Feb 15
High Strangeness #5 (variant cover) (2026)
Art by: Jesse Lonergan
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High Strangeness #5 (variant cover) (2026)
Art by: Jesse Lonergan
[PREVIEW] High Strangeness #1 (October 8, 2025)
writer(s): Daniel Noah, Chris Condon and Jim Perry | artist: Dave Chisholm | letterer: Becca Carey | cover artist: Jock | publishing company: Oni Press
synopsis: SpectreVision, the genre-distorting production company co-founded by Elijah Wood and Daniel Noah, joins forces with Oni Press and a rotating cast of premier comics talents for an unprecedented excursion into HIGH STRANGENESS — a brand-new series influenced by real, documented cases of paranormal phenomena, to reveal the liminal spaces where reality and hallucination and science and mythology give way to cosmic wonder and existential terror…
In the first double-sized, prestige format chapter: Writer, producer, and real-life experiencer Daniel Noah joins acclaimed writer Chris Condon (Ultimate Wolverine, That Texas Blood) and Ringo Award–winning artist Dave Chisholm (Plague House) for an unexpected encounter with the Men in Black…
Chicago, 1967. Magazine writer Harry Kean is dispatched to rural Indiana to investigate the sudden disappearance of Becky Plume, a local teenager who stepped into the national spotlight with staggering photographic evidence of a recent UFO sighting. Frustrated to leave his developing stories in Chicago — and the wife he’s hoping to win back — Harry sets off to expose a hoax but instead finds himself in a labyrinth of high strangeness involving a missing girl, her boyfriend, a UFO, and some mysterious black-clad visitors circling at the perimeter of a mystery more vast than Harry could possibly imagine.
Told across five interconnected, prestige-format issues that will interlock to reveal an ambitious, dimension-spanning finale, each chapter of HIGH STRANGENESS also includes a feature-length essay by podcaster and researcher Jim Perry (Euphomet) on the historical facts and documentary evidence underpinning the phenomena detailed in each issue.
Max Rose movie review
A film where Jerry Lewis and his character are two sides of the same coin.
Max Rose was a jazz pianist who recorded several albums. He's now 87, and his wife, Eva, with whom he shared 65 years of marriage, has just died. His granddaughter Annie supports him in his time of grief, while his relationship with his son Christopher is strained. However, Max makes a discovery that forces him to rethink his relationship with Eva: engraved in a compact, he finds a love note from a stranger. There's even a date: on that day, Max had left to make a record. Jerry Lewis is the same age as Max Rose, and that undoubtedly means something. Returning to the screen after an absence dating back to 1995 ( The Comedian ), one of the most important comedians in the history of cinema confirms the popular saying that behind the smiling mask there's usually a sad, or at least melancholic, man. Because this film (structured more like television than cinema) is driven, rather than by a reflection on death, as the opening line suggests, by the bitter sense of a look back at the past that seems to offer no certainty. Max, who has always been faithful to Eva, is now tormented by the suspicion of a betrayal that allegedly occurred way back in 1959. He needs to know, as his son puts him in a retirement home and sells him his house to pay for his upbringing. Above all, he needs to know if he truly meant as much to someone as this someone (his wife) meant to him. Perhaps he wasn't a good father (although he blames his son for this flaw), but he wishes he had been a good husband, just as he certainly is a grandfather, beloved by his granddaughter Annie, who cares for her with an almost maternal affection. Jerry Lewis, who finds an excellent foil in Kerry Bishé, is not afraid to highlight the sullenness and even the hidden resentments of an elderly man, lending his character both fragility and determination. The music of the slightly younger Michel Legrand, whom the actor chose to play alongside him, supports his performance. The film's closing credits then offer glimpses of his past, revealing his passion for music and further underscoring the bond between actor and character. Max and Jerry are, after all, two sides of the same coin. (Giancarlo Zappoli) Directed by Daniel Noah. A film with Jerry Lewis , Kerry Bishé , Peter Bogdanovich , Dean Stockwell , Kevin Pollak .
A few words about Jerry by the director of 'MaxRose', Jerry's last film, Daniel Noah.
~"He never stopped grieving the loss of Dean Martin"
Credit: IndiWire, August 21, 2017
"There was every color of the rainbow in that guy"
This man was so beautiful, inside and out. His haters don't know what they're missing.
Credit: The Hollywood Reporter August 20, 2017
I hope spectrevision will be back with more cool promo stuff like this one . The promos for this episode were so much fun ☺️
The core on shudder
Max Rose (2013), dir. Daniel Noah
Me and Jerry
For many years I’ve had a standard answer when asked if I want my picture taken with an interviewee. It’s that I only have one picture of me on my web site, and it’s of me and Jerry Lewis. I was a toddler, he’s trying to make me laugh, and I’m having none of it, and no picture I take now can possibly top that. I’m still not quite sure why my father brought me when he interviewed Lewis for WDSU,…
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High Strangeness #4 (variant cover) (2025)
Art by: Valentine M. Smith