Creative Warm-up 🎄😜
wallacepolsom

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he wasn't even looking at me and he found me

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$LAYYYTER
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Origami Around

Kaledo Art
will byers stan first human second
Keni
Aqua Utopia|海の底で記憶を紡ぐ
taylor price
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cherry valley forever
Sweet Seals For You, Always

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todays bird
Today's Document
AnasAbdin

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@sofiyaslifeindesign-blog
Creative Warm-up 🎄😜
Princesses Group Knoll - we used the materials used in making Tishna’s Six Red Beads dress for the fashion show. We wanted to use colours through beads, fabric, and thread while contrasting them with a white table top and various simple colours of used tools.
“This isn’t the first time I’ve owned a flower shop. I owned another store twenty years ago, but it went bankrupt. I was devastated. I’d just gotten divorced. I felt like a complete failure. For months I couldn’t even drive down the street where the shop had been. But one day a friend told me that I’d been looking at it all wrong. He told me: ‘You’re focused too much on the closing. Think of all the years that the shop was open. Think of all the jobs you provided, the flowers that you sold, and all the people that you served. You were open for twenty years. It was happening. And just because it didn’t happen forever, doesn’t mean it wasn’t valuable.’”
Beautiful! <3
A controversial young art duo included in the show breaks new ground with Can’t Help Myself (2016), a gigantic robot equipped with a single arm upon whose end a shovel-like object is attached. It is the brainchild of Beijing-based artists Sun Yuan and Peng Yu. Described by the press release as “guard” of sorts, the robot’s duty is to contain a pool of dark liquid resembling blood as it starts to seep away. The more the substance oozes, the more frantic the robot grows, shoveling the liquid in a move that leaves behind smears and traces of red.
Can’t Help Myself, according the curator, “is itself a tale, a story, that we can say comments on our contemporary culture.”
SUBMISSION: Adam Hillman, Cutting Corners, 2016
Instagram.com/witenry
This is really satisfying!
SUBMISSION: Scissor collection. Hannah at The Homesteady
knoll!? :p
Visual Lyrics #7 - Paul Brandt, Country Girl
This visual was created through the use of emotion which parents would feel about their little girl growing up and getting married; in the parents’ eyes their little girl is the same little girl that waited to be tucked in at night. The grid was used to properly align the text with the visual metrics.
Native Princesses TV Series Poster - The Real Beauty Project
Visual Lyrics 6
The photo in the background emphasizes the lyrics; it represents the current situations which the lyrics foreshadow. The colours create a contrast of the past and present to continue emphasizing the lyrics.
Movie Poster #5
Movie Poster #4
All Taxi Driver Movie Posters,High res movie posters image for Taxi Driver
Movie Poster #3
Movie Poster #2
Movie Poster #1
A Halloween knoll 👌🎃
Visual Lyrics 5 - Paul Brandt, Calm Before the Storm
The font in this visual was used to express smallness and regret in the midst of the disarray in the background which represents the present moment. The lyrics are a flashback to the inaction which caused the feeling in the present moment.