RASSVET 5 GAUGUIN COLLECTION
noise dept.

@theartofmadeline
One Nice Bug Per Day
Peter Solarz
almost home
TVSTRANGERTHINGS
dirt enthusiast

blake kathryn
đȘŒ
styofa doing anything
Aqua Utopiaïœæ”·ăźćșă§èšæ¶ă玥ă
$LAYYYTER

titsay
tumblr dot com
DEAR READER
PUT YOUR BEARD IN MY MOUTH
KIROKAZE
AnasAbdin
we're not kids anymore.
todays bird
seen from United States
seen from United States
seen from United States

seen from United States
seen from Sweden
seen from United States
seen from United States

seen from United States
seen from United States
seen from Italy
seen from United States
seen from United States

seen from Brazil
seen from Italy

seen from United States

seen from United States
seen from United States

seen from United Kingdom

seen from Germany
seen from United States
@slumlordfacerip
RASSVET 5 GAUGUIN COLLECTION
A40 A close-knit community of travellers living under the A40 flyover in London.
MICHAEL CRAIG-MARTIN
Safety Pin (Blue), 2019.
JIMOTHY LACOSTE
VARKALA
India.
ECKHAUS LATTA
S/S 18.
GOSHA RUBCHINSKIY
SS18.
ESCAPING PRISON WITH DUNGEONS & DRAGONS
Great video.
NIKE / FRI.DAY
Nice.
ETUDES
Gus Van Sant
ASGARDIA
Russian scientist Dr Igor Ashurbeyli founded the world's first independent nation to operate in outer space in October 2016.
LOUIS JOBST
Great furniture from Louis Jobst.
MULTIPLE MAN
New Metal.  Art by James Stuart.
GOSHA RUBCHINSKIY
SS17.
WILL KENDRICK
At ArebyteLASER.
KOOL & THE GANG
Get Down on It.
SEEING I
For 24-hours a day, for 28-days, artist Mark Farid will wear a virtual reality headset, experiencing life through the eyes and ears of another: the Other.
Inspired by the âStanford Prison Experimentâ (1971), Jean Baudrillardâs âSimulacra and Simulationâ (1981), and Josh Harrisâ âQuiet: We Live in Publicâ (1999), Seeing I will confine Farid to a gallery space in London, subjected to the simulated life of the projectâs Other. With no pre-knowledge of, or existing relationship to the Other, the only details confirmed to Farid will be that the Other is in a relationship and at least eighteen years of age.
For the duration of the projectâs 28-days, Farid will experience no human interaction relative to his own life, allowing his indirect relationship with the Other to become Farid's leading narrative. Will the constant stream of artificial sights and sounds start to displace his own internal monologue?
Adapting the question of nature vs. nurture to the digital age, Seeing I will consider how large a portion of the individual is an inherent self, and how large a portion is a consequence of environmental culture. Will the 28-days alter Faridâs movement, mannerisms, personality, memory or rationale? Without freewill to determine who he is, will Faridâs consciousness be enough to deter significant changes?
Here:Â http://www.seeing-i.co.uk/