Steve: What’s weaponized incompetence?
Robin: Don’t worry about it. You don’t do it.
Robin: You’re the opposite actually.
Robin: You weaponize competence.
Eddie: And it makes the rest of us feel bad about ourselves.
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Steve: What’s weaponized incompetence?
Robin: Don’t worry about it. You don’t do it.
Robin: You’re the opposite actually.
Robin: You weaponize competence.
Eddie: And it makes the rest of us feel bad about ourselves.
read right to left
this is how the fight with killingham goes TRUST…
suddenly struck with thoughts about the devastating concept of Jason Todd
because he was good. because he had a bleeding heart despite every reason not to. he loved school and was good at it. he was the first to be adopted, with little pretense of guardianship. he did everything he could to be a perfect Robin and live up to an impossible ideal. he only ever wanted Bruce and Dick to like him.
because he met Bruce in the same place and on the same day that Bruce's parents died--the single defining moment of Batman's existence. and he made Batman laugh. he hit the Dark Knight, Terror of Gotham, with a tire iron. he wasn't afraid of the man who turned fear into a weapon.
because he couldn't save his mother from herself, but he tried. because he was too good not to try and save the woman who gave him up. too good to play the Joker's game. the crowbar didn't kill him, the bomb did. he died knowing he wouldn't make it and tried anyway. he died a hero.
because other Robins have died, but none of them put an irrevocable tear in the mythos of Batman. because Jason Todd always dies, in every universe. he dies for the sins of his father. he was put to death by popular vote, sacrificed by the crowd. doomed by the narrative and doomed by the audience. the boy who only ever tried to prove he was good enough--wasn't good enough.
because he has every reason to be angry. because he didn't ask to be murdered, didn't ask to be brought back, and when he did everyone acted like he was better off dead. Bruce tried to kill him and nearly succeeded. he's blamed for his own death and blamed for his resurrection. he can never come home because the house is haunted by his own ghost.
because he's been the hero, the victim, and the villain. because his family and his writers and his universe don't know what to make of him. they don't know how to look his tragedy in the eye. and how can you?
it hurts to look at the hero who cannot be good enough, the victim who will only ever be angry, the villain who can sometimes be right. the audience hates to feel complicit and, in this exceptional case, they are.
Trinity figuring out that Mel is having sex with someone on the regular. (At a future time)
Trinity: who is this person? Just not Langdon.
Mel: sorry it is Langdon
Trinity: lol yeah right good one Melodrama!
Mel: no really I am having a ridiculous amount of sex with frank Langdon.
It literally becomes a running gag. Everyone asking who she's fucking. Mel plainly stating it and no one believing her.
Langdon: I am really offended. Like inordinately offended.
Mel: maybe I should say I am sleeping with Abby? Just to see what happens.
Frank: *nosebleed*
"Awe see? You can be trained."
But 👉👈 what if BUCKY was touch-starved?
Maybe his family was super affectionate when he was growing up, but once he had his last big growth spurt the hugs and cuddles suddenly stopped because he was A Man now. It leaves him wishing he could feel small and cherished and taken care of again, but because of his size he's always expected to be the caretaker. 😔
Maybe he'd like for someone to put an arm around HIS shoulders. 🥺 Maybe he'd like to be a sweet pillow princess and make breathy little sounds while someone lovingly fucks HIM. 🥺🥺 Maybe he'd like to hear Gale's someone's low, low voice praising him and talking him through all the pleasure he can stand and more. 🥺🥺🥺
Every bloody time
Bad hose. Very bad.