
titsay

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RMH
Three Goblin Art

★

Kiana Khansmith

oozey mess

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Jules of Nature

Janaina Medeiros
🪼
DEAR READER
NASA
Sweet Seals For You, Always
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tannertan36
2025 on Tumblr: Trends That Defined the Year
ojovivo
dirt enthusiast
h
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@snailup
this is probably one of the funniest things i’ve ever seen.
“We are still the offspring of a violent, blood-soaked, ignoble history - the end products of man’s domination of man. We may never end this condition of domination. The future may bring us and our shoddy civilization down in a Wagnerian Götterdämmerung. How idiotic it would all be! But we may also end the domination of man by man. We may finally succeed in breaking the chain to the past and gain a humanistic anarchist society. It would be the height of absurdity, indeed of impudence, to gauge the behavior of future generations by the very criteria we despise in our own time. Free men would not be greedy, one liberated community would not try to dominate another because it had a potential monopoly of copper, computer “experts” would not try to enslave grease monkeys, and sentimental novels about pining tubercular virgins would not be written. We can ask only one thing of the free men and women of the future: to forgive us that it took so long to get there and that it was such a hard pull. Like Brecht, we can ask that they try not to think of us too harshly, that they give us their sympathy and understand that we lived in the depths of a social hell.”
— Murray Bookchin, Scarcity and Post-Scarcity (via fyeahmurraybookchin)
“The goal of capitalism isn’t to set people free. The goal is to profit, as steadily as possible, off their continued neediness. I struggle when I hear certain people decrying the poor for being ‘needy’ and appearing helpless. For what has capitalism created over the centuries, if not a system that provokes need, binds people to corporate offerings, and does its best to ensure they can never really get out from under the crushing burden of debt we saddle them with in exchange for ‘allowing’ them to work for the capitalist system? The absolute 'worst’ outcome in a capitalistic enterprise is to create something that enables people to become more self-sufficient. By fostering self-sufficiency, the business undermines its ability to continue to harvest money off its dependents.”
— Eileen Workman (via all-is-for-all)
“I’m torn between the desire to create and the desire to destroy.”
“An overwhelming impulse to cast ourselves away and reject everything, to become nothing at all, utterly destroying what makes us what we are, offering the present only solitude and nothingness, and returning to the only platform where our destinies can suddenly be renewed. The temptation is a permanent one. Should we resist, or give way? Is it possible to live a monotonous, repetitive life, while perpetually haunted by the thought of a work to be created, or should we adjust our life to this work, follow the lightening flash? It is my concern for beauty, for liberty, which causes me most anguish.”
-Albert Camus from Notebooks - 1935-1942
I’ve actually said these exact words like 3 weeks ago in front of the corner store when someone tried to rob me one night right before I snatched the gun out his hand and shot him in his leg then started stomping on the wound and pistol whipping his teeth out. Literally, there were teeth all over the concrete. Then I felt merciful so I took the bullets out the gun, took it apart and left it on the ground and walked away… which was a mistake cuz he put it back together and shot me in my right calf muscle when I was like 100 yards away. So not wanting to get arrested for going to the hospital with a gunshot wound I walked home stripped down to my boxers and got in the tub with some needle nose pliers and dug the bullet out my leg myself… but I lost so much blood that I passed out. Luckily my sister came up and saw that the bathroom light was on and the door was open so she went to turn it off and close the door and saw me pale as fuck passed out in my blood. She tightened the tourniquet on my leg a lot tighter and smacked the Fuck outta me till I woke up then got me to the hospital right around the corner where I died for approx 3 mins while I got a blood transfusion. We told they dr. It was from a bow and arrow lol. That’s is when I found out That I’m probably not human because I have an ultra rare blood type that according to modern science, the dna cannot be traced back to same monkey that like 80% of other blood types are traced back to, RH-. scientists have no clue where this blood type originated from. That is part of the reason why sometimes I refer to people as “human” as though I am not one lol. But yeah, I died a few weeks ago… That was the third time I’ve died since I was born lol. No I will not share with anyone what I saw on the other side, because the same entity told me not to each time.
wild
Jesus
methed-up-saumrai is the only good poster
awesomepeoplehangingouttogether:
Dave Grohl, RuPaul, Frances Bean and Kurt Cobain
memo
Let’s Talk About the Design of PPG's Humans
AKA the Citizens of Townsville.
Continuing the series of talking about PPG 1998 design elements from when I talked about the backgrounds and world design of PPG, Let’s take a greater focus on human characters.
A reminder, The powerpuff girls and many cartoons from their era were inspired by the UPA style of animation from the 1950s. I recently discovered a good write up about how this style influenced shows like the Powerpuff Girls from an animation Blog that you can take a gander at here.
That being said, when it comes to the humans of the PPG world they continue to use a strong, sharp geometric style that stands out. It’s been stated before that the humans were intentionally designed this way along with the rest of the PPG world to make the Powerpuff Girls stick out even more with how round they are.
Fortunately I managed to gather a bunch of episode sheets for background characters from Season 1 of Powerpuff Girls. So let’s study them so we can better understand their design.
Now, when I say the characters are “Geometric,” I mean that they are largely defined by simple shapes. Circles, Squares, and Triangles.
If we look at these three incidentals. We can see that they defined by large shapes, accented with smaller shapes within to make their design. Their eyes are often circles. Their heads could be circles, squares or even sharp triangles. Each of these gives these incidental characters a sense of personality even if we only see them on screen for one scene.
Notice how even their poses can be defined by simple shapes. They re snappy with details that are easy to notice even from a distance away.
We can even see this with the secondary and main humans.
The Professor is made up of mostly squares and rectangles. As he is often the rock, the foundation and source of stability for the girls.
Ms. Keane is rounder, predominated by ovals. Her body is one solid oval, and her overall look makes her appear very friendly, the kind of person you’d want to see being a teacher to young children.
The Mayor is round as well, but his ovals make him look more portly. Someone you could see being a jolly and equally bumbling fellow.
Ms. Bellum is both sharp and round. From her legs to her arms and her hips. The balance between the two shapes make her a more dynamic character. One who is friendly to the girls, dry to the mayor, and has even stood her own in a few fights.
These are all important ideas to keep in mind, as the Powerpuff Girls world isn’t normally full of PPGs like the girls. It’s full of these geometric, yet diverse humans!
I’ve kept this in mind when designing Tara, Chris, Kevin, and Nancy. Some of my Human PPG OCs. Trying to give them a distinct look, one that can tell you about their personalities at a glance.
Tara is tall and round, friendly but tends to worry and fret as most of the sharper parts of her design are around her head. Chris is short, round, but largely in a squarish shape to show they are the more grounded of the two. Kevin is largely rectangular with some odd round shapes to show he’s strong but kind. Nancy is mostly round, with some rectangular and pointed shapes to show she’s equal parts friendly and dynamic. Perhaps Sassy?
In conclusion. Main, Secondary, Incidental, or otherwise, the way a character is built is an important aspect to their design.
We as humans tend to associate certain shapes with certain things, and the artists and designers took advantage of that when emulating the UPA style. Giving Townsville a very visually diverse, yet easy to visually read an identify population
A useful thing to keep in mind whether you’re a fan who creates content or a casual appreciator of cartoons, and I encourage those who have taken the time to read this to be observant in what goes into a character’s design. What shapes can you identify? What is it about a character’s shape or look that makes them visually distinct? As while even an incidental character could only appear once and never again, it’s important to consider how they might look in a scene, in crowd, and how that look serves the media they come from.
Wallace Polsom, Oracular Vision (2022), paper collage, 17.7 x 25.7 cm.
they gave a beetle tibbies
An area of my yard has a lot of hedge bindweed (Calystegia sepium) growing on the fence, so I’ve decided to make something with it. I have made a simple small basket-bowl out of bindweed before, but I wanted to make something a little different, so I made this figure.
At first I just made a person shape, but I soon decided to add some antler-like pieces onto the head. I just thought it looked cool, but they also kinda remind me of Cernunnos (the Horned God).
Bindweed does shrink a little when it dries, I haven’t had any problems with the shrinkage before, but hopefully it all dries nicely!
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Currently for sale on my Etsy, NeuroqueerCrafting. Decorate your fridge or any other magnetic surface with these cute cryptid magnets, featuring: everybody’s favorite walking pants, the Fresno Nightwalkers; the one, the only, the Loch Ness Monster; and Point Pleasant's not-so-friendly neighborhood Mothman.
If you’re interested in similar custom-made magnets with different cryptids, message me to discuss possibilities!
ID: three square magnets that together read “live laugh lurk.” The live magnet shows 2 Fresno nightwalkers, white figures that resemble pants with eyes, walking down a hill with a starry sky behind them. The laughs magnet shows the Loch Ness monster in a lake with a hill with a tower behind. The lurk magnet shows Mothman with orange autumn leaves on the ground around him and a road in front of him.
San Francisco, California // Yameen