Ngl, this was a really difficult drawing for me, I’m not totally satisfied with my colouring. I’ve never been too much of colourist but I’m I am desperately trying to to learn. If you guys have an any tips don’t be afraid to speak up. That aside, I decided to draw one of my favourite DA characters, I really love Morrigan. I think she is such a beautifully complex character. I think about her a lot, and I have many head cannons about her. I sometimes flirt with the idea of making a zine but I have no talent for comics so idk. Regardless, I hope you enjoy. I made like 30 different iterations of this and I need to stoppppppppppppppp
I’m tryna be more active on here, I fully prefer posting art on here than on tumblr or instagram. I hope this blog can become a gallery for my improvement.
Experimenting with translating a young morrigan and “younger “, Flemeth to an illustrative style. The results were mixed. It’s my first time drawing Flemeth digitally, rather than putting her into a sketchbook. I liked the way the I drew her face, but the overall composition and texturing of rags was poor. I think when I attempt to draw these characters in the future, I will look into a lineless style and look at ways to portray more believable fereldan clothing.
Also for those wondering; I decided to go with her frail old lady form rather than the more seemingly younger, sexy (?) version for DA2 and DAI since I have a soft spot the classic witch archetype. I like the idea that to most Flemeth seemed be this isolated, corpse-like figure stalking the wilds with a child she once spirited away. Not that the other design is bad, this is just my preference.
( thanks to everyone who left a like on this blog, I was not expecting to generate so much positive interest.)
Warden Tabris sketches cause I’m taking a break from a portrait I’m doing rn.
Obvs, everyone has their own personal headcannons about their wardens. Though, this option doesn’t exist in game, I like to imagine my character as more akin to a spellsword-type class. I like to think of her fighting style of a mix of warrior and mage - warriors that can use their to mana to create weapons. She mostly uses one handed weapons alongside a spectral weapon, the catch being that members of this class have less destructive power than the typical staff using mage in return for a buffs on speed, constitution and willpower. The role of the spellsword is to be a more bulkier alternative while allowing a debuffed amount of magic. But, for headcannon purposes I’ve decided that my warden in particular uses Rivani magic. Since I am black woman myself, I want my warden to be black woman too and since Rivain has dark skinned population, i like to think Adaya (the canonical mother of tabris) was from there.
It gonna sound kinda odd but visually I imagine the fighting style looking like a cross between sayaka miki from madoka magica and Emily kaldwin from dishonoured 2 but with no teleportation and capped weapon sumoning. Maybe that’s a bit weeby for DA but I do what I want haha.
❓ If you weren’t sure whether Saint Nicholas or something else was coming… would you still wait by the window?
You notice it only because Chibi
keeps checking the clock
even though he absolutely doesn’t understand how clocks work.
He paces the room,
hoodie sleeves dragging on the floor,
muttering calculations
that have nothing to do with mathematics.
Finally he stops, eyes wide.
“Eljara…
what if tomorrow…
it’s not Saint Nicholas?”
Eljara looks up from the tiny gift she’s wrapping.
“What do you mean?”
Chibi leans in, whispering dramatically:
“What if it’s Knecht Ruprecht?
Or Krampus?
Or the Backup Krampus?
Or the Apprentice Krampus?
Or the Union of Seasonal Punishers Local 13??”
Mara giggles.
“You’re being silly.”
But Chibi shakes his head.
“No no no.
Silly is when you think a snowman can’t move.
THIS is serious.”
He grabs a cookie plate,
holds it up like a shield.
“I have to bribe the right one.
Nicholas gets cookies.
Ruprecht gets… uh…
forgiveness?
Krampus gets—
oh no.
What does Krampus even eat?!”
Eljara tries not to laugh.
“Chibi…
why are you so worried?”
Chibi looks at the window.
The snow outside shifts—
too fast,
too light,
like something small darting past.
He lowers his voice.
“Because they visit first.”
“Eljara’s little folk?” Mara asks.
Chibi nods.
“They check the houses.
They decide who gets which visitor.
They see everything.
Every good deed.
Every bad deed.
Every cookie you said you didn’t eat but absolutely DID eat.”
Mara gasps.
“You think they’re judging us?!”
Chibi spreads his arms wide.
“Tonight… everyone judges us.”
Eljara opens the window.
Cold air spills in.
Small shapes flicker in the dark—
not quite birds,
not quite sparks,
curious and fast.
A soft tapping against the sill.
The little folk.
Choosing.
Chibi swallows hard.
“Eljara…
if they pick wrong…
I’m not tall enough to outrun Krampus.”
Eljara puts a hand on his shoulder.
“Then let’s give them kindness.
So they choose kindness back.”
The candles flicker once—
as if something unseen
agrees.
❓ If winter’s smallest watchers chose your visitor…
would you fear their judgment—
or trust their kindness?
You hear it before you see it —
a bell ringing once
in a night without wind,
echoing through the graveyard
like something deep under the earth
just woke up.
Then the cold starts.
Not a chill.
A patch.
A single circle of frozen air
settling at your feet
as if the ground beneath you
just stopped breathing.
Your shadow bends the wrong way.
Away from you.
Toward something else.
Then it steps out.
Three legs.
Lunging slow, like a memory rising from damp soil.
Eyes dim and ancient,
glowing with the dull shine of bone
that never accepted being buried.
A Kyrkogrim.
A guardian made from the first life
crushed beneath a church foundation.
A sacrifice the builders hoped would keep souls safe.
They were wrong.
It kept the sacrifice instead.
The creature tilts its head —
not animal,
not human,
something in-between that knows
how many sins a person can hide
behind one steady heartbeat.
The bell rings again.
Once.
Twice.
Not to warn you.
To count you.
Your ribs tighten.
Not from fear —
from silence.
A silence thick enough
to wrap around your lungs
like a hand deciding
whether you deserve to keep breathing.
The Kyrkogrim steps closer.
No sound.
No weight.
Just presence —
a pressure behind your eyes,
a question pressed against your spine.
The night swallows your breath.
Your shadow slides toward it.
And suddenly you understand:
It didn’t come to kill you.
It came to judge you.
To decide whether you leave this graveyard
as a visitor…
or a foundation stone.
You are not dying.
You are being chosen.
❓ If a creature born from a buried sacrifice stepped out of the dark to weigh your soul… would you confront it, or let the silence answer for you?
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🜍 Mythveil Field Notes — Denmark
A Winter Road Through a Country That Listens
We left Aalborg before the sun bothered waking.
Mist crawled low over the river,
and the monastery ruins behind the city felt like they were
watching us pack the car.
Sean said old churches don’t mind travelers —
just liars.
Chibi tapped the wall of the cellar as we passed one last time.
A knock answered from somewhere deeper.
We didn’t wait to see how deep.
The road to Randers was quiet,
too quiet for a winter highway.
Frost clung to the fields like a second skin.
By the time we reached the river,
the fog had turned the world into a single gray breath.
Caelwyn said some rivers don’t flow —
they remember.
Stacy kept counting shadows along the bank.
There was always one more than the trees.
From there the land opened,
flat and patient,
all the way to Djursland.
The farms here look peaceful
until the barns start making noise
with no wind to help them.
Eljara insisted we leave porridge for the Nisse.
Sean didn’t argue.
The bowl was empty before we turned our backs.
The butter melted in a pattern that felt like a warning.
We crossed the bridge toward Sjælland,
tires humming like a tired hymn.
The ruins at Pederstrup waited in the woods,
leaning inward as if trying to overhear themselves.
Chibi waved at a broken arch.
It blinked once.
Only at him.
No one spoke for a while after that.
Driving south along the coast,
the wind sharpened.
By the time we reached Dragsholm Castle,
the sea was roaring like it wanted inside.
Sean said to stay away from the west wing.
Stacy asked why.
The door beside her creaked before he answered.
Eljara touched the wall.
It felt warm.
Too warm.
Next morning we took the ferry to Bornholm.
The cliffs rose like they were guarding something —
or daring us to ask.
The old fortress shadows felt thicker than the sun.
At one spot, the stone hummed under Eljara’s palm
like a heartbeat out of time.
Sean stepped back.
He never steps back.
From Bornholm we flew west,
cutting across the country toward Jelling.
The mounds rose out of the winter ground
like sleeping giants deciding whether to wake.
Chibi asked if the runes talk.
Caelwyn didn’t answer.
The wind did —
one long breath behind his shoulder.
Our last stretch was the longest.
North, then west,
the sky turning vast and pale as we entered Vendsyssel.
The bunkers crouched half-buried in the dunes,
concrete ribs of an animal the sea forgot.
Inside one, Stacy’s lantern flickered sideways —
like something else was breathing with her.
Sean told us not all wars end at the same time.
We slept that night near the dunes.
The wind erased our footsteps by morning.
Some places let you leave.
Some walk with you.
Denmark does both.
I wrote my name in the sand outside the bunker.
The tide pulled it apart
grain by grain
as if returning it to the country.
That felt right.
🜍 Some places don’t stay with you — they rewrite the map you thought you knew.
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🥘 Eljara & Sean — Hearth & Frost: “Julskinka: The Winter Meal That Knows Who Didn’t Come Home”
(Lapland — Day 1 · Julskinka)
Eljara:
Hear that?
Not the wind.
The cabin.
Lapland houses always breathe deeper
when the Julskinka hits the heat —
like they’re listening
for the names that didn’t make it through the snow.
Sean:
Aye.
Julskinka isn’t just ham.
It’s a midwinter vow.
Salt for survival.
Mustard for memory.
Clove for the wounds the cold leaves behind.
You glaze it not for sweetness…
but for courage.
He brushes the mustard over the scored skin,
slow and gentle,
as if reminding the meat
it was once warm and running.
Eljara:
And when it starts to crackle,
that’s the moment the old folks warned about.
That’s when the house leans in —
testing you.
Asking if you remember
who this feast was meant to honor.
The glaze bubbles,
amber and gold,
smelling of pine, smoke,
and something older beneath.
A scent like a held breath.
Sean looks at the window.
Frost blossoms outward
as if pressed from the inside.
Sean:
Hear that creak?
Not the roof.
It’s the North reminding us —
Winter watches.
Always has.
Always will.
Eljara:
That’s why Julskinka matters.
It’s a shield.
A promise.
A warm table in a land
where the dark walks early
and doesn’t walk alone.
Steam rises.
Not gently —
like a spirit freed.
It curls around them in the dim cabin light,
carrying stories that smell like longing.
Sean:
It’s ready.
Eljara:
Then serve it quick.
The hunger out there
isn’t patient.
❓ If a winter feast carried the memory of someone you no longer speak of…
would you slice it anyway,
or leave it untouched for whatever waits behind the frost?
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