover his embarrassment, the poet begins scrolling through Twitter on his phone, reading aloud the best memes in his enchanting milky voice. Then, with joy, he reads an @ from an ornithologist at the University of Reading: seagulls do eat tacos! A reference is cited; the poet reads it aloud. Everyone cheers.
You are honestly - against your will - kind of into it! but also: weirdly enraged.
“Was that … it?” you ask, deeming it safe to interrupt.
“No,” says the person who likes cricket, “This is second tea break on the first day. We won’t know where we really are until lunch tomorrow.”
And - because you cannot stop them - you have to accept this; if cricket teaches you anything, it is this gentle and radical acceptance.
Kevin Allred schooling @CountryMusic on black roots of country music
This was SO COOL! I LOVE learning about things I never would have known cuz im not a country fan. #Love it!
I say AGAIN:
BLACK WOMEN are the genesis of EVERYTHING.