go ahead be gone with it
ojovivo
Sade Olutola

blake kathryn
Stranger Things
d e v o n
occasionally subtle
we're not kids anymore.
Three Goblin Art
Acquired Stardust
Cosmic Funnies

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❣ Chile in a Photography ❣

izzy's playlists!

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he wasn't even looking at me and he found me

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Alisa U Zemlji Chuda
Claire Keane
I'd rather be in outer space 🛸
Lint Roller? I Barely Know Her
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@ssukidesu
go ahead be gone with it
kkir 2025.11.15
. ʝųɱ℘ Ɩơʂʂ
【★】~ Twitter / X | 藤絵美-fuziemi-
alphonse and his sheep <3
fullmetal
JinMao by @ ayamame_d_love
Visual development for Atlantis: The Lost Empire by Ricardo Delgado
A prize for a soul eater themed stamp rally at tekko! I'm really proud of this one!
Nomination - ssukidesu
CONGRATULATIONS, @ssukidesu!!! Your fanfiction “don't be a stranger” has been nominated by one of your fans for the 2025 3rd Term Inuyasha Fandom Awards run by FeudalConnection!
Your work has been nominated in the following category:
Best Canon Universe
Voting will take place between October 6th and October 20th, and the links to do so can be found on the feudalconnection Tumblr page.
If you would like to pull your work from consideration for an award, please let us know via the Tumblr page or [email protected].
Once again, congratulations for your beautiful contributions to this wonderful fandom, and thank you for all that you do!
NOMINATIONS ARE OPEN UNTIL THE END OF THE DAY SEPTEMBER 15th! SUBMIT YOUR FIC/ARTWORK NOMINATIONS THROUGH OUR PAGE!
For the nomination rules and category definitions, please see our “Get Ready” announcement.
thank you so much🩷🩷
Forgive me I can't draw guns
one thing i think is so Neat about atla is how all the main bender characters have an arc that corresponds to their "opposite" element. zuko's arc is about the capacity to change yourself and your worldview, and the culmination of his arc is learning a move inspired by waterbending. katara is all about passion and drive, wanting to become a great waterbender and fight for what she believes in, and over the course of the show she comes into her power. toph's arc involves getting free of her restrictive family and connecting with a community, and aang's arc is about learning to stand fast in his beliefs and confront difficult issues head-on. it's a beautiful bit of symmetry that reinforces the show's point about the illusion of separation
i think this might be why i've never thought aang's decision in the finale was "selfish". aang was someone who ran from responsibility bc it (understandably) scared him, and often when he did try to "be responsible" it was out of guilt rather than a genuine commitment to his role as the avatar (agreeing to fong's plan in "the avatar state", striking out on his own in "the awakening"). he either avoided the issue or did what he thought others wanted him to do to "atone". but in the finale when he approaches the issue of killing ozai, he is not running from responsibility. he knows he must take down ozai and is prepared to do so. and his final course of action is not based on guilt or what he thinks others want from him, but on how he approaches the task of being the avatar, from his perspective as the last airbender. he takes ownership of his responsibility as the avatar and does his duty in his own way
apothecary diaries light novel 13 spoilers below
been thinking about how one of the first things that mao mao gets when she decides that she wants to be with jinshi is a warning. ah duo summons her and essentially tells mao mao that there's still time, there's still an out, there's still a way for her to be free in ways that ah duo never was. it's said over and over that a woman can never leave the palace once she's slept with a member of the imperial family. we've seen woman after woman stuck there for their entire lives. mao mao and jinshi's romance is directly tied to sacrifices on mao mao's end. it is, in all ways, mao mao taking a giant leap off a cliff and hoping she'll land on her feet. mao mao knows this. ah duo knows this. at this point in the story, even jinshi knows this. and ah duo, who's seen so many women suffer in the rear palace and doesn't want another woman to end up like her, hands mao mao one more out despite the fact that mao mao and jinshi being together is what will make her son, who she never even got to raise as her own, happier than anything.
and mao mao knows all of this, and she still jumps anyway, but not after taking years to build herself a net. ah duo was offering her a way off the cliff, but mao mao had already prepared herself to survive the fall.
A closeup of my last new print for animenyc 💜
X
‘WHY do i keep doing this???!!! The one time I read a fanfic where Roy was transmuted into a salamander chimera and off I go. but phaw what an idea! It’s so unhealthy for me take it awayyyyy….no please update it for the love of god i love that story’
for those wondering about the Fic in question Through Fire and Rain by Kemnam
the reveal that mizu is not only the ronin but also the bride is so well executed. the way she walks the line between man and woman, white and japanese, victor and victim... it's good fucking writing.
Fowler's monologue from Blue Eye Samurai E4: "Peculiarities" came out of nowhere and knocked my socks clean off on first viewing
im normal about this monologue and think about it an ordinary amount
one subtle thing: Fowler has a serious, um, potty mouth normally. yet, despite how confident he seems in this moment of fragrant blasphemy, he still does not utter a single expletive while in the chapel.
it is the single most respectful conversation he has with anyone in the entire series.