“After all,” he used to say, “the greatest of all sciences, the key to all knowledge, is the science and art of pleasure. Rabelais was perhaps the greatest of all the encyclopedic scholars; and he, as you know, wrote the most remarkable book that has ever been written. And what does he teach men in this book? Surely, the joy of living. I need not remind you of the words, suppressed in most of the editions, the key of all the Rabelaisian mythology, of all the enigmas of his grand philosophy, Vivez joyeux. There you have all his learning; his work is the institutes of pleasure as the fine art; the finest art there is; the art of all arts. Rabelais had all science, but he had all life too. And we have gone a long way since his time. You are enlightened, I think; you do not consider all the petty rules and bylaws that a corrupt society has made for its own selfish convenience as the immutable decrees of the eternal.”
Such were the doctrines that he preached; and it was by such insidious arguments, line upon line, here a little and there a little, that he at last succeeded in making me a man at war with the whole social system. I used to long for some opportunity to break the chains and to live a free life, to be my own rule and measure. I viewed existence with the eyes of a pagan, and Lipsius understood to perfection the art of stimulating the natural inclinations of a young man hitherto a hermit. As I gazed up at the great dome I saw it flushed with the flames and colors of a world of enticement, unknown to me, my imagination played me a thousand wanton tricks, and the forbidden drew me as surely as a loadstone draws on iron. At last my resolution was taken, and I boldly asked Lipsius to be my guide.
