#charm casting

[the-enfolded]

Unend S2 E08: Thought Exercise

X: Like iron shavings falling into alignment in a magnetic field, the pieces come to rest on the ground in a strangely perfect linear formation. 

S: The bird skull earring. 

X: A pebbly petrified black egg. 

M: A quartz point. 

S: A coin, a button, 

X: a speckled bean, a snail shell, 

M: a tiny cocktail fork, and every single other item from the pouch – 

S: all tidily lined up in a row like beads on a string, all pointing the same way as Cleo’s lights. 

Photo 1: On the dark city street a line of varied small colourful objects, straight as an arrow, recedes into the near distance. The line of objects begins with a shiny silver bird skull earring, followed by several other objects: a black lava stone egg, a clear quartz point, a brassy coin with a square hole, a green button with 2 holes, a brown and white speckled bean, a light aqua sea snail shell, a vintage cocktail fork with ivory and gold filigree handle, a bent silver bottle cap, a small birch clothespin, a spiralled twist of contorted copper wire, a weathered peach pit, a small knot of red bandana, and many other objects continuing in a line.

Photo 2: A table in Lark’s cabin. Her divination bag has been laid out flat to form a casting mat. The stones, bones, baubles and crystals, pieces of trash, rocks and eggs are laid out in a colourful spiral on her table. In the background, the wall is hung with a southwestern blanket and there are oddments along the edge of the table including 2 candle-lit lanterns, some incense, assorted desert rocks, a spindly desert plant, and an articulated wooden snake.

Photo 3: A closer view of the items from Lark’s bundle.

The items and meanings are derived from Midst or Unend episodes and Lark’s journal, or invented.

The items: the bird skull earring (the hunter, the guide?), the black pebbly egg (being stuck, sorrow, regret?), the crystal point (the zenith?), the brassy coin with the square hole (?), the green button with 2 holes (?), the brown and white speckled bean (?), the aqua snail shell (alone, solitary, protected?), the vintage cocktail fork (nourishment, the banquet?), the bottle cap (community, celebration?), the small clothespin (holding together?), the piece of frayed wire (the repair, fixing the broken?), the peach pit (good harvest, potential?), the knot of bandana (the friend?), a metal bobbin (work, industry?), A pink gummy bear (sweetness, childhood?), a smooth oval wooden bead (the ordinary, the usual?), An iridescent shell bead (the wish?), part of a metal light (the thing, part?), A carved green stone (nature, new beginnings?), A dark stone point (the nadir?), a large red bead (the warning, injury?), a steel spiral (the current?), The lizard (no?) The bird (yes?), the Boc (it can, it will, possible?), a blue turquoise bead (the gift?), The tooth (hunger, hunting, attack?) A little gold key (the secret?), the cinnamon stick (things that stick, protection?), The thimble (mending, fixing relationships?), The pistachio shell (hunger, wanting?), The flower bead (the garden?), A dark sparkly bead (the fold, tearror transformation?) A shiny pinky orange and white rock (The familiar, home?), a brass bag charm (the bundle, payment?), A mean looking shard of white crystal (the cataclysm, disaster, great change?) A mysterious green glowing rock (the unknown, the mystic?), An open hand bead (the cost?), A little square chunk of pyrite (the burden?) A star anise (the blessing, good luck?), The time buoy (the beacon, time?) An abstract white bone bead (the ghost?), A ship’s wheel (A journey, travel, leaving?), An Acorn (wisdom, potential?), A green bead (the student?), A mirrorhawk pearl (the mentor?), A crab claw (strength, defence?), The ring (partnership, together?), The knucklebone (prey, the hunted?), The wail (danger, peril, the past resurfacing?), The diseased egg (the fracture, illness, wrongness?), the brass key (A way forward, removing barriers?), The dark mica shard (The ship, The guardian?) The round hole coin (enrichment, destiny?), Oval crystal bead (the Un?) The blue metal connector (connection, communication?), the feather (a message?), the red button (new items, new clothes?), The shiny washer (safety, protection, forethought?), the amethyst point (thoughts, wisdom?), The hairclip (the child, beauty, self-care?), the button hook (preparation, having the tools you need?), A piece of iridescent shell (dreams, intuition?), a bear (leadership, guidance?), a red bird (information?), a chickadee (solving problems?), a deer (scholarship?), a rabbit (swiftness, escape?), a pink stone (Love, romance?), The moon lure (exploration, seeking, adventure?)

[orphicsaturation]

Pls rate my small trinkets collection

[theantarwitch]

Casting Cloth Template

Lately I been trying to improve my Rune/Charm/Bone casting by using some kind of cloth with quadrants but the ones I saw online were just… not my thing, they are usually too simple and is like they always need a little something. So, since I’m a “make your own shit but make it cheap” kind of witch, I made a template that’s a bit more complex. And of course, I share with everyone, in case someone find it useful.

Disclaimer: Complex. I will explain EVERYTHING, so this will not be a small post. Yet I will not explain super basic things like “what represent the moon”. That’s your job!

So, here is the idea:

Is made in a A4 very thick rough paper, which allow the runes and charms (I use both at the same time) to slide to their designated parties and don’t bounce back like can happen with cloths. This template is made in a way that you can interpret the different questions in different ways without need an entire new design.

Sections:

The Pentacle is affected by 3 circles. The inner one is the inner self, the desires, the very much core of the person/problem (I will say “topic” from now on), the main issue, the very most important thing. The one that pass between the tips of the pentacle are the closely related things that affect directly the topic. The outside circle is the context, these external things that maybe affect indirectly. Out of it, whatever that barely affect the topic, the societal and cultural aspect sort to speak, the rumors.

The page is divided by 4 pointed vertically and horizontally lines in the middle, making the Left and Right, the Up and Down sides. The Left is affected by the Moon and all what implies, specially as the “not evident stuffs affecting the topic”, as the Right is affected by the Sun and its characteristics as the “at plain sight issues”. That’s why the two suns and moons on the corners.

The Up and Down sides are to represent what’s “closer” to the person who made the question or cast the Runes (It depend on what you prefer). The down part is usually closer to me because I’m seeing that page as how this looks. It also can be used to yes/no questions, being the “special item” tossed and answering depending if is up or down the line, or if is closer to you.

The four sides of the paper represent the 4 Elements and their corresponding Cardinal Point, separated by these sword-like lines between the moon/sun and the pentacle. My Elements are related to geological cardinal points by my particular location, so let’s say that North is Fire in my case, so, they look like this (yours should and can look different by the layout of your elements/cardinal points):

So anything that falls into each one of these quadrants, will be affected by the correspondent element. So a Rune on Water, will be more linked to emotions; and an economic charm on Earth will be a great sign of good cash! The center can be affected by these or it can represent the spirit aspect, as you prefer. Each quadrant will be touching 2 other quadrants. So in my case, Fire can be touching Earth and Water, so anything that stand right in the line between them, is a conjunction of both.

Now, as you can see, each element is also separated on 3. Past, Present and Future to each Element. A charm or item that represent a Block, for example, in Past Water, can hint about emotional issues that still affect the topic now, like traumas. And an item that represent luck on Future Air, can represent an exam with a good grade.

These conjunctions can be interpreted as 4 “time mix”. In this case, you have 4 Past/Future (Which Element will affect which other should change accordingly the position of your elements). This “time mix” are exactly the line that separate each element, and can indicate effects or direct consequences. For example, in a self-cast I made, a stone (that represent blocks) and a shell (water symbol of hidden things and slow progress) fall together like a pair on the Past Water – Future Fire. This is easy to read: The consequences of your mental health and past emotions will affect directly your future passion and actions (Plot twist, I have chronic depression and my future plans are non-existing).

Disclaimer: This last text and image was fixed because I made a mistake yesterday, was 1:40 am, brain can't brain XD

For the rest, you can add or take whatever you need. Like, you can choose if the elements also affect inside the circles of the pentacle itself, or not.

If you want, you can also use the template as a tarot spread, using the Past/Present/Future Elements, the Up/Down, the Right/Left and the Pentacle like answers of a question.

Decorate it as much as you want! Mine is ultra simple or my ADHD head will get distracted with the drawings. I can suggest you make it on a perfectly squared paper/cloth, but if you make it in a A4 paper like me, if you use a ruler and pick the exact center, then the 4 quadrants will be quite the same (they look different because they are elongated in different ways, but the content is pretty much the same).

Anyway, I hope this can be useful to someone, and remember, don’t be afraid to experiment! ♥

[magpiereadings]

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click here for more information on what i offer + rules!

[apiswitchcraft]

osteomancy and the art of intuitive reading

out of all the types of divination my favorite has to be osteomancy, or the art of interpreting bones. there are many different kinds, from many different cultures, and without a doubt i won't be able to cover all of them, but i can introduce you to the kind i do!

also i just wanted to say that you can go about this any way you feel like. you don't have to follow what i do, or what other practitioners do; the whole point to this practice is to customize it to your wants and needs.

INTRODUCTION

i was introduced to bone throwing through the ancient greek art of astragalomancy, which i have another post about on here. since i don't originate from a culture with a known bone throwing technique (i know norse volva did it, but we don't really know how they did it), i largely based my practice off what other witches do. some good sources on the topic are this video and this article.

the benefits of doing osteomancy, rather than, say, tarot, is that you get to define what each object means, and how many there is. if you feel like there aren't enough objects to pull from, you just add more, or if there's too much, you just remove some.

i like to source my bones from etsy (specifically YellowstoneTraders) because it's not too hard to find ethical sources there. these are often people who live out in the middle of nowhere and find corpses naturally, people who receive them from scientific or government sources, and people who hunt within reasonable and ethical bounds (often indigenous folks). i've also seen some good stuff on ebay, but i just don't like the website as much.

DECIDING WHAT TO USE

the first thing you need to know about choosing an osteomancy set: you don't need to only use bones. you can use charms, keys, trinkets, crystals, shells, acorns, whatever's around that size. this starts to verge more into charm casting than osteomancy, but they function very similarly. that means that, yes, you could just use plastic bones instead of real ones. i know last year around halloween the dollar tree sold a pack of tiny plastic femurs that would be great for this (or rune casting)!

i have a few different things in my set:

-coyote metatarsals

-bobcat metatarsals

-deer phalanges

-coyote teeth (canines and molars)

-shells

-acorns

-crystals

DEFINING YOUR OBJECTS

i usually start off by defining what each set of object relates to. for example, i decided that my coyote teeth will correspond to issues of magic and divinity, bobcat meta tarsals to hobbies and health, and so on. this is similar to the suits of cups, swords, wands, and pentacles in tarot.

then i'll usually number all of the objects 1-10 (or 0), with similar looking items given an extra letter identifier (for example: my bobcat metatarsals have a B and the coyote a C).

next i like to define what each number will correspond to, with one being beginnings and renewal, and ten meaning the end, or fulfillment. i also added seasonal correspondences to each group based off of their meaning.

this gives us the framework we need to decide what each individual object will correspond to. so, following our examples, my tenth bobcat metatarsal means good health, happiness, loving your work, reaping the benefits after a time of change, good luck, a feast, and passion

also because i have crystals in the mix, i just use whatever their existing correspondences are.

PERFORMING READINGS

so yes, i know that this isn't the way that osteomancy is conducted. i mean, it's called "bone throwing" for a reason. the article and video go into more detail about that technique if you like, but i thought i'd share what i do as well.

because i have so many objects in my set, because i want to avoid breaking or damaging anything, and because i like to pull intuitively, i don't personally throw my bones. instead, i like to put them all in a sack, rustle around blindly with one hand, and pull out whatever calls to me the most.

if you've never tried intuitive readings i can try to explain it but honestly i probably won't do that great of a job so just fair warning.

my tips for developing your intuition:

1) start trusting your "gut instinct" more in daily life

2) start with your eyes closed, on objects with obvious metaphysical value (like a spell jar)

3) with your eyes closed "reach out" with your mind and try to analyze what is different from one object compared to its surroundings

4) go into nature often, sitting in silence and meditating on your surroundings

5) watch other witches with adept intuition perform readings or spend time with them in metaphysically charged places (like a haunted house or deep in nature)

if anyone has more tips please leave them in the comments, i'd love to hear them!

to me, the blindly rustling around in a bag technique is less intuitively challenging than trying to decide how to interpret the objects position in relation to others. it was hard enough trying to come up with the meanings for each object, let alone trying to come up with a new meaning that's a combination of two. even though i've been practicing intuitive readings for a long time, i'm still not That great at it, largely because of my dissociative disorder i bet.

[thegullwitch]

I took the morning to hit a couple thrift, antique, and craft stores (and took some pieces from around the house) and I’m starting a charm kit!

I’m currently mostly working bottom up (aka finding a charm then figuring it out) but there are a couple specific pieces in here too!

Ps - I did break a couple pieces directly off jewelry that I own lol

**Edit**

I have already, since crafting this post (forgot to hit post oops) changed and added to this kit and I have a wishlist and a simple board to throw them on!

[cyclicalwitch]

Hello all! It's been a while since I've been on here, life has been very busy! I will (try to) link this post in my intro so that y'all can come back to it anytime you want! I am planning to start doing (paid) readings soon once I get my venmo/PayPal/etc set up, so this will be where reviews and such go! I'll update this post when I have more concrete information, but for now, the options! More info below the cut!

Option 1.

Charm casting!

Option 2.

Oracle!

Botanical Inspirations by Lynn Araujo

the archeo by Nick Bantock

Crystals for Beginners by Judy Hall (technically not oracle but can be used as such)

And finally option 3.

Pendulum!

Each reading comes with a fortune drawing as well! I am looking to increase my tarot and runes skills too, so hopefully those will be more options in the future! Thank you all so much and have a lovely day!

[xo-kosmickisses-xo]

CASTING DIVINATION PART 1: Bones, Charms & Runes

Hello beautiful souls ✨

You hold a collection of objects in your hands. You ask a question. You cast them onto cloth. Where they land, how they fall, which ones touch—this is your answer.

This is casting divination: reading meaning in the patterns created when objects are thrown.

Unlike tarot (where cards have fixed meanings) or pendulums (which give yes/no), casting divination is raw, organic, and endlessly variable. Every throw is unique. The same question asked twice will give different configurations—because the energy shifts, the situation evolves, you change.

Today we're exploring three major casting systems:

Bone reading (osteomancy) - ancient, intuitive, deeply personal

Charm casting (cleromancy) - accessible, customizable, modern

Rune casting - structured, symbolic, rooted in Norse tradition

All three share core principles:

You cast objects

You read patterns, positions, relationships

Interpretation is intuitive + structural

The randomness isn't random

This is Part 1 of a two-part series on interpretive divination. Let's dive in.

THE CORE PRINCIPLE: PATTERN AS MESSAGE

All casting divination works on the same foundation:

1. OBJECTS = SYMBOLS Each item in your set represents something (concept, energy, person, theme).

2. POSITION = CONTEXT Where the object lands matters (near/far, center/edge, upright/fallen).

3. RELATIONSHIPS = MEANING Which objects touch, overlap, or point toward each other creates the reading's narrative.

4. INTUITION + STRUCTURE = INTERPRETATION You use both learned meanings and gut instinct to decode the pattern.

Whether you're throwing bones, charms, or runes, you're reading the language of organized chaos.

BONE READING (OSTEOMANCY)

WHAT IT IS:

Bone reading is one of the oldest forms of divination—practiced across Africa, Asia, Indigenous Americas, and ancient Europe.

You cast a collection of bones (and often other natural objects) and read their positions, orientations, and relationships.

TRADITIONAL PRACTICE:

African diaspora traditions (particularly Southern African sangomas): Sets include bones from different animals, shells, stones, seeds, coins—each with specific meaning passed down through lineage.

Readings are done in sacred space, often with ancestor invocation.

Asian traditions: Oracle bone divination (China) used heated bones that cracked—cracks were read as messages.

Indigenous practices: Vary widely by tribe/region. Some traditions are closed; approach with respect and research.

MODERN/ECLECTIC PRACTICE:

Many practitioners create personal bone sets using:

Chicken bones (small, accessible, ethical if you eat chicken)

Cleaned bones from meals (beef, pork, fish)

Animal bones found in nature (check local laws about collection)

Craft/replica bones (if you're uncomfortable with real ones)

Shells, stones, seeds as supplementary pieces

Important: If you're working within a specific tradition (like African diaspora practices), seek proper teaching and initiation. We're discussing eclectic/personal bone reading here.

BUILDING A BONE SET:

START SMALL (5-7 PIECES):

Basic set might include:

Vertebra = backbone, support, foundation, alignment

Rib = protection, breath, vitality

Small limb bone = action, movement, direction

Knuckle/joint = connection, flexibility, transition

Tooth = power, aggression, defense, communication

Shell = emotions, femininity, protection, water element

Stone = stability, grounding, permanence, earth element

You assign meanings based on:

The bone's function in the body

What animal it came from (if known)

What it represents to YOU intuitively

EXPAND OVER TIME:

As you practice, add:

More bones (build complexity)

Seeds/pods (growth, potential)

Coins (money, value, exchange)

Glass/crystals (clarity, energy, intention)

Found objects with personal significance

Traditional sets can have 60+ pieces. Start small.

HOW TO CAST BONES:

1. PREPARE YOUR SPACE

Casting cloth (light-colored so bones are visible, 2-3 feet square)

Mark center (optional—some use a circle drawn/sewn in the cloth)

Cleanse space and bones

2. HOLD YOUR QUESTION

Be specific. Hold bones in both hands. Close eyes. Focus on question until you feel ready.

3. CAST

Methods:

Overhead throw: Toss from above your head (traditional, dramatic)

Gentle toss: Release from chest height (more controlled)

Pour: Let bones flow from hands (gentle, less chaos)

Let them land where they land. Don't adjust.

4. OBSERVE BEFORE INTERPRETING

First impression: What jumps out immediately?

Note:

Which bones landed on the cloth (relevant to question)

Which fell off (not relevant, or "not yet")

Clustering (which bones are grouped)

Distance from center (close = immediate, far = distant future/indirect)

Orientation (pointing toward/away, upright/flat)

Touching (these energies are interacting)

5. READ THE PATTERN

Zones (if using marked cloth):

Traditional approach (many African traditions use compass directions):

North: Future, goals, what's ahead

South: Past, foundation, what's behind you

East: New beginnings, birth, rising energy

West: Endings, death, setting energy

Alternative approach:

Center: Present, you, main issue

Near center: Immediate concerns

Edge: Distant future, external influences

Off cloth: Not relevant or blocked

Relationships:

Bones touching = energies connected

Bones pointing at each other = communication, interaction

Bones crossed = conflict, intersection, choice

Bones parallel = harmony, alignment

Isolated bone = standing alone, independent factor

Example Reading:

You cast about a job decision.

Vertebra (foundation) lands center, upright.Small bone (action) lands near it, pointing toward north.Tooth (power/communication) lands in south (past), flat.Shell (emotion) lands far east (new beginning), but off the cloth slightly.

Interpretation: Your foundation/support system is central and solid. Action is needed and it points toward future growth. Past communications or power struggles are resolved (flat = settled). Emotions about new beginnings are present but not fully in play yet (barely off cloth = emerging).

Read: The foundation is there. Take action toward the future. Past conflicts are done. Emotional readiness is coming but not quite here yet.

DEVELOPING YOUR BONE-READING LANGUAGE:

Spend time with your bones:

Hold each piece

Meditate on its energy

Journal what it means to YOU

Cast repeatedly with simple questions

Track accuracy

Your intuitive meaning matters more than any book's definition.

Over time, you'll develop a relationship with your set. You'll know what a certain bone in a certain position means without thinking.

ETHICS & RESPECT:

If using real bones:

Thank the animal (even if it's chicken from the grocery store)

Treat bones with respect—they were once living beings

Cleanse regularly

Store properly (wrapped in cloth, not tossed in a drawer)

If working within closed traditions:

Don't appropriate without permission/training

Acknowledge sources

Don't claim lineage you don't have

CHARM CASTING (CLEROMANCY)

WHAT IT IS:

Charm casting is the modern, accessible cousin of bone reading.

Instead of bones, you use a collection of small objects (charms, trinkets, beads, stones, dice, buttons—anything meaningful) and cast them to read patterns.

This is the most customizable form of divination. Your set is entirely personal.

WHY CHARM CASTING APPEALS TO MODERN PRACTITIONERS:

No bones needed (good for vegetarians, people uncomfortable with animal parts)

Highly personal (choose items that resonate with YOU)

Accessible (raid your junk drawer, craft store, nature walks)

Evolving (add/remove charms as your life changes)

Instagrammable (let's be honest—pretty charms are more photogenic than bones)

BUILDING A CHARM SET:

CHOOSE 7-15 ITEMS (to start):

Categories to consider:

ELEMENTS:

Feather = air

Stone/crystal = earth

Shell = water

Red bead/charm = fire

Small mirror = spirit

LIFE AREAS:

Key = home, security, unlocking, access

Coin = money, value, exchange

Heart = love, relationships, emotion

Book/page = knowledge, learning, communication

Wheel/gear = career, movement, cycles

PEOPLE:

Crown = authority figure, boss, father

Ring = partnership, commitment, marriage

Baby shoe = children, new beginnings, innocence

Animal figurine = wild card, instinct, pet

ENERGIES:

Dice = chance, risk, gamble, luck

Arrow = direction, focus, goal

Anchor = stability, holding steady, being stuck

Wings = freedom, flight, escape, transcendence

WILDCARDS:

Your own symbols (a charm from your grandmother, a found object, something personally meaningful)

Where to source:

Craft stores (miniature charms in jewelry section)

Dollhouse miniatures

Game pieces (Monopoly tokens work great)

Nature (small stones, shells, seed pods, feathers)

Thrift stores (old jewelry, tchotchkes)

Online (Etsy, Amazon—search "miniature charms")

Make sure items are:

Small enough to cast easily (thumbnail to quarter-sized)

Distinct enough to identify when cast

Meaningful to you (even if the meaning is intuitive, not logical)

HOW TO CAST CHARMS:

Process is nearly identical to bone casting:

Prepare space (casting cloth, cleanse, center)

Hold question (focus while holding charms in hands/bag)

Cast (toss onto cloth)

Observe (what landed, where, how, relationships)

Interpret (use your assigned meanings + intuition)

Example Reading:

Question: "What do I need to know about this new relationship?"

Key (home/security) lands center, uprightHeart (love) lands close to key, touchingDice (chance) lands far north (future)Feather (air/communication) lands west (endings), pointing toward center

Interpretation: Security and love are at the center—this feels stable. There's an element of chance/risk in the future (not bad, just unpredictable). Communication about endings or from the past is relevant—maybe past relationship patterns need discussion.

Read: This relationship has potential for security and genuine love. There's risk ahead (all relationships have this). Address past communication patterns before they sabotage the present.

CHARM CASTING VS. BONE READING:

Similarities:

Same interpretive framework (position, relationship, pattern)

Both highly personal

Both intuitive + structural

Differences:

Charms are symbolic (a tiny key represents security—it's not made from something that was alive)

Bones carry ancestral/animal energy (some practitioners feel this deeply)

Charms are lighter/brighter (aesthetically and energetically)

Bones feel more primal/shamanic; charms feel more witchy/eclectic

Neither is "better." Choose what resonates.

RUNE CASTING

WHAT IT IS:

Runes are the letters of ancient Germanic alphabets (primarily the Elder Futhark—24 symbols).

Each rune is a letter, a sound, AND a symbolic concept.

Rune casting involves throwing marked stones/wood pieces and reading which runes land face-up, their positions, and relationships.

BRIEF HISTORY:

Origin: Scandinavia/Northern Europe, 150-800 CE

Original use: Writing system, not divination (though magical use is ancient)

Modern revival: 20th century (influenced by occultism, Norse revivalism, unfortunately also white supremacist appropriation)

Important: Runes belong to Norse/Germanic cultural heritage. Modern practice should be respectful, not appropriative or tied to racist ideologies.

THE ELDER FUTHARK (24 RUNES):

I'm not listing all 24 here (whole books exist on this), but examples:

Fehu (ᚠ): Wealth, cattle, abundance, mobile resources

Uruz (ᚢ): Aurochs (wild ox), strength, primal force, health

Thurisaz (ᚦ): Thorn, giant, protection, destructive force

Ansuz (ᚨ): God/Odin, communication, divine wisdom, breath

Raidho (ᚱ): Ride/journey, travel, movement, rhythm

Kenaz (ᚲ): Torch, knowledge, illumination, craft

Gebo (ᚷ): Gift, exchange, partnership, balance

Wunjo (ᚹ): Joy, harmony, fellowship, well-being

Each rune has layers:

Letter/sound: Linguistic meaning

Literal meaning: The word it represents (thorn, journey, gift)

Symbolic meaning: Esoteric concepts

Reversed meaning: Some systems read runes differently when upside-down

Study required: You can't effectively cast runes without learning their meanings. This isn't intuitive like bones/charms—it's a structured symbol system.

CREATING A RUNE SET:

MATERIALS:

Traditional:

Wood (especially ash, oak, yew—sacred to Norse tradition)

Carved and burned (or painted)

Modern:

Stones (smooth, flat pebbles—paint or carve runes)

Clay (sculpt, carve, fire)

Crystals (more expensive, energetically charged)

Pre-made sets (widely available online/metaphysical shops)

DIY option: Collect 24 similar-sized stones from a river/beach. Paint runes with permanent marker or acrylic paint. Seal with clear coat.

Consecration: Once made, consecrate your runes (with whatever tradition/ritual feels right—smoke cleansing, moonlight, blood, breath, dedication to Norse gods if you work with them).

HOW TO CAST RUNES:

UNLIKE BONES/CHARMS (where you cast everything), RUNE CASTING HAS OPTIONS:

METHOD 1: SINGLE RUNE DRAW

Simplest. Hold question, draw one rune from bag. That's your answer.

Quick daily guidance, yes/no questions (modified), straightforward answers.

METHOD 2: THREE-RUNE CAST

Draw three runes:

Rune 1: Past/Situation

Rune 2: Present/Challenge

Rune 3: Future/Outcome

Most common method. Good for narrative readings.

METHOD 3: FULL CAST (Multiple Runes Thrown)

Pour/cast multiple runes (5-9 or all 24) onto cloth.

Read only face-up runes (face-down = not relevant to this reading).

Interpret based on:

Which runes appear (themes)

Positions (similar to bone/charm reading—center vs. edge, near vs. far)

Clusters (runes touching = related concepts)

Patterns (do they form a shape?)

This is closest to bone/charm casting method.

METHOD 4: CASTING CLOTH WITH ZONES

Use a cloth divided into sections (past/present/future, or other meaningful divisions).

Cast runes. Where they land determines timing/context.

Example:

Question: "How do I move forward in my career?"

Cast 7 runes. Four land face-up:

Raidho (journey): Center, prominent

Kenaz (knowledge/torch): Near Raidho, touching

Ansuz (communication): North (future), upright

Thurisaz (thorn): South (past), reversed

Interpretation: Journey is central—you're in movement/transition. Knowledge/craft is directly connected to this journey. Future requires communication (maybe teaching, speaking, networking). Past had a destructive force or protection that's now reversed/completed.

Read: You're on a journey of skill-development. Your craft/knowledge is the vehicle. Future success involves communication/sharing what you know. Past obstacles have been overcome—don't let them hold you back.

LEARNING RUNES:

This takes time. You're learning a symbol language.

Steps:

Study one rune per day (24 days minimum)

Meditate on each rune's shape, sound, meaning

Draw the rune repeatedly (embody it through your hand)

Journal personal associations (what does "journey" mean to YOU?)

Practice single-rune daily draws (build familiarity)

Graduate to three-rune spreads

Eventually, full casting

Resources:

The Book of Runes by Ralph Blum (controversial but accessible)

Nordic Runes by Paul Rhys Mountfort (more scholarly)

Runelore by Edred Thorsson (deep dive, Odinic perspective)

Online communities for rune study and discussion.

CULTURAL RESPECT:

Runes come from Norse/Germanic culture.

Respect means:

Study the cultural context (don't just grab symbols divorced from meaning)

Acknowledge the source

Don't mix them carelessly with other closed/specific traditions

Be aware of white supremacist appropriation (Nazi use of runes) and actively distance yourself from that

If you work with Norse gods as part of rune practice, do so respectfully

You don't have to be Scandinavian to use runes, but you should respect where they come from.

PRACTICAL TIPS FOR ALL CASTING METHODS

CREATING YOUR CASTING CLOTH:

SIZE: 2-3 feet square (large enough for patterns, small enough to manage)

MATERIAL: Cotton, silk, velvet (something bones/charms won't bounce off)

COLOR: Light (white, cream, light blue) so items are visible

MARKINGS (optional):

Circle in center

Compass directions marked

Zones drawn/sewn (past/present/future, elements, life areas)

Or leave blank (read intuitively)

CLEANSING YOUR SET:

Regular cleansing keeps energy clear:

Smoke (incense, sage, palo santo)

Moonlight (especially full moon)

Salt (briefly—don't leave bones/some metals in salt long-term)

Sound (bell, singing bowl)

Intention (hold each piece, breathe clean energy into it)

After heavy/difficult readings, cleanse immediately.

STORING YOUR SET:

Bag/pouch (drawstring, fabric)

Box (wooden, lined with cloth)

Keep together (bones/charms/runes should be a set, stored as one)

Respectful location (not tossed in a junk drawer)

PRACTICE EXERCISES:

EXERCISE 1: Daily Single-Item Draw

Each morning, draw/cast one piece. What guidance does it offer for the day?

Journal results. Track accuracy.

EXERCISE 2: Yes/No Simplification

Assign "yes" meanings to some items, "no" to others. Cast for yes/no questions.

Not ideal long-term, but helps beginners build confidence.

EXERCISE 3: Comparison Casting

Ask same question. Cast bones. Note answer.

Ask again. Cast charms (or runes). Note answer.

Do they align? Contradict? Complement?

This develops discernment about which method speaks clearest for which questions.

EXERCISE 4: Pattern Recognition

Cast without a question. Just observe the pattern.

What story does it tell? What do you see?

Trains your eye to read relationships and positions.

WHEN CASTING DIVINATION WORKS BEST

IDEAL FOR:

Complex questions with multiple factors (not just yes/no)

Seeing relationships between life areas (career + love + money + health simultaneously)

Timing questions (using zones for past/present/future)

Visual learners (you SEE the answer laid out spatially)

Kinesthetic practitioners (the act of casting is embodied, not passive)

LESS IDEAL FOR:

Highly specific information ("What day will X happen?")

People who need fixed answers (casting is interpretive, not absolute)

Beginners with no divination experience (might be overwhelmed by complexity)

THE BOTTOM LINE (PART 1)

Casting divination—bones, charms, runes—is reading the language of organized chaos.

You throw objects. They land in patterns. Those patterns contain meaning.

The skill isn't in the throwing. It's in the reading.

Choose your method:

Bones for primal, ancestral, deep work

Charms for personal, accessible, evolving practice

Runes for structured, ancient wisdom, strategic guidance

Or use all three. Different tools for different questions.

Start simple:

Small set (5-10 items)

Clear casting space

Begin with yes/no or simple questions

Build complexity over time

Trust your intuition as much as structure

The randomness isn't random. Your subconscious guides where things land. The universe speaks through pattern. Or both.

Next up: PART 2 - Reading methods (tea leaves, coffee grounds, wax)

These methods don't involve casting—they involve substances that form patterns you then interpret. Different mechanism, similar interpretive skills.

YOUR TURN

Do you practice any casting divination? Which method calls to you?

Have you built a bone, charm, or rune set? What's in it?

What's the most accurate casting reading you've received or given?

Let's discuss. Casting divination is deeply personal—your set, your meanings, your relationship with the practice.

Blessed be 🦴

The bones know. The charms speak. The runes reveal. You just have to learn their language—and trust that when you throw them, they land exactly where they're meant to.