@osirisjones jonmartin prompt: Nothing wrong with some good ol cuddling in bed after a nightmare 👀
tws in tags, warnings for some tma-dark imagery despite being ultimately fluff
On the coast somewhere. A sentinel-stance, his hair knotty, wind-rushed. There's a craggy moss-stubbled headland jutting out like a broken jaw. The edges of his trainers toe the starting line of a curb. Before him, the grey waves of a cold-snap sea, broken by an irregular fortification against immersion, a patch of sand the colour of ashen skin that will soon be submerged.
A figure on the shoreline. Eyes out to the horizon, hair untethered, coat-less and shoe-less and immovable, reckless and wreckless against the sea that promises such storms.
Martin's the only one who can see the strengthening waves in the distance. Disturbed and agitated by some disaster, gathering to a tsunami.
There are stone steps, aged, foot-scored and weight-worn, and they're adorned with black railings kissed by rust. The steps curl around their path like hair around fingers to the beach front below.
Martin takes a step, and feels the glass of his legs crack. A hollow sound, reverberating with warning, the echo spiderwebbing through him. It doesn't hurt, not exactly, not really, and he takes another step, another, his eyes on the tide, the figure on the shore. The faster he goes, the more it splinters through him, feeling himself fragment, fracture, smithereens of glass crunching disconnected in his shoes, his socks, his trouser legs. Still he hobbles down the unforgiving stone, feeling limbs shatter with every shock of pressure, of misuse in a dull diamond cascade of the pieces of him that gather in his clothes where a man once was, and still he runs.
He's crumbling, an eroded cliff edge, a sand-swiped edifice to lost things and missed chances.
The figure on the beach doesn't move back, though surely they must hear how the wind is rising, surely they can't have failed to notice the tooth-filled snarling ferocity of the waves. Martin's throat is a sheen of slippery glass where words have no purchase, can't escape the lock of his throat.
The wind's wiping tears into his eyes that freeze into painful ragged shards almost immediately, and Martin feels the friction of his broken pieces as he tries to keep his shattered body moving, to go a bit faster, to get a bit closer.
The figure doesn't look back as they tread in the low tide and the wave ascends to greet them.
Curling round immediately, mummified in sweaty bed blankets, something lost and feral scrabbling in his throat that soon manifests into sound.
Sleepy, rousing to wakefulness.
'Martin? Oh. Oh, right.'
Arms pulling close. Neck at an uncomfortable twist, ear over collarbone, but he buries himself in the thick embrace of it.
'It was – ' he feels obliged to say. 'It was nothing, just a stupid – I'll, I'm fine, I'll...'
A default slide into poorly build but easily manned habits. A 'hush', fingers wiping sleep from his damp eyes.
'Do you – do you want to talk about it?'
An offer given more easily than he takes it, but he is reclaiming the ground of himself steadily.
'I think you were there.' Whispered to the dark, to the hazy heat of under-covers. 'You wouldn't turn around, and I was so – I thought …'
Fingers setting in the handholds of hips, another 'it's alright, it's alright' as he relates his horrors to the patient dark.
He follows Peter's bloody map to the forbidding centre of the Panopticon. The mouths of empty cells, their bars like bared teeth, all facing dead centre, the stage of this horrible show.
The throne has a newly crowned king.
They've taken Jon's eyes. The blood tracking like warpaint scratched down his cheeks, and what they plucked out, they replaced improperly, with eyes that are not eyes, wide gaping chasm things like the backs of moth's wings.
The magnetic tape of all those statements, those carefully archived reels, they've been unspooled and it gathers like it's clogged in Jon's mouth, down his throat. The black lines of it spilling out like the straw of some macabre scarecrow, and Martin's hands are shaking and he prays, ill-worded little invocations to an almighty scraped together from school assemblies, that Jon wasn't taken like that, choking on fear, overwhelmed and airless, fingers scrabbling at a winched-in throat as he tried to breathe around the morass of other people's terrors.
Martin's prayers are that Jon felt nothing at all.
His ribcage has been splayed open, pivoted neatly with hinges like the top of a musical box. Weirdly bloodless for all it is a gory butchery of a human body, sand-white ribs that Martin finds himself counting. The heart is still there, shrivelling, wrinkled by strain and abuse. The rest of his chest, where other lungs and organs and the mechanisms of life should be harboured, is compacted as though with stuffing, the brutal gavage of some farm-reared delicacy. The eyes that expand and swell in this space roll in their vitreous parcels like twitching frogspawn. And then they all swivel with the fluid grace of owl necks, look at Martin, a thousand bobbing pupils staring out of the meat of Jon's chest, and that's the moment Martin realises Jon isn't dead.
'M-martin! Martin!'
A harsh insistence poorly cloaking distress, hands against his shoulders, moving in aborted rocking shakes.
'I – er, what, fuck – was I...?' Returning does not sweep away the agitation, the shaking like an earth tremor through him, the branding recollection of those fathomless eyes.
'You were shouting.' Hair being wiped from his forehead, two eyes, two normal, worried, crow-footed eyes staring down at him.
'W-what time is it?' he asks, but it's not an answer he wants or needs, he's just making sounds, fronting calm he doesn't feel. Runs clammy fingers over the bony column of a throat, the round of an adam's apple, a shirtless chest unmutilated and breathing shallowly.
He feels the question form there, at the centre, the tentative journey it traverses before he hears 'Can I.... I mean, do you want to...?'
The question isn't fully born before he's heaving great waves of sobs into the chest he's pillowed on.
Like clockwork, the arms come round, always an inch too tight a grip, and somehow that makes this easier to bear.
There are no monsters. In the dream that is not a dream, more a memory played out to its worst extremities, Martin walks, meandering and careless, along a beach. The sand is greyer, colour-sapped, and the waves are choppy, over-touched with foaming white like a poorly rendered oil landscape painting. There are ships out to the distance, but they're too far away, dirt flecks on the windscreen of horizon.
After a while, he sits down on the sand. Soaking the seat of his trousers, the backs of his legs. He watches the immutable horizon, blank like a lost opportunity, like a canvas where something meaningful could have been painted, anything at all really other than nothing. There are no clouds, no birds, and around him the day happens, unfolding in undemanding hours and minutes that leave no footprints, ruffle no waves.
He didn't bring any gloves and his hands cramp, the skin of his cheeks pinched with the tweaking chill. There are the marks of hoar-frost, sparkling and spiking, beginning to carpet the hairs on his arm, the skin of his exposed ankles.
The temperature drops, though the sky doesn't change. His fingers are gripped into numb claws now, and he wonders without much of a sense at all if he'll lose them to the cold. The frost is curdling in his lungs and it's hard to breathe. It has become a sensation like all the rest of them, like hunger and fright and panic, it is something happening to him so far away, to the him before, the one burdening himself with feeling like a pack-mule and wondering why he never moved forward.
The light refracts snow-blind off the white of the waves, and soon it is easier to close his eyes. He is not tired, but maybe he could lie down for a moment. It would be so simple to –
Arms wrapped around chest from behind, a twinge as his ribs protest, his mouth forming a confused, displeased sound.
'Jon. W- are you ok? You having a nightmare?'
A voice night-rough and dry rumbled against the dip between his shoulder blades: 'You were going away again'.
'Oh'.
The taste of chill is still enchanted and twisted up in the marrow of him, but it thaws in the near-ache of such a grip. Threading fingers together, palm union with palm, the soft rucks of scar tissue sliding against dry skin. He is held and beheld so tightly he lies there for a moment, his skin prickling with newly rediscovered heat.
'Do you want to talk about it?'
An offer. Given and given and given, no thought to retraction. It is hard to be Lonely when that holds such a lantern to the dark of the forest beyond.
'I'm, I'm ok, Jon,' he says, meaning it. Pulling arms slot around his stomach tighter. 'Thank you'.
A grunting 'don't mention it', already sweetened by a doziness. The weight against his back closer, the arms flung around him like a mooring line.
Martin drops back off sweltering in the muggy heat and sleeps dreamless till morning.
The only character that I am literally afraid of....no joke....is fucking 'Arch Angel Michael' from The Mandela Catalog...I had him as a Sleep Paralysis Demon while I was over seas in Mexico!!! He's the only character that fills me with so much dread that I start to actually have a breakdown and cry....I don't know why!!! I HATE HIMMMMM!!!! He still scares me to this day!
if everyone could stop using the word ‘young’ as a supposedly benign compliment that would be jolly good because i have some News for you about what happens with the passage of time; if it is a compliment, it is the cruelest compliment, and you should know that---it shouldn’t take being some kind of genius to GRASP it---and so i’m fucking sick of people not KNOWING how cruel they’re being. like, are you malicious, dumbfuck who just looked at my id so i can buy alcohol? no! of course not! i find you totally innocent :) ....which is the worst crime of all :) :) :)