dream a little dream of me @subarashiiashita - Tumblr Blog

lovetales

SUNMI CYNICAL (2025)

ddestroyangels

'Evening Star' by Henri-Pierre Picou (detail)

French, 1824–1895

wafadz

Algiers.

totalsellout

FOREVER JULY (2026) SUNMI, dir. Nany Kim

dazzlingkai

SUNMI Forever July (2026)

citrines

SUNMI HEART MAID, Hightlight Medley

moethh

"cold showers are better for you" WRONG! SCALDING HOT SHOWERS FOREVER!!!!!!!! 🚿🚿🚿🚿♨️♨️♨️🚿💧💧💧💧💦🚿🚿🚿🚿🚿🚿🚿🚿🚿🚿🚿🚿🚿🔥🔥🔥🔥🔥🚿💧💧💦💦💦🔥🔥🔥🔥🚿🚿🚿🔥♨️♨️🚿🚿🚿♨️♨️♨️🚿🚿🚿♨️♨️♨️🔥🔥🔥🚿💧💧💦💦💦🔥🔥🔥🔥🚿🚿💧💧💦💦🚿🔥♨️♨️🚿♨️♨️💧💦💦♨️🚿🚿🚿🚿🚿🚿🔥🔥🔥🔥🚿♨️♨️🔥🔥🔥!!!!!!!!!!!!!!!!!!!!!!!!!!!!!

robntunney

TV Appreciation Week Day 7 : tv show with the best ending | THE MENTALIST

This ring has been with me for a very long time, and it has obvious significance with my past. It also represents meeting you. If I didn’t have this ring, I would never have met you. So in a sense… It has the potential to represent my future, as well. And I’m not expecting you would ever wear it, but I want to share it with you, and I want it to represent our future together. I want you to be my wife. Will you marry me?

tooyoungtoreign

“To the new day!”

eloquentedition

Architecture Wave

https://www.instagram.com/eloquentedition/

Source

petaltexturedskies

Frances Hodgson Burnett, The Secret Garden

girlintheafternoon

When Audrey Hepburn died at the age of sixty-three, she left behind one final surprise—an empty closet. Where were the designer originals worth tens of thousands of dollars? The world-famous little black dress from Breakfast at Tiffany's? Why did Audrey Hepburn, of all people, have a nearly empty closet with nary a couture gown in sight?

The answer proved both simple and profound. During her last ten years, Audrey Hepburn ruthlessly pared away at her life until only the absolute essentials remained. Hollywood? Not interested. Fashion shows? Thank you, but no. There was simply no need for Givenchy gowns when trekking across Africa on behalf of the starving children of the world.

In truth, if anyone had been paying strict attention to the substance beneath her dazzling surface, they would have seen an indication of her ultimate direction as far back as 1959's The Nun's Story; speaking to her castmate Patricia Bosworth, she had explained: "I love fashion, you know. Really love it. But fashion has nothing to do with me." At which point, recalled Bosworth, Audrey touched her heart and emphasized: "The me in here. . . . the private me, the interior me —inside I'm not fashionable at all." - Audrey Hepburn: A Life of Beautiful Uncertainty