Something about love and loss and being on the other side of the tragedy idk
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Something about love and loss and being on the other side of the tragedy idk
Joel wakes up screaming.
His first thought, honestly, isn’t very coherent. A mishmash of need more time and a throat-tearing scream escaping him as he opens his eyes to–
His scream dies down. Joel looks around– at least, he thinks he’s looking around. Hard to tell when it’s all pitch black and he can’t see a thing, is he sure his eyes are working–?
Joel brings a hand to his face, “Did I go blind– What the heck!”
His voice comes out shrill, a hair away from a shriek (because no, it wasn’t a shriek, it was all manly and stuff, thank you.) as his hand kind of– it kinda–
He knows where his head is. Obviously. Be a bit weird if he didn’t. He knows where his head is, and he knows where his hand is. Both are important. So when he reached towards his head, right, gotta see if there’s a cloth over his eyes, or if he’s gone blind or whatever stupid thing must’ve happened to him after… After he…
His thoughts go fuzzy for a second, like that feeling you get when you think you’ve forgotten something but can’t remember what. Like knowing the shape of something you’ve lost, its absence so pressing that it chokes you like sand, clogging your lungs with each second it's gone but what the heck is it–?!
Where was he, again?
Oh. Right. He was freaking out.
The point is– because there was a point, right before things got all weird there– his hand went through his head.
It… He doesn’t even know how to explain it. It felt like… Not much, really. Didn’t feel like anything. But that’s the issue with it, the issue of something should be there, like skin and muscle and bone and perhaps even a brain. But instead, Joel put his hand where his face should be and he felt nothing, no matter how hard he tried, how far he reached and pushed and–
Joel wants to scream. Or laugh. Or cry. Either of the three, though preferably not that last one.
It’s so weird. He just wants…
There it is again. That feeling. The clawing, desperate something in his chest that twists and writhes–
“Hey, Joel.”
Joel screams. (First option, then.)
Jimmy just stares at him, unimpressed. His sunglasses are blocking his eyes.
For some reason, it makes Joel want to cry.
Jimmy sighs, “Are you done?” Joel gapes at him.
Are you serious, “Am I d– What the heck, Jimmy?” He snaps, “Don’t sneak up on me like that, I’m not bloody Grian–”
Since when did Jimmy get so quiet, anyway?
“Of course you’re not Grian,” Jimmy says, his voice all weird. Off. “It’d be easier if you were. He’s already moved on.”
Joel’s hackles rise, “What d’you mean it’d be easier?” He snarls, like snapping teeth. “And he hasn’t moved on, he’s just–”
“Looking for new friends?” Jimmy deadpans. Joel’s jaw clicks shut. “ ‘s what I thought.”
Oh, Joel wants to punch him in the–
Wait a second.
It comes back to him then, slamming into him like a wave. The bubbling, helpless laughter in his chest as he leaps and runs across a flimsy dirt bridge. The way he knows he’s fallen before, fallen a million different times and came out both dead and alive but he doesn’t care.
("–you can't keep doing this–")
He doesn’t (didn’t) care, because why should he, he’s got– he’s got water. He’s got water, like everyone else on this blumin’ server, he’ll live, surely, so there’s no need to be scared.
("–got to let go, eventually, right–?")
No need to worry, even as yellow feathers plummet and disappear from view and lightning strikes where Jimmy’s voice cut off–
“Joel!” Jimmy shouts, practically right in his face. “Joel, are you even listening–?”
This, Joel decides, is not Jimmy.
It's got the shape of Jimmy, sure. Right hair and face and everything. Right voice, right bloody curve of his eyebrows, which makes Joel laugh, because it isn't him.
It can't be. It can't be, because Jimmy's dead. Jimmy's gone, he ran out of time because he fell like an idiot so no, this can't be him, there's no way.
On all levels except physical, Joel can't seem to breathe.
There's no way this is Jimmy, he thinks, just the right amount of hysterical. It's just not possible.
Because if this is him, (and that's a big, gigantic if) then that means– That means wherever he went, Joel followed. Joel followed, and now they're in the Void, or Limbo, or whatever the heck it's called, and that means that Joel–
Joel failed Grian, too.
"You're not Jimmy," He says at last, with his not-there tongue and not-there face. His voice sounds distant. "He'd be like, crying. Screamin' about dying first again, going oh my gosh!" Joel tells Not-Jimmy, pitching his voice up and then laughs, laughs, and laughs.
Until he can't breathe. Until it hurts to.
Until it's not much of a laugh at all.
Light shines on Not-Jimmy's sunglasses. He's still the only thing Joel can see.
Joel reaches out, pretending to see two, shaking hands grab Jimmy by the shoulders. He pretends, thinks about it hard enough that he almost feels the texture of Jimmy's denim under his palms. He thinks, imagines, pretends, whatever, that the fabric crinkles under his touch, that the sob that makes his way past his lips is a laugh as he says, "I'm sorry."
Something wet trickles down his not-there face.
" 'm sorry, Jim," Joel rasps out, and it hurts. "You weren't supposed to– I had a surprise for you, you know?"
Jimmy's voice is quiet, "What kind of surprise?" He asks, and Joel…
Joel thinks he might be falling apart.
(Or maybe, his mind supplies, he shattered a long while ago. Like glass hitting the floor.)
He grins, or at least, he tries to. "I was gonna break your curse," He confesses, with his terrible, trembling mouth. "I was gonna sacrifice myself for you, be all heroic and everything."
Jimmy says nothing. Joel still can't see his eyes.
"I'm sorry."
He's getting tired of pretending.
"Will you come with me now?" Jimmy– Not-Jimmy says, his voice ringing like the toll of a bell. "You've said your piece, not many are afforded that luxury."
Joel blinks. Death stands before him, no sunglasses to cover empty sockets.
For a moment, Joel considers fighting. Again, and again, and again.
But he is so, very tired.
He sighs.
I don't feel very lucky, Joel wants to say. And you still aren't Jimmy.
"Whatever," He says instead. He feels his entire being slip away like sand, like time held tightly between two fists. "Take me away, or whatever it is you do."
Joel closes his eyes, "I'll tell him when I see him."
Here's my take on a jester greylock design. Runs away
It's about like.
Willow fought to be seen as strong, because she is and for a very long time people not only convinced her that she wasn't, but that a lack of strength correlated to a lack of worth. And because of this past of having to prove herself and rediscover who she is and could be, Willow accidentally internalized the idea that others perception of her as strong is conditional on her always succeeding despite the obstacles, always staying in control and on top of things, always being the shoulder to cry on, etc etc.
And to an extent, she was right! Amity (unintentionally and well meaningly) refused to acknowledge willow's strength, leading to her having to prove herself, Boscha takes great pleasure in pointing out the chinks in willow's armour because Boscha feels better about herself when someone else is beneath her and she most often makes Willow that target. These are examples in which someone (correctly) paints Willow as pretending to be strong, but act like if they peeled back that facade, all you'd be left with is weak, half a witch willow. Whereas Hunter and Gus understand that even if you peel back willow's front of strength to see the more vulnerable side of her, there's still a strong foundation that takes little time in getting back into the swing of things once she's let it all out. Willow can be reliable and have debilitating anxiety. She can be whiney and needy and still be brave and powerful. Reliable people need someone to rely on too.
Willow's arc in labyrinth runners meant a lot to me because being consistently told that you are weak and need the help of people who love you but who struggle to understand you and see past their own need to protect you, by those people hit close to home and was incredibly validating to see. Somebody once compared the writing of those interactions to microaggressions, and intentional or not it resonated with me bc of that I think.
And now willow's arc in FTF completes this in a way that's very viscerally satisfying to me. Because proving your worth to people, no matter how successfully you do so, takes such a toll on your own mental well being and self perception. Bottling up your emotions so you don't drag others down is so difficult. And you deserve to cry like a big fucking baby if you've been doing this. Let it out!
For the future is an episode about being seen and heard, so to have Willow be so thoroughly seen and heard not just by the people who understand her best within the show, but also by the writers and consequently the audience is just.
It's what she deserves. And I love her very much
attack for my friend @gaiaxyswitch of her character lena :) and then i drew her Againe. because i wanted to
lena … 2!!!
going clinically balls to the walls insane thinking abt that thing ONE said abt reigen having an older sister
the thing about metal in roboticized sonic au is that it sees itself in sonic
the lack of control, the uselessness in its situation, the desire for a freedom it will never have. sonic is, in a way, feeling the same things metal does. its just as trapped as sonic is. and metal hates it
metal berates him for this in an attempt to gain some control over something, *anything*, when it can't have control over anything else. it makes metal feel a sort of vindication. now the person it hates most for having everything it desired has nothing. in fact, he's below it now, bound to its master's whims and given even less agency than it
it rides that high until sonic is eventually freed from eggman's control, at which point it becomes infuriated that sonic can just get back the freedom he lost while it continues to be trapped under the eggman empire with no hope of escaping
sure hes REAL fucked up but like. cmon.....cmon little Kissy.........little kissy kissy for kinito cmon............ Just A Lil Smooch just a little Patpat........
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