We Are Still Fighting For Acceptance (20th Century Queer Rep [part 1?])
And we always have been. We're still fighting for representation, so here is a reminder that we've always been there.
The Children's Hour (1934, 1961)
"I do love you the way they said!"
The story of a lesbian woman in love with her best friend. William Wyler made a straight adaptation in the 1930s because of The Hays code, but years later, the story was finally told on screen as much as possible.
"You have been, and always shall be, my friend."
The Original series: Although not canonically LGBTQ, an extreme cultural phenomenon in our community. It's also important to note that despite its many flaws, it was progressive for its time.
Cat On A Hot Tin Roof (1955):
"I am not naming it dirty! I am naming it clean!"
Tennessee Williams wrote the tragedy of Skipper - his seemingly unrequited love for his friend Brick. And although Brick himself feels internalized hatred towards his own possible feelings, those around him seem to be accepting.
West Side Story (1957, 1961, 2021):
Anybodys was a side character often read as a butch lesbian, or even more commonly as a trans man. They fight to be accepted in the Jets, and this plot is finally expanded on in the 2021 adaptation. Stephen Sondheim himself was one of the most respected writers in musical theatre -- and gay.
"If you only like boys I wouldn't dream of pestering you."
Both the movie and musical of Cabaret highlighted feminine men and bisexuality. Today, in some productions, it subtly addresses the oppression of queer people in Nazi Germany with a heartbreaking ending.
If yall wanna submit more examples of queer rep in 20th century cinema you're welcome to do so!