Alecto // Annabel Lee
timelapse under the cut
Not today Justin
"I'm Dorothy Gale from Kansas"

Andulka
Keni
Cosimo Galluzzi
Claire Keane
Aqua Utopia|海の底で記憶を紡ぐ
YOU ARE THE REASON
Today's Document
Xuebing Du

#extradirty
occasionally subtle
The Stonewall Inn
RMH
trying on a metaphor
TVSTRANGERTHINGS
d e v o n
NASA
Sweet Seals For You, Always
hello vonnie
seen from Ecuador

seen from Malaysia

seen from China

seen from Malaysia

seen from Canada

seen from United States
seen from United States

seen from Malaysia
seen from Russia

seen from United States

seen from Canada
seen from Germany

seen from Netherlands

seen from United Kingdom

seen from Spain
seen from Italy

seen from Sweden

seen from United Kingdom
seen from Netherlands

seen from United States
@soapy-birblover
Alecto // Annabel Lee
timelapse under the cut
I was inspired by the black-out poems made by @playing-with-colors and decided to apply it to the locked tomb series!
Palamedes my beloved
GRIDDLEHARK AND CAMPAL ARE OPPOSITES BUT ALSO PARALLEL TO EACH OTHER AND IT MAKES ME SO INSANE
6th House is on mercury and 9th House is on pluto so they're on the opposite ends of the dominicus system
9 is 6 uspide down and 6 is 9 upside down
the Ninth House and the Sixth House are religion vs science
Gideon and Harrow are (were) childhood enemies, Camilla and Palamedes are (were) childhood friends. Gideon and Harrow had a hard time trusting each other, Camilla and Palamedes trusted each other with everything.
Gideon and Harrow are all about forgetting ("But I don’t even remember about you most of the time", the whole lobotomy situation), Camilla and Palamedes are all about remembering ("I’ve carried you, Warden. And I’ve carried your memory … I’d rather carry you", "Palamedes remembers everything: That was his problem. I always remember him. That’s mine")
Gideon and Harrow are water (the Pool Scene, Gideon being in the "well" in Harrow's mind, Harrow deciding to stay in the River and Gideon "dying" in the River), Camilla and Palamedes are fire (Palamedes's first death, Palamedes and Camilla's lyctoral ascention)
in griddlehark's case the necromancer carried their cavalier's soul, in campal's case the cavalier carried their necromancer's soul
Gideon and Palamedes sacrificed themselves, Harrow then carried Gideon's sword even though it was killing her and Camilla carried Palamedes's bones even though boe electrocuted her for it
Gideon and Camilla are both "devotion's casualties"
Harrow and Camilla risked permanent brain damage to save the souls they carried
Gideon barely had any training for her position and Camilla trained her whole life, but they both didn't normally use their rapiers and were both set on fighting rather than on traditional duelling
the 6th and the 9th are both poor, underestimated, dying houses. Harrow and Palamedes have been leading them since they were very young and they do anything to try to improve the situation
Harrow fell in love with the Body when she was 10, Palamedes began writing to Dulcinea when he was 8. both into old dead chicks (as Gideon phrased it) while also loving their cavaliers
Camilla watched Gideon impale herself to force Harrow's ascention, Gideon watched Camilla light herself on fire during her and Palamedes's ascention
"This was your shell but it was all filled up with me" & "It's not you. It's me wearing you"
"I keep turning around to find you, and there’s nobody there." "I know the feeling." & "You’d touched that letter, and I—you know it was killing me twice that you weren’t there, right? You must know it was destroying me to be there in your body, trying to keep your thumbs on, and I couldn’t even hear your damn voice?"
"Kiriona Gaia was staring politely at the side of the truck, as though there were something really interesting on the paintwork" & "Even Camilla, who had turned away to politely investigate something on the opposite wall, wasn’t there"
"It was just her and Harrow and Harrow’s bitter, high-boned, stupid little face" & "Palamedes said, and now Nona knew he wasn’t speaking to anyone else in the universe"
AND
AND
AND
AND
there's probably more, that's just from the top of my head. but yeah, they make me insane and i'm foaming at the mouth.
the locked tomb is so relatable
I think something people are really missing when analyzing the Backrooms film is that like... Mary was a terrible therapist for Clark lmao. Clark very clearly struggles with rumination (OCD legend tbh) and Mary facilitates this behavior by making him repeatedly RP his lowest moment. And even before Clark loses it she doesn't challenge him on his behavior, telling him that his reaction was "normal" during their first scene. She unwittingly drove Clark deeper into his self-destructive thought loops. The table scene is her realizing how fucked up it was to make him RP that moment, and how out of her depth she is when it comes to other people. She did not understand Clark, and does not have the ability to help him. Mary's scenes are surreal and temporally confused because she's already stuck in the Backrooms. Her trauma has completely colored her life and her perception of others. Her self-help book is very specifically about her own experiences. And I'm not saying she was a bad person or anything, I'm sure she had a lot of good insight for people who had similar traumas to hers. But she is also very much stuck in her own loop that prevents her from helping people regardless of how much she might want to. Her methods were disastrous for Clark. There is definitely a gendered element to Mary and Clark's dynamic but we gotta remember that she is his therapist. She could have him institutionalized if he acts out of line or even just says something too concerning, Clark expresses this fear directly when he tells her about the Backrooms. (Which is especially relevant given the racial dynamics at play.) Like yes ultimately Clark made the choice to give up on being a better person, but he did so partially because Mary, as a medical authority in his life, failed to provide the correct kind of care. As much as Mary appears to have her life together she is also ultimately alone, stuck in a loop, just like Clark.
A scorpion, not knowing how to swim, asked a frog to carry it across the river. “Do I look like a fool?” said the frog. “You’d sting me if I let you on my back!”
“Be logical,” said the scorpion. “If I stung you I’d certainly drown myself.”
“That’s true,” the frog acknowledged. “Climb aboard, then!” But no sooner than they were halfway across the river, the scorpion stung the frog, and they both began to thrash and drown. “Why on earth did you do that?” the frog said morosely. “Now we’re both going to die.”
“I can’t help it,” said the scorpion. “It’s my nature.”
___
…But no sooner than they were halfway across the river, the frog felt a subtle motion on its back, and in a panic dived deep beneath the rushing waters, leaving the scorpion to drown.
“It was going to sting me anyway,” muttered the frog, emerging on the other side of the river. “It was inevitable. You all knew it. Everyone knows what those scorpions are like. It was self-defense.”
___
…But no sooner had they cast off from the bank, the frog felt the tip of a stinger pressed lightly against the back of its neck. “What do you think you’re doing?” said the frog.
“Just a precaution,” said the scorpion. “I cannot sting you without drowning. And now, you cannot drown me without being stung. Fair’s fair, isn’t it?”
They swam in silence to the other end of the river, where the scorpion climbed off, leaving the frog fuming.
“After the kindness I showed you!” said the frog. “And you threatened to kill me in return?”
“Kindness?” said the scorpion. “To only invite me on your back after you knew I was defenseless, unable to use my tail without killing myself? My dear frog, I only treated you as I was treated. Your kindness was as poisoned as a scorpion’s sting.”
___
…“Just a precaution,” said the scorpion. “I cannot sting you without drowning. And now, you cannot drown me without being stung. Fair’s fair, isn’t it?”
“You have a point,” the frog acknowledged. “But once we get to dry land, couldn’t you sting me then without repercussion?”
“All I want is to cross the river safely,” said the scorpion. “Once I’m on the other side I would gladly let you be.”
“But I would have to trust you on that,” said the frog. “While you’re pressing a stinger to my neck. By ferrying you to land I’d be be giving up the one deterrent I hold over you.”
“But by the same logic, I can’t possibly withdraw my stinger while we’re still over water,” the scorpion protested.
The frog paused in the middle of the river, treading water. “So, I suppose we’re at an impasse.”
The river rushed around them. The scorpion’s stinger twitched against the frog’s unbroken skin. “I suppose so,” the scorpion said.
___
A scorpion, not knowing how to swim, asked a frog to carry it across the river. “Absolutely not!” said the frog, and dived beneath the waters, and so none of them learned anything.
___
A scorpion, being unable to swim, asked a turtle (as in the original Persian version of the fable) to carry it across the river. The turtle readily agreed, and allowed the scorpion aboard its shell. Halfway across, the scorpion gave in to its nature and stung, but failed to penetrate the turtle’s thick shell. The turtle, swimming placidly, failed to notice.
They reached the other side of the river, and parted ways as friends.
___
…Halfway across, the scorpion gave in to its nature and stung, but failed to penetrate the turtle’s thick shell.
The turtle, hearing the tap of the scorpion’s sting, was offended at the scorpion’s ungratefulness. Thankfully, having been granted the powers to both defend itself and to punish evil, the turtle sank beneath the waters and drowned the scorpion out of principle.
___
A scorpion, not knowing how to swim, asked a frog to carry it across the river. “Do I look like a fool?” sneered the frog. “You’d sting me if I let you on my back.”
The scorpion pleaded earnestly. “Do you think so little of me? Please, I must cross the river. What would I gain from stinging you? I would only end up drowning myself!”
“That’s true,” the frog acknowledged. “Even a scorpion knows to look out for its own skin. Climb aboard, then!”
But as they forged through the rushing waters, the scorpion grew worried. This frog thinks me a ruthless killer, it thought. Would it not be justified in throwing me off now and ridding the world of me? Why else would it agree to this? Every jostle made the scorpion more and more anxious, until the frog surged forward with a particularly large splash, and in panic the scorpion lashed out with its stinger.
“I knew it,” snarled the frog, as they both thrashed and drowned. “A scorpion cannot change its nature.”
___
A scorpion, not knowing how to swim, asked a frog to carry it across the river. The frog agreed, but no sooner than they were halfway across the scorpion stung the frog, and they both began to thrash and drown.
“I’ve only myself to blame,” sighed the frog, as they both sank beneath the waters. “You, you’re a scorpion, I couldn’t have expected anything better. But I knew better, and yet I went against my judgement! And now I’ve doomed us both!”
“You couldn’t help it,” said the scorpion mildly. “It’s your nature.”
___
…“Why on earth did you do that?” the frog said morosely. “Now we’re both going to die.”
“Alas, I was of two natures,” said the scorpion. “One said to gratefully ride your back across the river, and the other said to sting you where you stood. And so both fought, and neither won.” It smiled wistfully. “Ah, it would be nice to be just one thing, wouldn’t it? Unadulterated in nature. Without the capacity for conflict or regret.”
___
“By the way,” said the frog, as they swam, “I’ve been meaning to ask: What’s on the other side of the river?”
“It’s the journey,” said the scorpion. “Not the destination.”
___
…“What’s on the other side of anything?” said the scorpion. “A new beginning.”
___
…”Another scorpion to mate with,” said the scorpion. “And more prey to kill, and more living bodies to poison, and a forthcoming lineage of cruelties that you will be culpable in.”
___
…”Nothing we will live to see, I fear,” said the scorpion. “Already the currents are growing stronger, and the river seems like it shall swallow us both. We surge forward, and the shoreline recedes. But does that mean our striving was in vain?”
___
“I love you,” said the scorpion.
The frog glanced upward. “Do you?”
“Absolutely. Can you imagine the fear of drowning? Of course not. You’re a frog. Might as well be scared of breathing air. And yet here I am, clinging to your back, as the waters rage around us. Isn’t that love? Isn’t that trust? Isn’t that necessity? I could not kill you without killing myself. Are we not inseparable in this?”
The frog swam on, the both of them silent.
___
“I’m so tired,” murmured the frog eventually. “How much further to the other side? I don’t know how long we’ve been swimming. I’ve been treading water. And it’s getting so very dark.”
“Shh,” the scorpion said. “Don’t be afraid.”
The frog’s legs kicked out weakly. “How long has it been? We’re lost. We’re lost! We’re doomed to be cast about the waters forever. There is no land. There’s nothing on the other side, don’t you see!”
“Shh, shh,” said the scorpion. “My venom is a hallucinogenic. Beneath its surface, the river is endlessly deep, its currents carrying many things.”
“You - You’ve killed us both,” said the frog, and began to laugh deliriously. “Is this - is this what it’s like to drown?”
“We’ve killed each other,” said the scorpion soothingly. “My venom in my glands now pulsing through your veins, the waters of your birthing pool suffusing my lungs. We are engulfing each other now, drowning in each other. I am breathless. Do you feel it? Do you feel my sting pierced through your heart?”
“What a foolish thing to do,” murmured the frog. “No logic. No logic to it at all.”
“We couldn’t help it,” whispered the scorpion. “It’s our natures. Why else does anything in the world happen? Because we were made for this from birth, darling, every moment inexplicable and inevitable. What a crazy thing it is to fall in love, and yet - It’s all our fault! We are both blameless. We’re together now, darling. It couldn’t have happened any other way.”
___
“It’s funny,” said the frog. “I can’t say that I trust you, really. Or that I even think very much of you and that nasty little stinger of yours to begin with. But I’m doing this for you regardless. It’s strange, isn’t it? It’s strange. Why would I do this? I want to help you, want to go out of my way to help you. I let you climb right onto my back! Now, whyever would I go and do a foolish thing like that?”
___
A scorpion, not knowing how to swim, asked a frog to carry it across the river. “Do I look like a fool?” said the frog. “You’d sting me if I let you on my back!”
“Be logical,” said the scorpion. “If I stung you I’d certainly drown myself.”
“That’s true,” the frog acknowledged. “Come aboard, then!” But no sooner had the scorpion mounted the frog’s back than it began to sting, repeatedly, while still safely on the river’s bank.
The frog groaned, thrashing weakly as the venom coursed through its veins, beginning to liquefy its flesh. “Ah,” it muttered. “For some reason I never considered this possibility.”
“Because you were never scared of me,” the scorpion whispered in its ear. “You were never scared of dying. In a past life you wore a shell and sat in judgement. And then you were reborn: soft-skinned, swift, unburdened, as new and vulnerable as a child, moving anew through a world of children. How could anyone ever be cruel, you thought, seeing the precariousness of it all?” The scorpion bowed its head and drank. “How could anyone kill you without killing themselves?”
btw it's so fucking stupid you can be anxious physically in your body even after you've decided mentally you don't care. I'm supposed to be in charge here
We were never supposed to see Clark's wife. The film is about Clark and how he describes what happened that led him to her divorcing him and how he views her. It wouldn't matter if we saw her POV because Clark just wanted to go back to those simplier times when he had control and was able to "understand" her through his distorted lens
And thus we as an audience don't completely understand and so have to just go off of Clark and Mary's conversations (describing a dog to a person who has never seen one before)
She is not a person, she is a memory
Everyone in Mary's life was trying to keep her stagnant and obeying. Her mother wouldn't let her leave the house by her own strict rules, Clark wouldn't let her leave the kitchen until she said what he wanted her to, the async scientists wouldn't let her go because of the information she could provide. Her whole life was basically just being stuck in the backrooms of everyone else's creation.
a handprint made in concrete is just the image of a hand, it’s not the real thing. or, it’s the absence of a hand, more than anything, the negative space. the casing around where it should be. it’s an indent that was made from something real - that could not have existed without something real - but it’s not the real thing, it’s just trying to be. maybe it’s not even trying. you put your hand there with your mother and the concrete remembers, and the handprint doesn’t even know why it exists, it just does. if we can make copies and not-things from real things in the world, who’s the say the world couldn’t do that itself? does it even need to know why?
reading reviews and tags of backrooms (2026) makes me so fucking angry omfg. did the message go over everyone’s head????? cycles of abuse????? the immorality of the psychiatric and medical systems???? the horrors of being a woman in patriarchal society???? the horrors of being an abuse victim trying to navigate the world?????? the consequences of trying to ‘fix people’, especially men as a woman, and especially abusers as a survivor????? how trying to fix the abusive system you live under using the tools of that same system doesn’t work??????? how destructive enabling abusive behaviour, even as part of healing to ‘fix’ an abuser, can be????? is anyone listening or do you only care about the random white man!???!?!!!?????
“you don’t even have a dog” is probably the most haunting line to me because a lot of times society determines worth by romantic relationships and kids (and by extension, a dog). it doesn’t matter how smart and talented you are, or how much of an impact on the community you have, or how much you love the fog and the sand and the forests and the cliffs. you don’t even have a dog, so what would you be leaving behind? asking who is going to miss you? instead of what are you going to miss?
vs rocky who cared for and trusted the man’s intelligence enough to risk his own planet to go outside his enclosure to save grace. who loved him enough to give him a home full of things he didn’t always understand and colors he could never see and an ocean the human missed with real, working waves, and a classroom of kids so grace could do one of his favorite things every day. who knocked on grace’s door early in the mornings so they’d have time to sit on the beach
i'm going to lose my fucking mind
totally forgot to torture you with another video locked tomblr! 🖤
Something something Gideon becoming Drearburh and opening her doors to it at the end of GtN and Harrow hearing the sound of Drearburh's doors slamming in her head in HtN as she rejects memories of Gideon - interesting detail I didn't catch the first read!
She mentally found herself all of a sudden in front of the doors of Drearburh—four years old again, and screaming—and all her fear and hate of them went away. Drearburh was empty. Instead, she was Drearburh. She was Gideon Nav, and Nav was a Niner name. She took the whole putrid, quiet, filth-strewn madness of the place, and she opened her doors to it. - GtN
You said, “Which indelible sin?”
"The one you committed when you became a Lyctor,” said the Emperor.
You heard, dimly, the doors of Drearburh close. You perceived the grind of their mechanism and their indelible clang, the echo of their shutting ringing throughout the bottom atrium and upward into the tunnel shaft. Then your memories of it muddied and disappeared, back with the rest of your unsorted collection. - HtN