what if we all explode
This very production of Orpheus & Eurydice is now available to stream, free, for the month of June.
@jdc1717
PUT YOUR BEARD IN MY MOUTH
Peter Solarz

Kaledo Art

if i look back, i am lost
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dirt enthusiast
noise dept.
Misplaced Lens Cap
Today's Document
I'd rather be in outer space šø

shark vs the universe
Three Goblin Art
Aqua Utopiaļ½ęµ·ć®åŗć§čØę¶ćē“”ć
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oozey mess
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@spooky-oracle
what if we all explode
This very production of Orpheus & Eurydice is now available to stream, free, for the month of June.
@jdc1717
GET ABSOLUTELY SHRIMPED!!!
so exhausted by how fundamentally anti-human the capitalist world has become. like ageing, getting fat, being slightly inefficient, and making mediocre art are all extremely normal and extremely human activities, why is every corporation trying to convince us to spend all our money fighting that
by glass_museum on tiktok
pdf of the quoted essay by jeremy waldron
Sending love to anyone who is just⦠tired.
Not just physically, but mentally, emotionally, socially, financially.
Life is asking a lot right now.
Pause when you can. Breathe when you remember.
Give yourself space. Give yourself grace.
I'm fed up with "maybe later".
Currently here
For every nineteenth-century middle-class family that protected its wife and child within the family circle, then, there was an Irish or a German girl scrubbing floors in that middle-class home, a Welsh boy mining coal to keep the home-baked goodies warm, a black girl doing the family laundry, a black mother and child picking cotton to be made into clothes for the family, and a Jewish or an Italian daughter in a sweatshop making āladiesāā dresses or artificial flowers for the family to purchase.
The Way We Never Were, Stephanie Coontz. 2016 edition.
It's important to remember that this is also true now. Our society is not any less underpinned by unfair labor practices by virtue of existing later in time
(also, obligatory "in middle-class 19th century households, the domestic staff were not usually the only ones performing some degree of household labor, until you get into the upper echelons of the class")ļæ¼
look. look at this beautiful sword meme. iām going to cry
@petermorwood
I saw and reblogged this one a while back, but itās always worth repeating, and this time Iām adding a bit of background info comparing common fantasy sword features to the Real Thing (with pictures, of course.)
Leaf-bladed swords are a very popular fantasy style and were real, though unlike modern hand-and-a-half longsword versions, the real things were mostly if not always shortswords.
Here are Celtic bronze swordsā¦
ā¦Ancient Greek Xiphoiā¦
⦠and a Roman āMainz-patternā gladiusā¦
Saw or downright jagged edges, either full-length or as small sections (often where they serve no discernible purpose) are a frequent part of fantasy blades, especially at the more, er, imaginatively unrestrained end of the market.
Real swords also had saw edges, such as these two 19th century shortswords, but not to make them cool or interesting. Theyāre weapons if necessaryā¦
ā¦but since they were carried by Pioneer Corps who needed them for cutting branches and other construction-type tasks, their principal use was as brush cutters and saws.
This dussack (cutlass) in the Wallace Collection is also a fighting weapon, like the one beside itā¦
ā¦but may also have had the secondary function of being a saw.
A couple of internet captions say itās for ācutting ropesā which makes sense - heavy ropes and hawsers on board a ship were so soaked with tar that they were often more like lengths of wood, and a Hollywood-style slice from the Heroās rapier (!!) wouldnāt be anything like enough to sever them. However swords like this are extremely rare, which suggests they didnāt work as well as intended for any purpose.
I photographed these in Basel, Switzerland, about 20 years ago. Look at the one on the bottom (I prefer the basket-hilt schiavona in the middle).
A lot of āflambergeā (wavy-edge) swords actually started out with conventional blades which then had the edges ground to shape - the dussack, that Basel broadsword and this Zweihander were all made that way.
The giveaway is the centreline: if itās straight, the entire blade probably started out straight.
Increased use of water power for bellows, hammers and of course grinders made shaping blades easier than when it had to be done by hand. This flamberge Zweihander, however, was forged that way.
Again, the clue is the centre-line.
Incidentally those Parierhaken (parrying hooks - a secondary crossguard) are among the only real-life examples of another common fantasy feature - hooks and spikes sticking out from the blade.
Here are some rapiers and a couple of daggers showing the same difference between forged to shape and ground to shape. The top and bottom rapiers in the first picture started as straights, and only the middle rapier came from the forge with a flamberge blade.
Thereās no doubt about this one either.
The reason - though that was a part of it - wasnāt just to look cool and show off what the owner could afford (any and all extra or unusual work added to the price) but may actually have had a function: a parry would have been juddery and unsettling for someone not used to it, and any advantage is worth having.
However, like the saw-edged dussack, flamberge blades are unusual - which suggests the advantage wasnāt that much of an advantage after all.
Hereās a Circassian kindjal, forged wigglyā¦
ā¦and an Italian parrying dagger forged straight then ground wigglyā¦
There were also parrying daggers with another fantasy-blade feature, deep notches and serrations which in fantasy versions often resemble fangs or thorns.
These more practical historical versions are usually called āsword-breakersā but I prefer āsword-catcherā, since a steel blade isnāt that easy to break. Taking the opponentās blade out of play for just long enough to nail him works fine.
NB - the curvature on the top one in this next image is AFAIK because of the book-page it was copied from, not the blade itself.
The missing tooth on that second dagger, and the crack halfway down this next oneās blade, shows what happens when design features cause weak spots.
So there you go: a quick overview of fantasy sword features in real life.
Hereās a real-life weapon that looks like it belongs in a fantasy story or film - and this doesnāt even have an odd-shaped bladeā¦
Just a very flexible oneā¦
If you want more odd blades, Moghul India is a good place to startā¦
i could not ask for a better addition to my meme post than blade education thank you so much
Itās not fantasy anatomy, but knowing stuff about the objects you put in your fantasy world is also very important
I also think that if your activism does not include disabled people or their problems, then you're not as radical of an activist as you think you are.
how i feel after throwing car batteries in a lake all day. ink on paper. 2025.
from working it: sex workers on the work of sex - matilda bickers (2023)
iāll never do the right thing again