The Mermaid (c. 1910) by Howard Pyle
PUT YOUR BEARD IN MY MOUTH
Peter Solarz

Kaledo Art

if i look back, i am lost
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@sonorusss
The Mermaid (c. 1910) by Howard Pyle
Evening Sun
by Jane Kenyon
Why does this light force me back to my childhood? I wore a yellow summer dress, and the skirt made a perfect circle.
. . . . Turning and turning until it flared to the limit was irresistible. . . .The grass and trees, my outstretched arms, and the skirt whirled in the ochre light of an early June evening.
. . . . . And I knew then that I would have to live, and go on living: what a sorrow it was; and still what sorrow burns but does not destroy my heart.
Yayoi Kusama Meltwater in Spring signed and dated 'YAYOI KUSAMA 1978' (upper left); signed and titled in Japanese and dated again '1978' (on the reverse) spray enamel and ink on paperboard 10 ¾ x 9 ½ in. (27.3 x 24.1 cm.) Painted in 1978.
Elena Wuest (Kazakhstan/German b.1977), Lost in a Dream, 2026, Oil on canvas
Poul Anker Bech (Danish 1942-2009), Sun Dreams, 1973, Oil on canvas
soraya chemaly, from rage becomes her: the power of women’s anger, 2018
Elle Fanning photographed by Szilveszter Makó for Who What Wear, January 2026.
TO BEGIN WITH, THE SWEET GRASS - MARY OLIVER
I. Will the hungry ox stand in the field and not eat of the sweet grass? Will the owl bite off its own wings? Will the lark forget to lift its body in the air or forget to sing? Will the rivers run upstream?
Behold, I say—behold the reliability and the finery and the teachings of this gritty earth gift.
II. Eat bread and understand comfort. Drink water, and understand delight. Visit the garden where the scarlet trumpets are opening their bodies for the hummingbirds who are drinking the sweetness, who are thrillingly gluttonous.
For one thing leads to another. Soon you will notice how stones shine underfoot. Eventually tides will be the only calendar you believe in.
And someone's face, whom you love, will be as a star both intimate and ultimate, and you will be both heart-shaken and respectful.
And you will hear the air itself, like a beloved, whisper: oh, let me, for a while longer, enter the two beautiful bodies of your lungs.
III. The witchery of living is my whole conversation with you, my darlings. All I can tell you is what I know.
Look, and look again. This world is not just a little thrill for the eyes.
It's more than bones. It's more than the delicate wrist with its personal pulse. It's more than the beating of the single heart. It's praising. It's giving until the giving feels like receiving. You have a life—just imagine that! You have this day, and maybe another, and maybe still another.
IV. Someday I am going to ask my friend Paulus, the dancer, the potter, to make me a begging bowl which I believe my soul needs.
And if I come to you, to the door of your comfortable house with unwashed clothes and unclean fingernails, will you put something into it? I would like to take this chance. I would like to give you this chance.
V. We do one thing or another; we stay the same, or we change. Congratulations, if you have changed.
VI. Let me ask you this. Do you also think that beauty exists for some fabulous reason?
And, if you have not been enchanted by this adventure— your life— what would do for you?
VII. What I loved in the beginning, I think, was mostly myself. Never mind that I had to, since somebody had to. That was many years ago. Since then I have gone out from my confinements, though with difficulty. I mean the ones that thought to rule my heart. I cast them out, I put them on the mush pile. They will be nourishment somehow (everything is nourishment somehow or another).
And I have become the child of the clouds, and of hope. I have become the friend of the enemy, whoever that is. I have become older and, cherishing what I have learned, I have become younger.
And what do I risk to tell you this, which is all I know? Love yourself. Then forget it. Then, love the world.
Veronica Crockford-Pound
A collection of Black Books of Hours
Black Hours, ca. 1475 (Morgan Library, New York)
Horae beatae marie secundum usum curie romane, ca. 1458 (Hispanic Society of America)
Black Hours of Galeazzo Maria Sforza, ca. 1466-1476 (Austrian National Library)
Vogue US, June 1997.
Ph. Steven Meisel
Wake up call fr
To Live a Textured Life
ayo edebiri posted by solange knowles
Detail from ‘The stars, that nature hung in heaven, and filled their lamps with everlasting oil, give due light to the misled and lonely traveler’ by Arthur Rackham (from Comus by John Milton).
Dream (and Reality, triptych), 1905 by Angelo Morbelli (Italian, 1853--1919)