Discover Top Posts Tagged with #chelmsford

Cater House, Chelmsford, 2025

Cater House, the 1960's-built head office of the Cater Brothers supermarket chain, now converted to general retail & housing. Featuring a Mitzi Cunliffe relief on the side. Sadly now missing the very of-the-era Cater House signage, presumably removed during the conversion to housing.

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#chelmsford #housing #modernism #public art #photography #urban photography #urban #architecture #architecture photography #modernist #modernist architecture #urban architecture

Thaxted. Essex. England, UK

New Hollow Knight flash for just £40 at Lemon Dragon Tattoo, Chelmsford - if you book in with Felix 💕

Contact me @felixirelixirink on instagram or email me at [email protected]

#hollow knight #silksong #hollow knight silksong #tattoo flash #art #tattoos #chelmsford

The Last Stand of Her Majesty's 44th Regiment at Gundamuck, 1842, by William Barnes Wollen (1898). Museum of Chelmsford.

High Chelmer, Chelmsford, 1972. From the Sainsbury Archive.

#chelmsford #essex #precinct #mall #1970s

Standout Moments from "Les Misérables" Recordings, #27

1997 Chelmsford Concert proshot video

Jeff Leyton (Jean Valjean), Michael McCarthy (Javert), Ruthie Henshall (Fantine), Chris Langham (Thénardier), Gay Soper (Mme. Thénardier), Frances Ruffelle (Éponine), Matthew Cammelle (Marius), David Bardsley (Enjolras), Annalene Beechey (Cosette)

Ruthie Henshall’s ending of “Lovely Ladies.”

Several cast members from the 10th Anniversary Concert appear in this concert too, either in the same roles or in different ones, and the most prominent role reprise is Ruthie Henshall’s Fantine. The standout moment of her performance here, and of the whole concert, is her delivery of “Come on, captain…” at the end of “Lovely Ladies.” It’s a passage that she sings very differently than in her TAC performance, and arguably better. Instead of being overtly seductive, she delivers the first lines in a gentle, casual, friendly way – a different yet equally valid way of flirting. Some bitterness creeps into her voice on “Don’t it make a change to have a girl who can’t refuse?” but she passes it off as a joke, adding a little laugh at the end of the line. But then on “Easy money lying on a bed…” the lighthearted façade dissolves completely, and her true, scathing anger spews forth.

Honorable Mention:

*David Bardsley becomes the first Enjolras I’ve heard chronologically to sing a high B-flat on “…until the earth is free!” I don’t know if he was the first ever to do it or not, but he’s the earliest one I’ve heard.