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Golden Freddy reminds you to do your daily click for Palestine

BE SURE TO HAVE ADBLOCK OFF BEFORE CLICKING

I work with kids and sometimes we have to do safety lessons with them about like, not telling strangers on the internet your home address or something. And sometimes the kids wont understand why, so you have to impart upon them that, well, some adults want to hurt children. And thats kind of difficult to do, because you have to beat around the bush, both because you dont want to scare them (while still making them understand how serious it is) and because you might lose your job if you explain it too straight forward.

Luckily, for some reason, the villain of one of the most popular franchises with children for the last 10 years happens to be a serial child murderer. So when a kid asks why they shouldnt trust strangers, instead of hand wringing and humhawing my answer out, I can just say "we dont always know when a strange adult has good intentions with children, or when they are William Afton."

clementine-kesh

call me terminally academia-brained but i do think a lot of the fun of character analysis is figuring out how to build a compelling argument for a particular reading using lines of evidence from canon as well as meta/intertextual support

clementine-kesh

and you could say that what i’m saying here is basically “a lot of the fun of doing character analysis is doing character analysis” but let’s be real a lot of fandom character analysis is pretty heavily vibes-based. and i think that’s where i really chafe up against the traditional thought-terminating fandom attitude of like, everyone’s opinions hold equal weight and any interrogation of that is inherently hostile. because i think it’s fascinating to dig into where others are coming from in terms of their views on characters or dynamics or whatever, especially when they differ significantly from more commonly expressed views, and part of that digging is asking people okay what parts of canon are you drawing from to support your opinion? what parts of canon are you disregarding or downplaying? how does this argument hold up in the light of how race, gender, class, ability, etc. operate both in the piece’s in-fiction and real world contexts?

#text