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Thomas Leer & Robert Rental - Attack Decay (The Bridge, 1979)

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Monte Cazazza - "Candyman" (The Worst of Monte Cazazza)

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Ballet Mécanique (1924) by Fernand Léger and George Antheil

from The Sound of Eye:

"Legend has it that Antheil's score was technically impossible to execute at the time: among other "oddities", it demanded sixteen synchronized pianos when there was no technology available to synchronize so many instruments at a time. Antheil rearranged it and added live piano players, but its American première turned out to be a disaster, with riots and all. The score was abandoned and for many decades every attempt to perform it bumped into the problem of synchronizing the pianos. Finally, in the 90s, after the discovery of the complete cut for Ballet Mécanique, Paul Lehrmann used modern MIDI technology to synchronize the piano section, thus "restoring" the score and allowing today's viewers to watch Ballet Mécanique as it was conceived."

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Emak-Bakia (Man Ray, 1926)

Watch

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 → the films of Andrzej Żuławski: the painted face of horror

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Miranda Sex Garden - "Play" (Suspiria, 1993)

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Sonic Youth & Michael Gira (May 1982)

Photo by Catherine Ceresole

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Still : Leptirica [ 1973 ] also known as The She-Butterfly and The Moth 

” If anyone in then-socialist Serbia thought that the themes of vampires and witches were ‘outdated’, they got a wake-up call: a man in Skopje (Macedonia; at that time, one of the six republics of Yugoslavia) died of fright while watching the premiere of Leptirica on TV. “

— Dejan Ognjanović, The Temple of Ghoul

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Agitation Free - "You Play For Us Today" (Malesch, 1972)

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Viy (1967)

"What is Viy, you might ask? I've still got the same question--in walks a bulky, golem-like giant with stubby arms and eyelids that droop to the middle of its pinched face. The way the other creatures make room for the stomping beast tells us this guy is the Big Gun, and it's hard not to be nervous for our drunken friend. Viy commands the demons to "Raise my eyelids!" so he can cast his killing gaze on Khoma. The seminarian screams in horror and falls out of his circle, and the demons and other creatures of hell fall on him in a heap just as the cock crows for the third and final time."

via scoop.it

source Mad Mad Mad Mad Movies

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look at the eyes

Ivan the Terrible is all about the eyes

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Last Year at Marienbad - opening scene

The art of repetition, fragmentation and hypnotism...And it all flows seamlessly

"...Empty salons. Corridors. Salons. Doors. Doors. Salons. Empty chairs, deep armchairs, thick carpets. Heavy hangings. Stairs, steps. Steps, one after the other. Glass objects, objects still intact, empty glasses. A glass that falls, three, two, one, zero. Glass partition, letters..." (imdb)

The best review:

"So - Last Year At Marienbad, in a nutshell, assume French Accent: Verse 1: Man: I know you. Woman: You do not know me. Man: We were here. Woman: I was never here. Chorus: Man: Long strange monologue about the place that they are at, Marienbad. And how he has been here before and how she has been here before. Camera: panning about the ornate Marienbad mansion. Verse 2: (repeat verse 1 - add very interesting game of pick-up sticks) Chorus repeat verses 1 & 2 I think everyone should see this film. I don't know why. I have seen it numerous times. No, I have never seen it. Yes, I saw it last year! No, last year I did not see it. Yes, I saw it here, with me. Wait, I'm alone. Who am I talking to?" (riffraf)

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Bene Gesserit - "Existentialisme" from A High, Happy, Perverse And Cynical Cry Of Joy (1985)

Interesting band from an art-punk/avant-garde 80s Belgium music scene. Alain Neffe ran Insane Music label and was a part of many art and music projects like Pseudo Code, Human Flesh, Bene Gesserit etc.

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Polanski and creepy, nosy neighbors

Repulsion, The Tenant and Rosemary's Baby

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Polanski and creepy old couples

Stills from The Tenant (1976) and Rosemary's Baby (1968)

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Konstruktivits - "Semi Sex Act" from A Dissembly (1982)

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Dušan Makavejev and (head of) Milena Dravić while making the movie W.R.: Mysteries of the Organism.

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Wilhelm Reich and World Revolution

love this movie!