Sade Olutola

Product Placement

Kiana Khansmith

Kaledo Art
Claire Keane

❣ Chile in a Photography ❣
No title available
DEAR READER

Andulka
Cosimo Galluzzi

Discoholic 🪩

JBB: An Artblog!
cherry valley forever
ojovivo
I'd rather be in outer space 🛸
we're not kids anymore.
AnasAbdin
Cosmic Funnies
Lint Roller? I Barely Know Her
KIROKAZE

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@studioamaravati
don't cry okay? huge as fuck bowl of strawberry
Don't cry okay? Huge as fuck container of blueberry
don't cry okay? huge as fuck bag of blackberry
if i had a quantity of raspberries this large i would end up on the news
we DO grow old and happy. btw.
And you find love and it stays with you.
Older women are so, so beautiful, and older trans women are no exception. Celebrate the beauty of our elders! Celebrate trans beauty!
I wanted to share some more of these, specifically trans women of color. The images I'm posting are from a project called To Survive On This Shore and it's an interview project. I am only posting a handful so it's so worth checking out!
This is Linda, 60
Alexis, 64
Helena, 63
Kendrah, 72 (!!)
Tasha, 65
It was deeply healing to me to discover this project. The site has selected photos and attached interviews and it's definitely worth your time. I didn't include any because the focus of this post imo is transfems but there are a lot of beautiful interviews with transmasc people too if you're interested! But that'll have to be another post 💖
for those interested, the photographer is Jess T. Dugan. The link to this particular project is as follows:
To Survive on This Shore — JESS T. DUGAN
This monument in Kazakhstan makes me so emotional.
5 people linked hands to save the dog, but there are only 4 in the statue...
so you can be the fifth
ALL. OF. THIS.
my criminal son, caught in the act, entirely without remose
"aww he's eating the kibble out of the bag"
NO HE WAS NOT
Things don't have purposes, as if the universe were a machine, where every part has a useful function. What's the function of a galaxy? I don't know if our life has a purpose and I don't see that it matters. What does matter is that we're a part. Like a thread in a cloth or a grass-blade in a field. It is and we are. What we do is like wind blowing on the grass.
–Ursula K. Le Guin, The Lathe of Heaven
Once when I was in undergrad, someone described something as “problematic” in class and our professor was like, “That’s cool, but ‘problematic’ doesn’t really mean anything. It means that the thing you’re describing has a problem, and in and of itself that’s not bad. Art, especially, should always have problems, or else it’s not interesting and not art, either. It sounds like you’re trying to say that this is bad, but you don’t want to say ‘bad.’ Is that right?”
So from then on whenever one of us called something problematic, he would make us talk it out until we could name the “bad” thing we were hinting at. In this particular class, 7/10 it was some type of oppression, and the remainder was like, “I’m uncomfortable because this is very new/confusing/pushing boundaries that made me feel safe.”
Once we stopped calling things “problematic” and stopping at that, class got way more interesting and... we all had to say, like, “that’s racist” or “that’s misogynistic” or “ew capitalism gross” out loud, which a lot of us had never done in a classroom before. Or we had to be like, “Uhhh... I’m not sure what’s so bad?” and confront our own beliefs and that was maybe even more useful.
Anyway. Whenever I see the word problematic, I can’t help but think of this professor being like, “Good starting point, now let’s get specific.” I think when we have to commit to saying “that’s ___” it requires a lot more careful thought about the truth and impact and complexities of whatever we’re claiming. Sometimes there really is some bullshit afoot, and also sometimes it’s art, and it should be full of problems, because that’s what art is.