new year new mountain goats
we made it through this year and it didnāt kill us š«”
One Nice Bug Per Day
Cosmic Funnies

oozey mess
Not today Justin
YOU ARE THE REASON
I'd rather be in outer space šø
KIROKAZE
$LAYYYTER
Mike Driver
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Fai_Ryy

romaā
Noah Kahan
cherry valley forever
Lint Roller? I Barely Know Her
šŖ¼

titsay
Aqua Utopiaļ½ęµ·ć®åŗć§čØę¶ćē“”ć
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@somaticknitter
new year new mountain goats
we made it through this year and it didnāt kill us š«”
Me spending time with people: joy abounds, we are all connected and there is hope!
Me 1 day later: I need to be left alone to gather the pieces of Me together
Me 2 days later: there is something very rotten at my core and I will almost certainly die unloved
doing research in the field of humanities is interesting because there isnāt necessary this paradigm of the most recently published studies are by definition the best that you get in the hard sciences, like sometimes that book published in 1909 really continues to be the best foundational text about 1590s amsterdam, but then again sometimes iām reading a text published in the 60s and it starts describing italian culture as āorientalā with no further discussion and iām like hmmm maybe i should find something a little more current
whenever i see someone lambast a piece of media for portraying a character getting away with bad behavior instead of getting narratively punished, i have to laugh because thatās literally the hays code. itās not hays-code-esque or hays-code-coded, itās just straight up the hays code.
"i know this show was made for children but i enjoy it too." > awesome and cool. watch whatever you want forever.
"i know it LOOKS like it was made for children but its SECRETLY for us. calling it a kids show is an insult cause kids could never understand these THEMES and EMOTIONS. we're the TRUE fans." > i dont think i trust your opinions. you seem lame as fuck.
a couple of people on that last post are like 'i had to stop when i reached the point where i didnt know what was going on' and i always legit forget that insane shit happening that the audience can't understand yet is gonna be a turnoff for a lot of people. i have a real "lets see where the dog is going with this one" ethos in how i approach media and it has been nothing but a boon. how do you ever expect to find something that really blows you away if you tap out as soon as you're in uncharted territory.
Do the kids these days know that the traditional payment for "having your friends help you move" is "order everyone pizza after"?
Feed your friends. Feed your loved ones. Feed the people who help you. Feed your neighbors. Feed your community.
Seriously though, with a lot of people, especially friends, you shamelessly and blatantly trade pizza / food for help and labor <3
There is a really frustrating thing where some kinds of speculative story are hard to write because they will be assumed to be bad (clumsy, harmful, regressive) metaphors for real-world events or people, rather than exploring completely speculative ideas. Like:
"What if a small group of religious extremists, persecuted in their own country, moved to an inhospitable uninhabited island and had to rebuild society there?" - But the Americas and Australia weren't inhospitable and were full of Native nations, why are you perpetuating the idea of Terra Nullius and manifest destiny? - Yes, that's because this isn't a metaphor for the British invading other countries, it's a metaphor for finding out how much of a person's religious practise is rooted in worldly concerns, vs how much they will really stymie themselves for the sake of God.
"What if 1/100 children born was a werewolf?" - But queer people are no danger to straight people, and disabled people don't have predictable patterns to their illnesses, and most people who have uncontrollable rages really CAN control them and are just lying, and no minority group has superpowers... - Yes, but that's all immaterial, because I wanted to talk about a load of other metaphors about the passage of time and responsibility and the relationship between humans and wildlife.
It almost feels like death of the author, like "Death of the most obvious metaphor" - If you couldn't reach for the (tormented) parallel between being an alien species and being stateless, what stories could someone tell? If your changeling-baby was neither disabled nor adopted, what would the story be about? Etc.
I was literally just thinking about this yesterday! It's a trend I've seen a LOT in recent years in lit crit, particularly when discussing fantasy.
I think it particularly comes up the moment an author includes any sort of marginalisation/oppression for their fictional/fantasy world. I've lost count of the times now where I've seen people read a book on, say, the terrible oppression of the Gwyllion, and immediately gone "Oh, so the Gwyllion are a metaphor for the real world X people, either deliberately or accidentally through the author's inherent racism. This is therefore super problematic because the Gwyllion are also described as Y, which means the author is also saying that about X people."
There will always be real world parallels when discussing oppression. Always. But that's because oppression is oppression - precise details may vary, but it follows the same pathways the world over, and that will naturally be copied into fiction as well. This does not mean the author is intentionally telling the exact allegory that you've projected onto it. If that's how you read everything, then yeah, everything becomes super problematic, but also, why are you reading any fiction that isn't solely about real world historical events? It's clearly not for you
And, you know, obviously there are works that are racist/misogynistic/etc, including deliberately so. But I really don't like the way people have started going "I have spotted a PROBLEMATIC ALLEGORY here, I'm ever so smart" and acting like they're the cleverest little critic that ever lived. You have to meet a work on its own terms. Lovecraft was a big ole racist, sure. Someone who has written a book about the oppression of magic users in their fantasy world, however, is rarely writing a story about how queerness lurks in family lines and must be controlled; they are way more commonly writing a story about a world with magic that they then wanted to take seriously, and while there might well be elements of queerness there, those magic users are not a 1:1 replacement.
Sometimes these lines are blurry! But we're going way too far to one end of that spectrum
The post that got me thinking about this yesterday was someone talking about how they'd love to write a vampire story exploring vampirism as a disability (dependence on a substance to manage the condition, blindness/weakness in daytime, can't enter buildings without accommodation, etc). But, they said, they can't, because they don't want to be making the point that disabled people are parasites, and vampires are generally considered parasitic.
And like. What an incredible shame. That we'll lose that, because they're already afraid of the "I have spotted a PROBLEMATIC ALLEGORY" crowd. That would be a great story for exploring disability themes, OR just a great new take on vampires, and either of those things would be so good to read. But there would be so many people who would jump in with "So you think disabled people are draining the life force of the ableds around them?", never stopping to actually think "Vampires are not a 1:1 stand in for real world disability because they are fictional and do not exist."
Anyway sorry I've rambled here, not sure how coherent I'm being. But yes, I was thinking about this just yesterday! Wild.
āSkepticā this, ābelieverā that: no, the biggest difference between Mulder and Scully is that both are weirdo freaks but Mulder knows it and Scully thinks sheās normal
you can only reblog this if you're not racist
you're entitled to your opinion but it's stupid and bad and ill-informed and i hate you
the funniest part of that classic ā39 year old reylo is harassed by An Anti in publicā fake story is how like, yeah it obviously is an imaginary scenario of them Owning someone but they didnt even have it be a situation where it was like, evenly matched. like this 39 year old womanās power fantasy involves them roasting a middle schooler. WITH the help of said middleschoolers mother
it bothers me when someone brings up misogyny in shounen anime and people shrug it off with "its designed for teenage boys, what can you expect." like well. idk i think its actually pretty important that shows for teenage boys are normal about women. i mean i think all media should be normal about women but teenagers are impressionable i think we could put a little bit of feminism in the teenage boy shows. it might do some good. you never know.
and this isnt just about shounen i just mean like. if you're excusing misogynistic writing with "well it wasn't written for girls" then i'm seriously questioning your approach to all this.
have you noticed that everything depends on various factors
the problem is giving up genuinely feels so good #imnotdoingthat
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