Empire of the Ants presents: The Watchmen
The cross-continental duo deliver a post-punk rooted album shaped by distance, reflection, and a clear resistance to trend chasing.
Empire of the Ants return with The Watchmen, a full-length album that leans into post-punk and new wave traditions while keeping a wider alternative frame in view. The project comes from Tin Raven and Jody Fiteni, two collaborators working from different parts of the world, connected less by geography than by shared instincts. The record reflects that dynamic, measured, deliberate, and shaped by patience rather than urgency.
Tin Raven has been writing and producing music since his teenage years, and that experience shows in the album’s steady sense of control. The production choices across The Watchmen avoid excess. Guitars are treated with restraint, often favoring texture over flash. Synth elements appear when needed, not as a defining hook but as support for the songs’ mood. Drums are firm and direct, grounding the material rather than pushing it toward spectacle.
Jody’s role as vocalist and lyricist gives the album its emotional center. Having fronted several West London bands during the 1990s before relocating to Malta, he brings a voice shaped by both scene history and distance from it. His delivery throughout the album is composed and reflective, more interested in clarity than drama. Rather than leaning on nostalgia, the vocals sit comfortably in the present, carrying themes of observation, unease, and personal reckoning.
The album title, The Watchmen, suggests a perspective shaped by looking outward as much as inward. Many of the songs focus on awareness and responsibility, touching on how individuals respond to wider social pressures without turning the album into a manifesto. The lyrics are thoughtful but not heavy handed, often circling ideas rather than stating them outright. There is a sense of vigilance running through the record, an interest in what happens when people stop paying attention and what it means to stay alert in uncertain times.
Musically, Empire of the Ants draw from a wide pool of influences. Traces of post-punk and gothic rock are present, particularly in the bass lines and guitar tones, but the album does not settle into one narrow lane. Fans of bands like The Cure, Dead Rituals, Talking Heads, or DIIV may recognize familiar shapes, yet the songs resist sounding like homage. Occasional comparisons to Nine Inch Nails have surfaced, though the connection feels more textural than structural, rooted in atmosphere rather than aggression.
What stands out most is how cohesive The Watchmen feels despite its long-distance creation. The collaboration grew out of a mutual appreciation of each other’s YouTube work, and that origin shows in the careful way ideas are exchanged and refined. Nothing here feels rushed or assembled for effect. Each track appears considered, serving the album as a whole rather than competing for attention.
The record also benefits from its format. The Watchmen works best when heard as a complete album, allowing its pacing to unfold naturally. There are moments of tension and release, but they are subtle, unfolding over the course of the tracklist instead of arriving as obvious peaks. This approach may feel understated in an era driven by singles, but it suits Empire of the Ants’ priorities.
In the end, The Watchmen is not an album chasing relevance or revival. It is a document of two artists trusting their instincts and experience. Empire of the Ants present a record that values consistency, perspective, and emotional honesty over immediacy. That quiet confidence is what gives the album its lasting weight. Empire of the Ants close The Watchmen not with grand statements, but with a sense of resolve that feels earned.
Available on CD and LP:
https://elasticstage.com/eota1
Online distribution:
https://distrokid.com/hyperfollow/empireoftheants/the-watchmen
We also had the chance to ask the artist a few questions! Keep reading for more.
1. “The Watchmen feels very deliberate in pacing and tone. What ideas or concerns were guiding the album while it was taking shape?”
The tone really came from our shared world view. We’re a strange unit in that we don’t actually talk that much, so the album was built on an unspoken understanding of how we see the world. We both feel a deep unease about how things are changing often not for the better and The Watchmen is our way of capturing that atmosphere of hyper-awareness and social tension.
2. “The project exists as a long-distance collaboration. How has working across countries influenced the way songs are written, refined, and finished?”
Working across countries forced us to be very intentional. Without a rehearsal room to jam in, every idea is like a message in a bottle. That distance actually gave the songs room to breathe, it allowed us to react with fresh ears and make more decisive, atmospheric choices. It’s a unique blend of isolation and collaboration that defines our sound.
3. “The record draws from post-punk and new wave traditions without leaning heavily on nostalgia. How do those older reference points fit into your current creative mindset?”
Those sounds are in our DNA, but we aren't interested in a nostalgia trip. We look to bands like The Cure, Japan, and The The because they used music to react to the instability of their own eras. We’re using that same vocabulary the atmospheric melancholy and poetic tension to react to the world we’re living in right now.
4. “There is a recurring sense of observation and awareness across the album. What role do lyrics play in shaping that perspective?”
The lyrics act as the camera lens for the record. Musically we set the mood, but the words decide where the viewer is standing. Many of the songs may feel like overheard internal monologues or observations of people 'performing' their lives. In ‘The Watchmen’ track we wanted the listener to see what is happening around them, to notice the hypocrisy, to observe the cracks in the mask and the strings being pulled behind the scenes
5. “Tin brings a background rooted in production and songwriting, while Jody has a long history as a frontman. How do those experiences balance each other within Empire of the Ants?”
It’s a push and pull between two different instincts. Tin approaches the songs as architecture focusing on production, holes, space, and texture while Jody brings the frontman’s perspective, focusing on the emotion, delivery and the story. That balance keeps the music from becoming too clinical or too raw, it’s where the heart of the band lives.
6. “In a time when singles dominate release strategies, what made The Watchmen feel like a project that needed to exist as a full-length album?”
We see The Watchmen as a world to step into, not just a collection of tracks. In an era of singles, an album allows you to control the tension and create echoes between songs that you just can't get in three-minute bursts. We wanted to create a long-form experience that leaves the listener feeling slightly different by the time the final track ends.
