Someone had to do it.

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@so-tur-no
Someone had to do it.
yet again i am thinking about the good version of spn in my head where henriksen never died and he’s working at the fbi as a contact on the inside for hunters and when the fake winchesters start robbing banks he’s just like guys seriously How are you justifying this i try for you guys but what the fuck
has this been done yet?
SKAM AS MOVIES COVERS;
REBLOG OR FAV IF YOU LIKED/SAVED.
the story of a man, an angel, and the corpses of 1000 evil men
young royals season 2, coming 2022
no, but bedlund’s episodes are thee essence of what supernatural is, or rather what it should have been. it’s thee reason the good imaginary version of supernatural that lives in our heads even exists. all of his episodes are so incredibly complex and insightful. they have the vibe. they’re dark, gritty, usettling. or they’re absolutely batshit and hilarious. or both. the dichotomy of his writing. high stakes and humor. nightshifter’s plot and good cinema “renegade” scene at the end. on the one hand you have the french mistake or bad day at black rock and on the other you have the end or abandon all hope. “i think you pissed off my sandwich” and “the only thing i think we have left, dean me, is each other”. wishful thinking. suicidal teddy bear and dean’s hell trauma. my bloody valentine. cas eats hundreds of burgers and dean is so traumatized that even famine sees that he is dead inside. then bedlund’s insane talent of understanding angels and grasping the sheer potential of introducing them to the show. he was the only one who actually knew heaven. on the head of a pin? the “for the first time i feel” and “it gets worse”? his episodes have this perfect balance of plot related and character related issues. in simon said we follow the plot. but we also learn that hunters will resent sam for being different. and dean is scared that they’ll be right. those episodes somehow go deeper; they make us understand characters’ motivations and the general construction of the supernatural world and all of its intrinsic details. they are cohesive. in the end the characters go on a suicide mission to kill the devil with the colt, and in the devil you know we learn that it would never actually work. the meaning is enhanced in retrospect. sam’s speech in the great escapist, him explaining he never felt pure, not even as a child. all of that makes sense for the current plot, but makes the previous seasons and storylines so much worse. another thing is bedlund’s insane and innovative approach to portraying the story. in ghostfacers we learn that the show is actually a crooked mirror. it’s a censored version of the characters’ reality. monster movie is black and white. thee masterpiece the man who would be king? let’s not even go there. repo man is a monster of the week. but is it? there is a twist. “love of my life, actually”. it’s something that makes you stop and think once again. blood brother. hollywood babylon. clap your hands if you believe and “did you service oberon, king of the fairies” and then everything about everybody hates hitler. bedlund introduces us to new ideas, new characters, new perspectives and then actually remembers, weaves, and resolves them in his later episodes. and he hopes the other writiers will follow. they don’t.
I personally love it when actors are not normal about the characters they play. I love it when they get attached and start saying weird shit cause they have clearly been thinking about it. Yes court jester, tell me more of your special little headcanons.
besties<3
i can’t talk shit about the pirates of the caribbean films as if elizabeth swann becoming pirate king didn’t hand my entire ass to me and make me the gay i am today
these 2 looks basically defined my sexuality and i’m not afraid to admit it
things pirates of the caribbean got right:
1. will and elizabeth’s love story
2. elizabeth becoming pirate king
3. avoiding sexualizing elizabeth or the other female pirate characters in the first 3 films by allowing them to wear period-accurate pirate outfits that aren’t tailored to be revealing and impractical for ‘sex appeal’ just because they’re women
4. hans zimmer’s entire score but especially the iconic ‘he’s a pirate’ main theme
5. When the movie came out, morally-gray characters like Jack were actually not really a thing yet in pop culture, and it’s not Pirates’ fault that there are a ton of stupid shitty copycats out there.
6. I run a corseting panel at cons and literally use Elizabeth’s lace-up scene as a video clip of what historical corseting was actually like, because the only thing they got wrong in this scene is that tightlacing wouldn’t be a thing for about another 200 years (and you couldn’t tightlace with the corset style Elizabeth is wearing anyway). It’s one of the most accurate corseting scenes I’ve ever seen.
7. Will’s hat.
8. That scene with all the pirates on the gallows where that little boy starts singing Hoist the Colours? Yeah, that’s fucking legendary. The rest of AWE was kind of a trash fire, but that scene gave me goosebumps.
9. There’s this great shot in the first one where they really drive home the class differences inherent in this time period by having the governor talking about progress and civilization to Elizabeth in their carriage, and then they cut to a shot outside the carriage where a beggar gets splashed by mud from the wheel. It’s a perfect way to underline that everything is not, in fact, a nice little upper-class fairytale, and to give some weight to Will’s storyline, because he has a lot more in common with that beggar than with the governor.
10. For its time, the CGI was fucking amazing.
11. And let’s not forget the work of the makeup department, which had to actually invent new ways of putting on makeup for this movie.
12. The governor’s death scene. Holy shit.
13. They could have gone with a Jack/Will/Elizabeth love triangle, but they didn’t. There are some hints Jack is in love (or at least in lust) with Elizabeth, but he recognizes that she loves Will, and that’s that.
14. You’ve got to admit that wedding was unique.
15. The introduction of fantasy elements to historical fiction outside of Tolkein-esque fantasy, and how it contributed to and expanded the Fantasy Media boom we’re still enjoying today.
1. They had a woman of colour play a goddess.
2. They had a woman pirate right in the first film, when the tradition is to only show male ones (hell, the PotC ride at Disney had a wench auction scene until recently). And it was a female pirate of colour at that!
3. Elizabeth may not have known how to fight in the first film, but she wasn’t helpless either. Her first instinct was to fight, but she also had the brains to recognize when it was best to hide instead. Plus when given the chance she stabbed Barbosa that one time.
4. Elizabeth’s lack of fighting ability was not simply because she was a woman, it was clear it was due to her societal circumstances, since we saw other women of different socioeconomic backgrounds being able to fight (and when given the opportunity to learn Elizabeth took to fighting like a duck on water).
5. The Hoist the Colours scene where we see pirates of multiple ethnicities and their varying flags, reminding us that pirates came in all shapes and sizes and weren’t just white men.
6. One of the Pirate Lords being yet ANOTHER woman of colour. She may not have had much of a speaking role if memory serves, but even her presence is already a big deal.
7. The pirates accepting their King is a woman without much fuss.
Pirates is amazing I will not here a bad word
Davy Jones CGI is legendary and a ton better than some of the stuff done today 😄
I’m pretty sure that female Chinese pirate was a nod to a real, documented female pirate king who was Chinese and had a whole fleet of ships at her disposal but I can’t remember her name rn
https://en.wikipedia.org/wiki/Ching_Shih
My favorite part about the Bretheren Court voting wasn’t that they were against Elizabeth for becoming King as a woman and newcomer. They were pissed at Jack for being a chaotic neutral who broke the decades long tradition of an egotistical stalemate by voting for someone besides himself.
Also, the deleted scenes from Black Pearl and At World’s End that divulge more of Jack’s troubled past, like how he was branded as a pirate by the East Indian Trading Company because he stole a ship full of slaves and freed them.
“People aren’t cargo, mate.”
Love these movies.
wille & erik's phone call but it's my mind
wille: dude i wanna stay in here for da weekend
erik: omg YOU MET SOMEONE
wille: what?? no
erik: dont lie to me mf
wille: okay well u said adapt
erik: I SAID ADAPT NOT FALL IN LOVE
so it's confirmed now that erik's favorite song is remember and we were robbed of erik and wilhelm singing it together in the car in episode 1 ???
and the snowglobe was a gift from erik to wilhelm before they drove to hillerska 🥲
i need the deleted scenes now!
SKAM S3 | YOUNG ROYALS
Love the parallels!
If you like one, you will like the other!
dean was like sorry I'm not that kind of serial killer do you still think I'm hot and worth the chase?
victor said hm. yeah.
edvin ryding as prince wilhelm | young royals (2021)
why can’t i just have a relationship with him? and not say anything. just live a normal life. you’re the crown prince. and that’s a privilege, not a punishment. but i didn’t ask for this! well, nobody has ever asked for this! you’re the only one who can take over the throne after erik. don’t you understand that?
young royals (2021) | the soundtrack in season one