Hello hello! I am Spacedust! I am a seasoned diviner that utilizes tarot, oracle, astrology, shufflemancy, bibliomancy, carromancy and intuition to answer questions to provide insight into a multitude of situations. I have been practicing these skills for anywhere from 15 (Astrology) to 3 (Carromancy) years. I am often told that I provide insight into circumstances with an uncanny amount of accuracy, often pointing out situations or issues that were not made evident to me at the beginning of the reading. I pride myself on my ability to truly connect with the person I am reading for and do my best to provide accurate and relevant suggestions or insights into the questions I am asked to divine answers to.
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Winter. The word evokes a sense of chill, of cold, crisp air, and of dark, long, quiet nights. Darkness is often seen as a symbol of confusion or unfamiliarity, of uncertainty, of not knowing the way forward, but darkness can, indeed, be a powerful ally in the art of divination. Darkness can be the backdrop for some of the oldest and most varied forms of divination still known to us, and it can also be a tool itself, a key player in our divinatory practices. Two such realms of divination that rely on darkness in their own ways will be explored in this piece, two schools of divination that are perfect to welcome into our winter practices and traditions.
BY FIRE
As a backdrop, darkness serves its purpose in divination in many ways. For those who look to use fire as a divinatory tool, it is in the depths of darkness that fire is most useful to us, to ward off the chill of winter, as well as to brighten the space we inhabit.
Divination by fire is called pyromancy – from the Greek πῦρ / pyr (meaning ‘fire’) and μαντεία / manteia (meaning ‘to divine by’ or ‘divination by means of’). Fire is held as sacred in many cultures, partly due to the importance of fire as a means of survival. Fire is seen as a powerful element, a conduit of pure energy, a force of destruction, a symbol of purification and renewal, and, in many cultures, a symbol of life. It finds a vital role in many religious and magical rituals, and, just as there are many ways to use fire in ritual, there are just as many ways to use fire in divination.
Pyromancy is a great method of divination to include in your winter practice, and there are some amazingly simple ways to do so.
Basic Pyromancy
Pyromancy in its most basic form is the act of divination by the observance of flame. One way to do this is also called fire scrying — when one stares into flame to see what symbols or images appear to them there. This can be either a physical event, in that the shape, symbol, letter, etc. appeared in the dancing flames; but it can also be a symbol or image that is mentally received, that forms in the subconscious or psychic mind whilst one is focused on their scrying.
Fire scrying can be done with just candleflame or with a larger fire, such as in a fireplace or campfire.
Another easy way to divine by fire is by using the sounds of fire instead of scrying for images. With a fireplace or campfire, one can divine by the sounds of the pops that the burning wood makes. Some practitioners will speak questions to the flames either aloud or in their minds, taking the pops sounding off after the question as their answer. One can assign meaning to these sounds — for example, one pop means yes; a series of pops or crackling means no; and silence means that the answer is inconclusive.
Candle Scrying & Ceromancy
[by Jarl Schmidt]
Observing the behavior of a candle flame is a wonderful way to use fire in divination. Some methods can be as simple as speaking or thinking questions to the flame and then watching the flame for a response. One interprets as they will — perhaps a still, sturdy flame indicates a negative response while a wildly flickering flame indicates a positive, or vice versa. The ways these responses are interpreted is purely personal and up to each individual reader, and different behaviors the flame may exhibit have different associations from one culture, region, or tradition to the next
Another method of using candles in divination is ceromancy (alternatively spelled carromancy) — divining by use of candle wax. There are many ways to perform ceromancy. One of the simplest forms is to light a candle and let the wax drip down, observing the wax as it melts.
Does it accumulate more in one area than another? Does the accumulation form a distinct shape or symbol? Does the wax instead melt smoothly, burning into a puddle at the base of the candle? Does the wax drip steadily?
Study the wax and interpret it as you will, as interpretations vary from culture to culture, creed to creed. For example, in some practices, piles or mounds of accumulated wax are said to signify a strong, sturdy footing one stands on, while in others these mounds may instead symbolize a roadblock or obstacle in one’s way.
[by Mariola Grobelska]
A well-known method of ceromancy calls for heating wax until it melts and then pouring the melted wax into cold water. The cold water will solidify the melted wax once more, and the ribbons of wax will form shapes or symbols in the water. These shapes, along with the movements of the wax in the water, can be used to divine.
A variation of this method calls for holding a lit candle sideways over a bowl of cold water, so that the melting wax drips directly into the cold water. Observe the behavior of the wax as it falls into the water, as it solidifies, and it drifts or sinks into the bowl below. What can you see in the wax and its movements? What do the shapes it forms mean to you? What does the behavior of the wax say to you?
Capnomancy
Another form of divination connected to fire or to burning is capnomancy — divination by smoke. Capnomancy can be performed with any smoke but is commonly done with the smoke of a campfire or pyre, the smoke of a candle (either an extinguished candle or by the smoke around a particularly active flame), or the smoke from incense, which is called libanomancy.
One reads the ribbons of smoke. Perhaps symbols or images or letters appear in their curls, or maybe the behavior of the smoke speaks to you.
Some methods interpret the posture of the smoke – curling smoke being read as a bad omen and straight, upright smoke being read as a good omen.
Other methods interpret the thickness and volume of the smoke – a strong, thick pillar of smoke and a lot of smokiness is said to be a good omen, with a weak plume and little smoke being a bad omen.
With libanomancy (the burning of incense for divinatory purposes), certain incenses are preferred over others. To name just a few —
Frankincense has long been used for divinatory purposes through the ages and across many cultures and religions.
Cinnamon is a powerful multi-tool when it comes to witchcraft, and its connection to divinatory skill is but one benefit this powerful herbal ally provides. It is believed that cinnamon can strengthen one’s psychic skill, promoting psychic and subconscious awareness and awakening the psychic within. It can also be used in protection magic, money and prosperity spells, love spells, cleansing work, and healing spells, and is known for its association with good fortune and fertility, thereby being a handy tool to utilize in any divining surrounding questions of love, financial matters, and health.
Hibiscus can be used in incense for divination, especially for divination pertaining to dreams or spirit communication.
Likewise, jasmine incense is good for divining via communication with spirits and ancestors, as well as divination for further clarity in the realm of our dreams.
Camphor incense is not only associated with strengthening one’s gifts for prophecy, but also for cleansing a space and one’s energy, which is ideal for divination.
SCRYING
As a tool itself, darkness is essential in many forms of divination, though perhaps in none more so than scrying, which often relies on darkness as a focal point to steady ourselves, to open our minds, and to clear our minds of any unnecessary clutter that stands in the way of deeply productive divinatory practice.
Scrying is an ancient and beloved divinatory method which involves gazing into a surface or area (often a reflective surface or into darkness in a room, sometimes at the sky or even at the backs of one’s eyelids) and opening oneself to receive visions or images implanted upon the subconscious or psychic self. This is often done via entering a trance or meditative state, though some scryers find they need not fully induce a trance state to receive images or messages. Scrying, like fire divination, is a great method to include in our winter practice because of how available darkness is to us during this time of year.
Using Dark Windows
Many scryers like to use dark, reflective surfaces to scry in. This can be a black bowl filled with water, a pane of glass against a black background or with black paint upon the backside of the glass, or any other dark, reflective surface. Using windows at night, particularly if you live in an area where there is not much light interference from streetlamps or neighbors or the headlights of passing cars, can be a very accessible method of scrying, though this method can also be easily disrupted by situational circumstance outside of one’s control.
That being said, should the darkness of your window remain undisturbed, it absolutely can be a tool for scrying. With the nights of winter longer and darker than the rest of the year, winter is the perfect time to give this method of scrying a go.
Using Ice
For those of us who live in areas where winter means ice, ice scrying is an accessible and fun seasonal method of divination. Though, you don’t have to use ice that has occurred naturally, and we’ll go into an easy at-home method of ice scrying in just a moment.
As said before, scryers often like to use reflective surfaces. Sometimes, ice isn’t reflective. In fact, usually ice is reflective when either there is only a thin layer of ice atop a body of water that hasn’t yet frozen underneath, or when ice is beginning to melt, leaving a thin layer of water atop ice. So, either of these circumstances provides a great, natural scrying surface. However, for those who don’t necessarily need an extremely reflective surface, ice can still be an especially useful scrying tool.
[Black ice on a frozen lake; by Thomas McKinnon]
Water is a powerful, natural ally in divination and witchcraft. Often associated with spirit work, spirit realms, spirit communication; with change and growth; with slow, stalwart strength; and with adaptability, water can be used a great deal in divination, an art with which water's spirit and energy often aligns. Ice being water in a frozen state gives us an opportunity to utilize water’s energies in new ways.
Water scrying is quite common. Ice scrying less so. But that doesn’t mean that it is necessarily any less effective. In fact, some scryers may find it easier for them to enter the state of mind they need for scrying using ice — something still and solid — instead of moving water.
For an easy at-home ice scrying session, try filling a bowl with water and freezing it just enough so that at least the very top layer is ice. Then, you can use your bowl of icy water in a dark room with one or two candles lit nearby. The dim light of the candles helps provide a shine atop the partly frozen bowl of icy water. Sit before the bowl, staring into its dark, icy surface, and do whatever feels right to you to enter the state of mind you need for scrying, whatever best enables you to receive visions, messages, and images.
Both divining by fire and divining by scrying are a great way to broaden and deepen our connection with the winter season, as well as being a way to help link our practices to the seasons and the natural cycles of time. For those of you who choose to take up any of these methods of pyromancy or scrying, I wish you the very best in your endeavors. Happy winter!
SOURCES & FURTHER READING: While this brief piece was written based on the prior experiences of the author, the pieces below feature relevant information about these same or similar divinatory practices. The reader is welcome to read for themselves and come to their own conclusions.
Demonologia; or, Natural Knowledge Revealed; Being and Expose of Ancient and Modern Supersitions, Credulity, Fanaticism, Enthusiasm, & Imposture [...] (1827); Forsythe, J.S.
Divination for Beginners (2003) Cunningham, Scott
Encyclopædia of Supersitions, Folklore, and the Occult Sciences of the World: a Comprehensive Library of Human Belief and practice in the Mysteries of Life Through More Than Six Thousand Years of Experience and Progress (1971); Daniels, Cora Linn and Stevans, C.M. (Prof.)
The Fortune Telling book: Reading Crystal Balls, Tea Leaves, Playing Cards, and Everyday Omens of Love and Luck (2000); Kemp, Gillian
Greek Nymphs: Myth, Cult, Lore (2001); Larson, Jennifer Lynn
I've just had another go at scrying and I think it was a good learning experience, though nothing went as planned. I will attempt to elaborate.
First, I did something brave and I don't know precisely why it was brave, just that it was. I decided to use the larger candles--the cream colored votives, not the tealights. And for me, this was kind of scary because for some reason breaking out the votives (which I've never used before for my practice) means something definitive. It almost feels like I left someone else behind--I left behind a more timid version of myself, who doesn't use the votives because they are exponentially more expensive than the tealights, because bigger candles mean bigger magic, and I'm not there yet. It feels really unsafe here on the other side, in the reality that I lit the votives for magical purposes. It feels like my entire body is resisting this mode of self in relation to the world. But I lit those damned votives anyway, and now I can't go back. But I digress.
Next--I lit too many candles. Easy lesson there. One votive was all I needed for hydromancy in my black scrying bowl. Gosh, the votives are much brighter than the tealights.
Third, I'd decided to use water that I'd darkened with my fountain pen ink, or perhaps I took the ink from my mom's supply. It was being stored in a brown apothecary bottle that I'd labelled "Dragon's Breath" for decoration. Since I'd poured the water into the scrying bowl by candlelight, I couldn't really see how the ink had settled into the water. I had a preconceived idea of the way the water and ink would interact, and so I saw that the lighter shapes in the water were bits of ink reflecting in the candlelight. I saw a brown bear playing a flute, a witch conjuring a bunny rabbit--nothing that really spoke to me. After I was finished, I turned the lights on and discovered that I'd been perceiving the state of things inversely: The lighter shapes were not clumps of ink moving across the water, they were the bottom of the scrying bowl. The darker shapes were the ink particles, which had bunched up in grains that resembled potting soil. I'd been discerning negative space as the independent variable, as the moving material taking shape.
I don't know how else to say this--it is evidence of perception and its disconnect from physical reality--that so much of our lived experience is directly impacted by perception, which is often much different than what is objectively real.
So you might say that this hydromancy session was a complete flop, because I didn't see any compelling images in the water. But I will take lessons in any form the universe decides to offer up; I do not retain any prejudices there.
Lastly: I highly prefer pouring candle wax on the water for divination. I tried this after turning the lights back off as a second thought, and it works beautifully. Apparently the melted wax on water technique is called "carromancy," and technically I don't think this is a method of scrying (it does not rely on a reflective surface).
It's been an interesting night over here. Talk about finding magic in the mundane.
Candles, while popular in religion and magik, are rarely properly cared for. Many who use them don't even know how to take care of them. And when you don't take care of your candles, especially candles used for divination, you use them up much quicker and get a lot of false responses.
This guide is important for anyone who burns or wants to burn candles, regardless of how much you think you know.
Vocabulary
There are many, many types of candles. This isn't anywhere near all, but the four kinds you should be aware of:
Tealights: (small, round candles, usually about an inch in diameter)
Pillars: (freestanding cylindrical candles of varying sizes)
Container candles: (candles poured directly in a container--includes prayer candles, which are tall glass pillars)
Tapers: (Tall, thin candles that stand in holders--includes chimes, which are miniature tapers)
Wick: The string, wood, etc. in the center of a candle that you light. Usually a cotton string coated with wax.
Hugging the edges: The process where the outer edges of a partly melted candles are pushed in to extend burn time.
Burn time: The amount of time it takes a candle to burn out when properly maintained and/or the amount of time a candle is being burned
Double boiler method: Heating wax in a pot inside another pot of water. This prevents it from catching fire or burning.
General
Location: Burn candles at least 1 foot from other flammable materials. Never burn a candle directly under anything--candles need at least a meter/yard of space above them to burn safely. Be careful when burning candles on a desk or near other candles. If burning a non-container candle, make sure it's on a heatproof surface like a plate to catch wax.
Wicks: Always trim your wick to 1/4 inch before burning, no exceptions. Wick trimmings should be removed from the candle, not left to accumulate in the pool.
Holders: Use a properly sized holder. This is a holder that the candle can sit in the bottom of, but will not shake or fall if lifted.
Burning: Not all candles can burn unattended. In fact, very few can. Always assume that you can't let a burning candle out of your sight. The main exceptions to this are container candles, but even so, not all container candles can burn alone. Prayer candles are designed to burn continuously, but still require clear, safe space, and should be checked on.
Melting: The first time you burn any candle, you must allow the wax to melt up to the edge of the candle before extinguishing it. Ideally, you'd allow this pool to reach the edge every single time. If you don't, the candle will tunnel, shortening its lifespan.
Extinguishing: Blow, pinch, or snuff a candle. Never use water to extinguish a candle--this makes it more likely to explode in future.
Troubleshooting
Candle wont light: Check if the wick is too short. If it is, hold a flame near the wick and pour out wax in increments until it can light.
Candle is tunneling: Burn it all the way out to the edge. You may need to manually melt the edges with a separate flame. You might also have forgotten to hug the edges.
Flame is smoking: There's a few possible reasons;
Wick is too tall: This one's easy, simply trim it.
Too long burn time: If a candle burns too long (usually 3+ hours at a time), the wick may curl or "mushroom." Extinguish and trim.
Insufficient air: Most smoking comes from a flame not having enough oxygen (which the above two can cause). This can also come if your space isn't well ventilated, or if there's wind, breezes, or other moving air.
Only one side is melting: The candle's wick is likely poorly centered, or you're burning it with one side in a hotter/colder place. You may be able to move it the wick to the middle when melted, or move the candle. Otherwise, it's usually fine to ignore on its own.
"Oh no, what do I do if my candle..."
Spills: Surround the pool with paper towels. Wait for it to cool, then pry off wax with a knife. Beeswax peels easiest. If there's still wax and it's on fabric, put paper to blot on both sides, and iron. Wash as normal.
Explodes/Cracks: If it didn't put itself out, extinguish it immediately. Clean spilled wax and, if present, glass. Do not try to re light the candle, even if the candle is still usable.
Has a curling wick: Extinguish, trim, and wait to fully solidify before burning again.
Catches something on fire: Immediately extinguish both. It's best to own and use a fire extinguisher for this, as water doesn't always work or cool it down well. Avoid blowing if at all possible, as this can feed the flame. Do not reuse the candle afterwards.
Candle FAQ
Q: How are candles made?
A: It varies based on the candle! The most common method is by melting down wax in a double boiler and pouring it into a mold, or dipping string repeatedly in a vat of wax.
Q: How do you scent a candle?
A: Typically, you would mix in fragrance or essential oils when the wax is melted before pouring it into a bowl.
Q: Can you put herbs in candles?
A: Certainly! But please don't do this if you aren't experienced in candle care, it can be dangerous when they catch fire if you don't know what you're doing.
Q: How do you color a candle?
A: You use specific wax coloring! It's very important to use colors designed for wax, because those are designed to burn safely. Things like food coloring can and will explode or ruin your candle.
Q: What kinds of candle wax are there?
A: There's a few, but the three you're most likely to find are paraffin, soy, and beeswax. Paraffin is essentially plastic, making it the least ecofriendly option, but it's cheapest. Soy wax is from the soy plant, and generally fairly cheap. Beeswax burns the cleanest and longest, and is the best for the environment, but it's the most expensive. They can generally be told apart by texture if there's no label; paraffin is usually hard, flat, and bumpy, soy can be flaky and greasy, and beeswax is smooth and sometimes slightly rippled.
Candles in Magik & Divination
Chances are, if you're here, this is what you use candles for. While it's exciting to see candles doing weird things, remember you should always check for mundane reasons. Fire isn't a toy, and an oddly behaving candle can be a hazard, not just symbolic.
When doing a spell with candles, make sure anything on or around the candle(s) is safe to burn. For example, ensuring you used cotton thread or yarn to tie the candle, not adding dangerous herbs to inhale, and keeping an eye on the type of paper you're burning indoors. (Rolling paper is ideal for burning sigils.)
It's a bit disappointing to learn a "sign" was only a poorly cared for candle, but it's far worse to burn your house down over a false sign from an unsafe candle. So take care of them.
More questions? Send in a DM or ask! Feel free to add on in RBs or notes.
There’s a form of divination called Carromancy where you get your readings from wax. It’s usually done by slowly pouring melted wax into water and interpreting the wax formations. It’s cool and all and I can’t stop thinking about something like this happening
Carromancy (also spelled Ceromancy) is a form of divination with roots in ancient Celtic magic, though it made its way into ancient Roman culture and continued to evolve within the context of the region. It is, in its most basic definition, any form of divination that utilizes wax. However, the most common forms of the practice involve the analyzation of melted wax as it drips/is poured into frigid water. The resulting shapes and movements taken on by the wax as it cools and solidifies are then used to forecast the future. Beneath is a traditional form of Italian Carromancy I learned about several years ago, and have used several times since.
——————————————————————————
Within a vessel of icy water, place:
3 Rosehips
3 sprigs of Rue
3 leaves of Nettle
A pinch of Cumin seeds
Once you have prepared the water, take 2 tallow candles and bind them together with a length of red ribbon or cord. Wrap the ribbon three times around before fastening tightly with a knot.
Stand the bound candles within the vessel of water and, having attained the proper state of mind through meditation or other ritual practices, light them. Watch as the wax begins to drip into the cold water, observing the ways in which the wax flows, as well as the shapes it takes on while cooling. Watch for shapes like animals, numbers, and letters in order to piece together a reading—though any and all shapes of apparent importance are worth taking notice of.
Should a shape or symbol of great personal meaning make an appearance, carefully remove it from the whole of the wax, and place it within a red bag. Carry the bag with you for 7 days, and it may serve as a talisman thereafter.
