Its A Writing Blog

he/they/she I’m multifandom Header is artist Ivan Aivazovsky

[sockodot]

master post

My Ao3 is here: SockoDot

Updated: 7/25/2024

MASS EFFECT:

>MShakarian Series

-series or pieces that are not connected unless stated otherwise

>The Kal Project

-series of connected stories of Kal’Reegar/Jenn Shepard

-Book one Pull Me Into Orbit is live!

>with violence, yours truly

-series of connected stories about Wrex/Arden Shepard

>Adrien Victus/Shepard

-series of connected and unconnected pieces (will be stated which ones are connected)

One Shots (Ships): indulgence (Kaidan/Miranda, explcit) | move me, baby (Garrus/Legion, explicit) | cold love, hot blood (Aria/Edi, explicit) | Back Talk (Nihlus/Kal'Reegar, explicit) | is it your heart or mine? (Bray/Shepard, explicit) |

One Shots: Shattered Remains (Gen. Jenn Shepard, Alchera)

Fics: when you turn me on, I just can't turn you down (James/Kaidan 4/8, explicit)

—

Kal'Reegar/Jenn Shepard

One Shots: Worm Love |

—

Nihlus Kyrik/Jenn Shepard/Kal'Reegar

One Shots: Coming Back to You | an end, once and for all |

—

Nihlus Kyrik/Jenn Shepard

One shots: shining light | the glow of stars | please dont give me up |

—

Simon Shepard/Tali:

One Shots: Priority: Save Tali (Pre-Relationship)

—

Sunshine Shepard:

Shepard/Wrex:

SSV Normandy: mobile home for the galaxy’s most competent fools 1/1

Ain’t No Sunshine 1/1

—

Shepard/Saren:

Cream Consumption 1/1

—

HORIZON: ZERO DAWN:

>Aloy/Avad writings

-series of unconnected pieces but can be

Fics: You set my soul alight (Aloy/Varl, 3/5)

—

HORIZON: FORBIDDEN WEST:

Fics: One step Closer (Aloy/Kotallo, 2/2)

— 

STAR WARS:

The Mandalorian:

One Shots: to be cleansed (Bo-Katan & Din Djarin) |

[a-dandelions-spite]

I was going to take a break from drawing for a day or two because of a headache that hasn't gone away since Christmas eve but then I read @sockodot / @stormikins one shot 'oxytocin running in the ether' and got another brain worm... so, enjoy 😁

I might color it someday.. idk. Sorry it's messy 😅

[sockodot]

Next Station: Hell

a snippet from my on going story Pull Me Into Orbit this is just Normandy crrew shenanigans

As Archer explains the project Tali ends up going to a window, hands on her hips to gaze out of it. Kal can’t blame her, the need to lecture the man about the idiocy of this entire operation is strong. Though, Tali would probably just shove her shotgun down his throat. Can’t blame her for that either, really.

Miranda’s mouth twisting is the only indication to how she feels about this, but what she’s displeased about it anyone’s guess. Maybe she thinks she could have done a better job, maybe it’s because she agrees this shouldn’t have happened. Kal just shakes his head, keeping watching with Tali’s drone and Garrus’ mines. Fucking around with geth will never end well, but hooking up an organic mind to the Consensus? Tomfoolery, right there. All the lives wasted because of this project… seems like no matter the species, the geth keep prevailing.

His own brother.

Garrus and Shepard’s comments filter into his mind. Make it stop. Is David still in there? Trying to find some way to communicate with them? How much control does he have? His own brother isn’t even calling him by his name. They should put a bullet in this man’s head.

“We’ll head out to the stations,” Shepard asserts.

“Thank you.”

Shepard gives no response, and they file out of the building. “Normandy, requesting Hammerhead at local.”

“Roger that, Shepard. ETA twenty minutes,” Joker responds.

“Oh, Spirits,” Garrus groans, head dropping back. “Why didn’t I think about that?”

“You guys are so fucking dramatic.”

“Dramatic!?” Tali dramatically exclaims. “You made Wrex scream once!”

“The thousand-year-old krogan battlemaster?” Miranda dryly responds.

“That whole thing with Wrex was an accident.”

Hooking his hands on the cowl of his armor, Garrus bends at the torso a little to lean closer to Shepard. “You get how that’s worse right?”

Before Shepard can respond to that, Tali turns to him and Miranda. “Wrex and I were her ground team for this mission.”

Shepard throws a hand up. “Oh, here we fuckin’ go.” She settles on her back foot, hip cocking and arms crossing.

Tali continues without pause. “We’re going down this mountain face because for some reason, Shepard can’t one—” she ticks off a finger, “leave something alone. And two—” she ticks off another, “she can’t find a reasonable path to get to her destination.”

“Casbin fucking sucked! I will not hear any complaints.”

“We weren’t on Casbin, we’re we. It was Nodacrux. So, we’re getting this mineral deposit. Going down this sheer mountain face.” She makes her hand flat and angles it to demonstrate. “I’m gripping my handle so hard my hand was starting to cramp, and I know I saw Wrex doing so too even though he denies it.”

“He liked our adventures in the Mako,” Shepard sullenly interrupts.

“You mean horror stories?” Garrus retorts and Kal snorts.

“Things don’t last well for long because suddenly!” Tali throws her hands out. “We’re flying in the air! And now we’re falling fast, somehow upside down, and I thought it was a geth ambush because well, they’ve done so like two—”

“Three,” Shepard corrects.

“—three times before this. It’s a reasonable assumption. I’m screaming, Wrex is screaming, and Shepard—” Tali whips her head to look at Shepard in a way that can only be described as accusatory, “—says shit. One—” a finger gets raised, “—little, quiet shit as we’re careening to our deaths in a tank that’s more death trap than not. The thrusters and boosters activate and somehow, we land mostly on our side. I almost dislocated my shoulder and Wrex bruised his tail.”

“He wouldn’t let me hear the end of it for days.”

“As he should!” Tali adamantly points at her. “Shepard rights us, it’s silent with just our heavy breathing. I look at Shepard, Wrex looks at Shepard. She’s just… staring out the window. We wait to see what she’ll say this time, ‘cause we know. You wanna know what this maniac says?”

“Of course,” Kal responds.

“She turns to us, smiles, and states, at least we landed on the mineral deposit.” Kal laughs and Miranda face palms. “I’ve never seen Wrex more likely to kill her and that includes fucking Virmire.”

“Now the reason they fell off the mountain?” Garrus prompts.

Shouting, Tali answers, “she accidentally hit the booster control!”

“No!” Kal laughs.

“Spirits, the things you put that tank through that I had to fix—”

“Oh, come on. Garrus! Don’t act like you didn’t like repairing. You got on my ass about the right tire pressure!”

“If the wheels aren’t at the right—”

“I know!”

“Where did you get a license?” Miranda asks. “I was never able to figure that out.” Shepard remains still and silent. “You… you have a license right?”

“Shepard,” Garrus follows with, in a purposefully calm voice. “Please, tell me, after all this time, you have a license.”

“I have a license.”

“Are you lying to me?”

“I am not! I just… got it while I was in the military.”

“Bloody hell, the military taught you how to drive?”

“No, the military did not teach me how to drive. I learned when I was eleven.”

“ELEVEN?” bursts out of Garrus and Kal splutters.

“Someone needed to be a getaway driver! I was the one that didn’t have a job!”

Miranda walks away and Tali comes to rest her hands on Shepard’s biceps. “You learned how to drive, by driving away from scenes of crime.”

“…it was example led.”

“Oh, Ancestors,” Tali wails, leaning her head on Shepard’s chest.

Shepard pats Tali’s head. “There, there. I haven’t killed you guys.”

Tali straightens off Shepard. “Not for lack of trying!”

“Oh, come on. I only was purposefully bad a couple of times.”

“Wha— what were those times!?” Garrus asks.

“The Virmire approach. Nepmos was fun as shit. And you guys were so creeped out by Altahe I had to.”

“You bitch!” Tali shrieks. “Liara had nightmares!”

“And a conditioned response!” Garrus follows with.

“No shit?” he asks.

“She was fine, okay?” she tells him. “There were only three—” she holds up three fingers, “—vomiting instances. So, it’s fine.”

“It’s not fine. You rammed that colossus on purpose then!”

Shepard spreads her arms out. “Of course I rammed the colossus on purpose, Garrus! It’s a fucking colossus! What did you want me to do? Ask it politely to stop firing at me?”

“It would have been better than ramming it and giving me whiplash!”

“You didn’t get whiplash.”

“I almost did!”

“Almost is not did. And did you die though? Did any of you die? No, no you did not. Okay, so cut it with the complaining.”

Kal looks at Garrus. “Is she any better with the Hammerhead?”

His head drops back as he wails, “she’s worse!”

“THE HAMMERHEAD FUCKING SUCKS!” Shepard finally raises her voice and Kal doubles over in laughter. “It’s a stupid fucking vehicle and I hate it!”

“It’s not the tank, it’s the driver.”

“Well, if you can do any better, you can drive!”

“No!” Tali shouts. “The one time on Maji was enough for me thanks.”

“Seriously?”

“I’ve never been that nauseous in my life, Garrus.”

“See,” Shepard puts her hands on her hips. “It is the tank.”

“You’re still horrible, Shepard.”

“Thanks.”

“I can always drive—” Miranda offers.

“No,” Tali spits out. Miranda looks to Shepard.

“I can drive it,” Kal also offers.

Garrus and Tali exclaim, “yes!” right as Shepard states, “no one else is driving the tank.”

“You let us all get one chance,” Garrus points out.

“Scared I’ll be better than you?” Kal teases.

“I’m not scared,” Shepard primly responds.

“No, you’re just a control freak,” Garrus mutters.

Shepard points a finger, “I’m gonna shoot you with a bazooka.”

“We don’t even have one on board, how are you going to—”

“Kal, gimme your missile launcher.”

“Okay! Fine, Spirits. My bad. I want the other side of my face intact.”

“You sure? I can always even it out for ‘ya.”

“I’m good, thanks.”

“What would it take for Kal to drive?” Miranda asks. “Because I don’t want you in the driver’s seat either.”

“You could all drop and gimme twenty.” Tali gives a very dramatic eye roll to that. “Hey, I’m being nice and only asking for twenty. I could make it fifty. In fact, maybe I should—”

“We’re going, we’re going!” Garrus yanks Tali down to the ground.

Miranda looks at him, and he shrugs at her. He’ll do it if she does. With a sigh, she drops, and he follows. Shepard counts as they go up and down. She paces in front of them, and he’s sure she prolongs the call time a little to try and make them strain. As he proved in the cargo bay, she’ll have to try harder for that.

“Dropping Hammerhead t-minus one minute.”

They scurry away to make room for the tank. When it drops, Shepard gestures to it with a flourish. “Your carriage, my good sir.”

“Why thank you,” he primly responds climbing in.

No one argues Shepard taking the secondary seat up front. Kal looks around at the controls, figuring out what everything is as everyone buckles, and Garrus goes for the cannon.

“All right, shields are primed,” Shepard states.

Kal opens a comm channel with EDI and she helpfully provides diagrams for him, automatically translating it too. As he memorizes that, he buckles his harness.

“Okay. Okay, okay.” He turns the engines on and then settles his hand on the stick for the boosters. Staring straight ahead, he decides to finally point out the flaw in the other’s logic. “Y’all do know I don’t know what I’m doing, right?”

Very quietly from the back, he hears, “fuck.”

Shepard laughs.

He pushes the stick forward and they go rocketing ahead.

[sockodot]

At the high command meeting after Optimus comes back engaged and with starscream

Jazz: wait, wait, I think we should hear him out!

Prowl: I don’t wanna hear it Mr. I just think his vibes are cool

Jazz: Soundwave’s vibes are cool!

Prowl, slamming his hands on the table: he’s a terrorist!

[sockodot]

An Archive of Our Own, a project of the Organization for Transformative Works

Chapters: 1/1 Fandom: Mass Effect Trilogy Rating: Teen And Up Audiences Warnings: No Archive Warnings Apply Relationships: Kal'Reegar/Female Shepard (Mass Effect) Characters: Female Shepard (Mass Effect), Kal'Reegar (Mass Effect), Custom Shepard Additional Tags: First Meetings, Alternate Universe, Soulmate AU, Canon Divergence, courting through mutual acts of violence, Mass Effect Ship Week 2025 Series: Part 15 of this is Jenn Shepard's world and we're all just livin in it Summary:

Kal’s used to high value bounties. More risk comes with more reward and that’s what he needs. Though, his latest bounty proves to be more than a simple snatch and grab.

Or Commander Shepard proves to be the main character before the events of the game. Of course.

[sockodot]

An Archive of Our Own, a project of the Organization for Transformative Works

Chapters: 1/1 Fandom: Transformers One (2024) Rating: Explicit Warnings: No Archive Warnings Apply Relationships: Optimus Prime/Starscream Characters: Starscream, Optimus Prime Additional Tags: Starscream POV, Angst, Grief, comparatively to what i normally do its light, Complicated Emotions, Enemies to Lovers, Sticky Sexual Interfacing (Transformers), Get Together, Starscream has some revelations but not all of them, his emotional repression stops working, Starscream and the Thirteen Primes are now a complicated mess, No beta we die like Orion, Do not post to another site Series: Part 6 of the starop/starpax agenda Summary:

Starscream finds Optimus after a fight, and for some reason, doesn't kill him.

“Some would argue yes. I’m arguing yes! How can it be an act of kindness if the motives aren’t pure?”

“Nothing’s pure, Starscream,” Optimus states in that rumbling voice, quiet but sure. Tired, but strong. “Besides, what should be done—the act—gets done. That’s what matters. People were still helped. I was still helped regardless of your reasons. Since you helped me, I say it’s kind of you.”

Starscream isn’t a kind mech. Hasn’t been one in cycles. It’s a fact. The strength of one bot over another. Starscream didn’t keep his position as Commander of the High Guard for over fifty cycles because he was nice.

He can schmooze and manipulate, whip out the charisma when needed. But, at the end of it all he’s still a warframe, a soldier. He puts guns in servos; he doesn’t kiss them.

“Kindness gets you killed.”

“Is it kindness or is it hate?”

[messydiabolical]

The Sheps have arrived for the Fuck it, we ball! Ball. Happy N7 to all Shepards 😘 A server N7 piece almost 3 months in the making. I've never drawn so many whole humans before 😆 The Sheps are L-R Alyx @bluerose5 Jenn @sockodot December @zet-sway Artemis @yellingaboutmasseffect Carlin, Calliope @stalwartursa Jane, Celine @jtownnn Violet @impishbiscuit Isani @angstyastro Vicky @shadowthehedgehog1 Amelia and Keahi

[8362]

opening cms, strwpg below with prices, examples, etc .

art below for visibility

[dear-ao3]

[ID: AO3 Note: “I’ll also have you know that the last time I posted consecutive chapters, I was 13 and on Wattpad and didn’t give a damn (really, I hadn’t established an inner-editor yet and I just uploaded hot garbage). This is still hot garbage, but I’ve spell-checked and I know proper grammar now.” / End ID]

[a-dandelions-spite]

Quick Kal'Reegar sketch because I can't sleep and I've been ✨inspired✨ by Kal with a sledgehammer in @stormikins fic Pull Me Into Orbit which has me in a chokehold. I had to draw him 🥹

And for my first time drawing a Quarian, I'm quite proud 😅

[whumptober]

WHUMPTOBER 2025: PROMPTS LIST

Welcome to Whumptober 2025 — The Eighth Year!

WHUMPTOBER is a month-long, prompt-based creation CHALLENGE (think: Inktober, but whumpier). There are four prompts for each day of the month, giving 124 for you to play with! There is also a list of 18 alternative prompts that can be subbed in for any day to give participants as much creative freedom as possible.

All prompts are meant to serve as inspiration without being taken literally (e.g. you don’t have to include the exact wording of prompts into your work). Feel free to run rampant on interpretation. For example, if the prompt is “flame", you could create something with reference to a candle/campfire, your character could have suffered a burn, or the flame could be a reference to an ‘old flame’ - an old relationship. It’s truly down to you!

You can produce work in any media you choose, including but not limited to: writing, visual artwork, photo/video/audio edits, paper crafts and elaborate recommendation lists (not just a list of links). You can participate as much or as little as you want (i.e. you don’t have to do ALL the prompts if you don’t want to) and prompts can be used in any order. They are also free to use even after the event ends.

Please make sure to read the Event Info and FAQ carefully, as most of your questions will be answered there already. For everything else, you are welcome to come to our ask box or ask questions in our Discord server here.

Information on how to TAG is here.

This year’s AO3 Collection can be found here.

This year’s playlist can be found here.

The ‘Anatomy of a Whumptober Prompt’ post can be found here.

And our 'Resources for Writing Sensitive Topics’ post is here.

We’re very excited to see the community come together for yet another year of Whumptober! Go ham with the prompts, and support your fellow creators - we wish you all the best of luck, but most importantly: HAVE FUN!

Happy whumping,

Mods Vanne, Yenn, Kitty and Surro

Text versions of the prompts, including a google doc format, are posted below the cut!

A Google Doc of the prompts can be found here for easy copy-and-pasting!

Whumptober 2025 Prompt List

No. 1: “Please don’t cry” Lamb to Slaughter | Ceremony | Beg for Forgiveness

No. 2:  “You’ve got a lot of nerve to dredge up all my fears.” Prophecy | Sewer | Taking Accountability

No. 3: “I look in people’s windows, transfixed by rose golden glows.” Isolation | Candlelight | Found Family

No. 4: “Don’t be scared, I’ve done this before.” Non-Human Whumper | Iron Rod | Loss of Powers

No. 5: “My panic’s at the ceiling, but I’m face down on the carpet.” Quivering | Dream Journal | Phobia

No. 6: “No grave can hold my body down.” Caught in a Net | Medical Restraints | Pinned to the Wall

No. 7: “Tell me that you’re okay, and I’m fine.” Trapped with the Enemy | Elevator | Pushed Beyond Breaking Point

No. 8: “Oh horror, oh horror, what did you see?” Self-Inflicted Injury | Held at Gunpoint | Dissociation

No. 9: “We’ll make it alright to come undone.” Touch | Flashbacks | Scalding

No. 10: “There’s nothing you can ever say, nothing you can ever do.” Without Consent | Secrets | Lips Sewn Shut

No. 11: “Can you get through all the pain inside you?” Hidden Injury | Laceration | Forced Reveal

No. 12: “It’ll be for nothing.” Cardiac Arrest | Sacred Place | Withholding Medical Treatment

No. 13: “How dull is it to pause, to make an end, to rust unburnished.” Never Enough | Insignia | Forced Retirement

No. 14: “In the end, it’s worthwhile.” Ignoring an Illness | Body Bag | Wounded Caretaker

No. 15: “You can take a break, if you just tell me that it hurts.” Failed Rescue Attempt | Body Part in the Mail | Live-Streamed Torture

No. 16: “I’ve had the rug pulled beneath my feet.” Repressed Trauma | Permanent Marker | Disorientation

No. 17: “Tell me there’s a hope for me.” Internal Bleeding | Coma | Redemption

No. 18: “As the world caves in.” Dystopia | Ruins | Environmental Whump

No. 19: “You’re on your own, lost in the wild.” Dehumanisation | Living Weapon | On Patrol

No. 20: "That's New." Symptomatic | Fancy Event | Resignation

No. 21: “Sold my soul, broke my bones.” Kneeling | Makeshift Splint | Brainwashed

No. 22: “All the battles I want to win, nothing matters but giving in.” Self-Sacrifice | Collar | Hunted for Sport

No. 23: “How’d I get to this place?” Intubation | ICU | Choking

No. 24: “I must confess that I feel like a monster.” Came Back Wrong | Painful Transformation | Amnesia

No. 25: “Have you earned your stripes?” Lost Faith | Collision Course | Left to Die

No. 26: “Nothing like a relapse to rehash the kid who was scared.” Relapse | Drawn Curtains | Power Cut

No. 27: “Would you even want me, looking like a zombie?” Surgical Scars | X-Ray | Bedside Vigil

No. 28: “I could always see straight through you.” Backstabbing | Constellation | Creative Restraints

No. 29: “I hope you see the sun someday in the darkness.” Fainting | Broken Dishes | Last one Standing

No. 30:  “I’m putting my trust in an entire half-empty glass.” Burn it Down | Mirror | Confrontation

No. 31: “Even with the smallest cuts. You can still lose so much blood.” Bleeding Out | Gunshot Wound | Rescued by the Enemy

Alternatives List:

"A smile so bright, he’s the devil in disguise.”

“I hear you’re alive, how disappointing.”

“If all my days are numbered, why do I keep counting?” 

Concussion

Viral

Suicide

Immortality

Jealousy

Organ Theft

Ziptie

Deal with the Devil

Yearning

Innocent Bystander

Unreality

Soulless

[sockodot]

this art is brought to you by @messydiabolical who took my literary vision and gave it life! Thank you so much, you're an amazing person and a fantastic artist <3 I'm honored every time you decide to draw something for me

Now, this is brought on by an AU I have where Saren time travels to before me1 and tries to indoctrinate Shepard, and yes, the lyrics are from the song Out of Touch by Daryl Hall & John Oates. You can see what I story boarded under the cut (along with the rest of the scenes)

if you'll excuse me, im gonna stare at this and listen to Out of Touch

Scene 1: Shepard stands in front of a wide window, the building she’s in is space worthy. The firing chamber of the Reaper takes up almost the entirety of it, but you can still see the curvature of it. Its red light illuminates everything and makes Shepard a silhouette. One foot is stepped backwards, as if she’s frozen in the middle of moving— in trepidation, in uncertainty, in fear. The reveal of the thing in front of her being alive—is a Reaper—is overwhelming. “You’re out of touch.”

Scene 2: It’s the same as scene 1, but farther back, revealing Saren standing a couple meters behind from her, staring at her. He too, is a silhouette. The focus of the camera is the gun in his hand. It slightly shakes. “I’m out of time.”

Scene 3: It’s Saren commanding the Geth legions, standing in the hull of Sovereign. His arms are spread like a priest, like a prophet. He heralds extinction. “But I’m out of my head when you’re not around.”

Scene 4: A close up of Saren’s face, mandibles spread wide in aggression, but the tears in his eyes glow blue from the cybernetics. Blood coats his face, there are fresh cracks in his plating. His arm is lifted toward the camera, as if he’s holding it. “You’re out of touch.”

Scene 5: A close up of Shepard’s face, red, angry and betrayed. Tears spill down her cheeks. Saren is strangling her. She’s holding his wrist. “I’m out of time.”

Scene 6: A scene of Shepard suspended in the air, arms spread at her side. Green light encases her, the beacon in front of her is causing Shepard to ascend. “But I’m out of my head when I’m not around.”

[sockodot]

this art is brought to you by @messydiabolical who took my literary vision and gave it life! Thank you so much, you're an amazing person and a fantastic artist <3 I'm honored every time you decide to draw something for me

Now, this is brought on by an AU I have where Saren time travels to before me1 and tries to indoctrinate Shepard, and yes, the lyrics are from the song Out of Touch by Daryl Hall & John Oates. You can see what I story boarded under the cut (along with the rest of the scenes)

if you'll excuse me, im gonna stare at this and listen to Out of Touch

Scene 1: Shepard stands in front of a wide window, the building she’s in is space worthy. The firing chamber of the Reaper takes up almost the entirety of it, but you can still see the curvature of it. Its red light illuminates everything and makes Shepard a silhouette. One foot is stepped backwards, as if she’s frozen in the middle of moving— in trepidation, in uncertainty, in fear. The reveal of the thing in front of her being alive—is a Reaper—is overwhelming. “You’re out of touch.”

Scene 2: It’s the same as scene 1, but farther back, revealing Saren standing a couple meters behind from her, staring at her. He too, is a silhouette. The focus of the camera is the gun in his hand. It slightly shakes. “I’m out of time.”

Scene 3: It’s Saren commanding the Geth legions, standing in the hull of Sovereign. His arms are spread like a priest, like a prophet. He heralds extinction. “But I’m out of my head when you’re not around.”

Scene 4: A close up of Saren’s face, mandibles spread wide in aggression, but the tears in his eyes glow blue from the cybernetics. Blood coats his face, there are fresh cracks in his plating. His arm is lifted toward the camera, as if he’s holding it. “You’re out of touch.”

Scene 5: A close up of Shepard’s face, red, angry and betrayed. Tears spill down her cheeks. Saren is strangling her. She’s holding his wrist. “I’m out of time.”

Scene 6: A scene of Shepard suspended in the air, arms spread at her side. Green light encases her, the beacon in front of her is causing Shepard to ascend. “But I’m out of my head when I’m not around.”

[sockodot]

Chapters: 1/1 Fandom: Transformers One (2024) Rating: Explicit Warnings: No Archive Warnings Apply Relationships: Orion Pax/Starscream, Optimus Prime/Starscream Characters: Starscream (Transformers), Orion Pax, Optimus Prime Additional Tags: Plot What Plot/Porn Without Plot, Orion eats Starscream out, not much to it than that, No Beta, Do not post to another site, idk i just spat this out enjoyyyyy Series: Part 5 of the starop/starpax agenda Summary:

Orion’s control has snapped and he now doesn’t give a damn what the Primes will say if they ever find out. Which is just perfect for Starscream.

[8362]

keep cumming in her gay ass

[dalniente]

it is honestly amazing how much of writing and editing is just. logistics. like... do i use a name here or a pronoun? if i move this dialogue tag to the middle of this line and break it in half, does the end of the line hit harder that way? what if i move the tag to the front? what if i remove it entirely? ...wait, whose point of view am i in; can i reasonably say this character is appalled, or must i say they look or seem or sound appalled? is this a deliberate action or a step-removed one; is her hand closing on his shoulder, or is she closing her hand on his shoulder? environment environment environment, we need to break all this dialogue up with some narration, the scene is coming untethered. what! are! they doing! with! the rest of their bodies that are not hands! fuck fuck fuck FUCK i forgot we covered this two chapters ago and now i either need to cut this whole chunk or find a reason to reprise the conversation from earlier. name or pronoun? name or pronoun? name or pronoun? move this clause around in this sentence? oh i'll add this phrase-- nope, never mind, past!me added the same phrase two lines down. okay, if i add too much environmental narration it's going to take away from this bit, but not enough and it won't feel grounded. what if i move this to its own line? where the FUCK are their hands?

[angelumcaedis]

couldn’t not preserve this tag @spottedenchants

[yknow-fuck]

Things you can sexualize about Starscream without defaulting to wings and heels:

Fluid/quiet movement. Maintains himself very well, not a spot of rust in those gears.

Sharp optics. Watching like there’s not a moment of silence happening in that brain of his, always analyzing a situation for advantages, physical, verbal, or otherwise.

HIS WEAPONS. Let him shove a barrel in someone’s face to assert dominance! Let him make someone grovel. :3c

The words he says/how he says them. His voice depending on continuity can be awful, but the things he says can be alluring and manipulative.

Aura. Like not even kidding. Confidence is sexy and, where applicable, Starscream can be VERY confident.

And… his chest. Don’t judge me! Those… turbines(?) are tit adjacent and I am weak.