Tarot Card Knitting Pattern // StarCrossedKnits

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Tarot Card Knitting Pattern // StarCrossedKnits
Slipcover for Eames-style Eiffel Chair
So, in my recent months of searching for decor and accessories for my new place, I came across a picture on Pinterest, showing an Eames-style chair with this gorgeous knitted slipcover. Of course, it being Pinterest, there was no pattern attached 😑
I scoured the internet, trying to find one, but was completely unsuccessful. The original photo was featured in an interior design magazine, so it was never geared toward knitters. So, being the kind of hard-headed person I am, I decided to make up my own pattern! This is the chair I started with -
I measured every dimension of the chair, found the yarn I wanted to use, knitted gauge swatches, and designed the colorwork I wanted to use. I finished the piece last night, and blocked it on the chair after washing -
I essentially knitted it like a sock with two toes. I began at the top, using Judy’s Magic Cast On as if was making a toe-up sock. Then I added ribbing after the curve of the seat, to ensure a close fit -
At that point, I knitted flat, to accommodate the legs, then cast back on to rejoin in the round. I finished it like the toe of a cuff-down sock, with symmetrical decreases and a kitchener stitch to close the seam -
I tried to use ribbing and precisely placed increases and decreases to minimize the need for additional ties or fasteners to hold it in place, but I still ended up threading a drawstring around the perimeter under the seat, just to make it more secure. It may have worked without it, but it also might have slid around any time I sat down, so I decided to play it safe.
I did have some trouble with the colorwork, making it match up with the increases and decreases, and it’s a bit wonky in a few places -
But overall, I think it turned out well. This is the first custom-tailored piece I’ve made, completely from scratch with no original pattern to use as a jumping off point.
I used Plymouth Encore worsted, held double, one skein of each color. Colorways are #1415 and #555. The whole thing was knit on US 10 circular needles.
This was a really fun and challenging project. I’ve really been into knitted home decor and housewares lately, and this is just one of the projects I have planned. I think my next adventure will be throw pillows!
Making a pizza quilt: Part 1
Have I mentioned before that my goal for 2026 is to make my first quilt? And that is going to be a giant pizza for my cat to knead on?
^This is the planned layout for the appliqués. The sauce border between the crust and the cheese won in a landslide in last week's poll, and I agree it helps the thing read instantly as pizza. Plus shopping for fabric online means you can't trust the color on your monitor, and my "cheese" fabric turned out to be kind of hard to distinguish from the crust fabric when they were right next to each other, so the red sauce border helps differentiate the two.
I ended up cutting out 2"-wide bias tape from my red fabric, ironing down the seam allowance on one side, and then pinning it in this undulating pattern to the base cheese fabric, making sure to keep the raw edge of the bias tape within 4 inches of the edge, since that area will be covered by the crust fabric.
I sewed the folded edge down with a felling stitch. Then I took a seam gauge and thread marked 4" in along the entire circumference. That way, when I apply the crust of the pizza as a bias binding, I'll know for sure that it's an even thickness all the way around. (By the way, a commenter suggested doing a separate border with the crust fabric, then using a narrower binding from the same fabric. Which makes sense, since a 4" wide binding would be asking a lot of even bias cut fabric because the inner circumference is so much smaller than the outer. But I think I'm going to do the super wide binding anyway. I don't mind if the inner edge of the crust needs to be gathered down to fit, since that would make it look more realistic as a pizza crust anyway.)
So then I cut out and prepped all the pizza toppings. I used card stock to make templates to cut out the pepperonis, basil leaves, and mushrooms with a 1/2" seam allowance. For best results, I clipped my seam allowances and basted them down before ironing.
The olives I made from black cotton fabric scraps from past projects (chiefly the Elphaba shirtdress and the black part of my 1950s walkaway dress), cut into double folded bias tape and stuffed with polyester batting before stitching them closed into rings. The rest of the fabric is mostly from Michaels, the one exception being the cream and brown fabric I used for the mushrooms, which I got from a local quilting shop because Michaels didn't have anything that would work, and this print was absolutely perfect for giant mushrooms:
You can also tell that the red fabric I used for the sauce and pepperoni is a floral print, and the cheese fabric is actually a floral vine print. Since pizza looks splotchy and blotchy and nothing is uniformly colored, I purposely chose fabrics with a floral or marble/granite-like pattern.
Anyway, here's the pizza with the sauce border stitched down and all the toppings laid on top according to the planned layout. The end result is going to look like this but with a crust border and quilting lines. Notice my pizza is looking smaller than my kitchen table. I had pre-washed all of my fabrics, which caused the cheese and bottom crust fabric to shrink from 44" wide to about 42.5" wide, so I had to settle for a circle that was slightly smaller than planned. (And yes, I left the selvedges on because they're going to be covered by the crust binding anyway)
I basted the pieces down so that I wouldn't have to keep constantly pulling out my topping layout chart to figure out what goes where. ^This was kind of a happy accident, but because I used such haphazard basting stitches and often missed the edges with the seam allowances, the pepperonis started curling up at the edges the way real pepperoni curls when it's baked on a pizza. (Alas, I cannot keep them curled like this because those are raw edges that are being exposed, and this quilt is supposed to be resistant to damage from being used by the cat.)
Anyway, here I am, hand stitching all the appliqué toppings onto my giant pizza with matching thread to disguise my partially visible felling stitches and cursing Past Me for choosing to make this thing so big. I've just finished stitching down all the toppings along the outer circumference, so I guess next weekend will be for finishing the appliqués before we move on to cutting out the batting and making the quilting lines.
I'm doing all of this by hand, by the way, because my sewing machine broke a year ago and the local quilting store says they don't service those mini sewing machines because there is no way to get replacement parts. I'm pretty sure I know what's wrong with it though, so I just need to find time to take it apart and try to fix it myself. That said, even if I get the machine up and running, I would still probably quilt this by hand (again, old mini sewing machine that only has one stitch length, which is way too long to expect these stitches to survive being kneaded by kitty claws).
Hey crafty babes out there, a good friend of mine gave me this absolutely gorgeous bag for Christmas, but one side is entirely embroidered with several threads already sticking out/coming undone and I’m terrified of getting it caught on something and tearing apart the embroidery.
I’ve been looking around at different kinds of fray fixer glue but I’ve never used it before for anything like this (kinda just looks like regular craft glue anyway???) and I’m doubtful it would be good to use over such a large area without ruining the embroidery.
What do my dear mutuals think? Any suggestions that would help keep the embroidery safe?
I made a knitting pattern with a secret encoded message.
The Codebreaker Scarf is a simple and fun geometric lace shawl with a seemingly random pattern. However the stitches actually contain a hid
New wip! Wool and Honey sweater with yarn I bought while traveling
do you guys think tsa will like this one
An c.1000-1200 CE example of Egyptian cotton knitted socks.
I made a chart for it!
I realised while making it that the pattern on the sock isn't always symmetrical or identical, so I had to be a little creative. But I managed to get it pretty close, I think!
The part of this process that everyone has been asking about! The fill stitching!
This is a slow but beautiful technique (16 hours total for this gambeson) and I’m so pleased with how it turned out! A couple questions I’ve gotten already:
- the pink lines are my tree outline in heat-erasable frixion pens so I didn’t get lost in the design, especially where the branches taper off
- I had very few thread ends, because mostly I was just pivoting all. The. Time. Which made it much neater in the back.
- I did have to be careful on the curves of this garment to not flatten them out, so there was a lot of shifting the fabric beneath the foot so that wherever I was sewing was flat and not puckering with excess fabric.
- a free motion foot would also work for this, but I liked having the guidance of the wide foot. If I were doing more intense curves, a free motion foot might be better, but this worked out well for my process.
I hope this is a good closer look at the process for everyone!
“Unfortunately, for newcomers who might be excited to dive into this hobby, they could get burned by the inadequate books—and frankly the thievery—of the work of our cherished lacemakers and designers."
what I’m hearing is, buy lacemaking books published no later than 2022
Independent craft shops value the community of makers, designers, and the skills. Which means there is a level of quality control built in to their selection of what to carry. I can’t speak to lace making materials but this is also becoming an issue in crochet, knitting, and quilting.
Shopping local is awesome but if you don’t have a good local craft shop, most have websites you can order from and phone/email that you can get assistance.
The experience and expertise they offer is absolutely worth paying slightly more for an item. (Plus fewer returns because you aren’t receiving AI bullshit).
Also, your local library is a good resource for craft publications
phew!! this one took me quite awhile :) extremely fun to do though. I really love super detailed patterns!!! I plan on doing one more from this book, then I'm back on my fandom stuff!!
absolutely tore through sleeve 2, i still have to sew them up into tubes but they’re doneeeee!!!! i started this wayyyy back in like august and set it down for a couple months once school started and im glad i picked it back up i forgot how much i love cables
I am looking for glow in the dark embroidery thread suitable for embroidery machine. I know non standard threads can be tricky. Does anyone have recs for a specific brand or floss that might cause me the minimal amount of grief?
Made some boot covers and finished the bodysuit, next I am gonna make the shoulder boards with gold fringe, debating if I should do the gold belt.
Throwback Thursday (Special Halloween Edition)
Yeah, I'm double dipping, because this work is peak spook energy.
I had so much fun with this pattern. If you're nota fan of kitchener, I wouldn't recommend, but it's pretty minor so if you can tolerate it, then give this project a try.
(Construction is working out the two sides & kitchenering them together.)
Pattern: Zombie by Anne Bridgman Project Page: Zombie Vest (+ Bonus Rainbow Barf Zombie Vest)
Download this easy DIY clothing repair guide (only 10 pages) from Uni of Kentucky
link to PDF