#dikl quote

[disabilityinkidlit]

We want to belong to something, to say “I am this!,” to make some coherence out of this noisy reality. And there is obviously value in that (people building communities around a certain identity, finding support, pushing for change…) and also some problems (because once you are in that community, there may be a certain pressure, whether intentional or accidental, to conform to a model of that identity that isn’t quite true for you).

Author Hilary T. Smith (Wild Awake) speaking about labels at Disability in Kidlit

[disabilityinkidlit]

[B]lindness, like all things, is on a spectrum. Most characters depicted in fiction are completely blind – they see nothing. In reality, only 10% or so of blind individuals are completely blind. The other 90% fall on a spectrum. Depending on the disorder or trauma that caused the blindness, a person could see in a thousand different ways. So many people don’t realize this, though. I actually get accused of faking my blindness because I can read large print text on my phone. I often wonder if this is because the media only portrays complete blindness as 'blind' and rarely acknowledges the other 90% who have some vision.

Author Kody Keplinger (The DUFF) in a roundtable at Disability in Kidlit

[disabilityinkidlit]

Part of the problem here may be that authors find it scary to imagine tackling multiple aspects of marginalisation in the same character: the Black and gay experience is different than the Black or gay experience, for example, just like the disabled and queer experience is different than either of those identities together. But these are problems that aren’t going to go away by not writing those characters—you have to plunge into them, and you have to do your research, and you have to commit to depicting a world where the true spectrum of diversity is shown.

Author s.e. smith in a roundtable about intersectionality at Disability in Kidlit

[disabilityinkidlit]

OCD is not about being ‘obsessively’ neat or fussy about personal appearance—it’s a very complex mental health condition that has serious ramifications and manifests totally differently in different people. ... It might help to break down what OCD is actually about—obsessive thoughts, and compulsive actions. OCD involves intrusive, traumatic, aggressive thoughts that don’t go away, and compulsive rituals that people use to manage them. Maybe for some people that’s checking the stove four times before leaving the house, or having to double and triple-check locks. But it can also involve hair pulling, or needing to reorder jars on the shelf, or being completely disrupted by environmental change. Avoid cheap shortcuts when depicting OCD, and make it a condition with actual consequences instead of the figure of fun or something quirky.

Author s.e. smith in a roundtable at Disability in Kidlit

[disabilityinkidlit]

[F]or disabled characters, being cured is a common trope. What’s more, in most of these narratives, classics as well as recent kidlit, the characters are cured because they’re better than they were at the start of the book: kinder, gentler, braver. And finally, finally, they’re normal and whole. And quite frankly, that trope needs to GTFO.

Author Marieke Nijkamp (This Is Where It Ends) at Disability in Kidlit

[disabilityinkidlit]

There is an incredibly misguided and oversimplified assumption made by many authors that disability is negative, so they either use it as a literary device or avoid including it altogether. Once, I was asked why I’d even want more disability representation in what I read if I choose to look at reading as an escape or a relaxing break from reality. I don’t see my disability as something unfortunate that I want to escape. Perhaps I may want to escape emotional or physical issues related to my disability, but it is inherently part of me – and I’m proud of it. So, to have disability reflected back at me as an unfortunate circumstance, as something that needs fixing, or to have it seem as though disability just shouldn’t exist in a perfect literary world, makes reading the opposite of an escape at times.

Emily Ladau at Disability in Kidlit

[disabilityinkidlit]

[I]f you feel characters have to have a reason to be multi-dimensional, multi-diverse? I’d love to see an equally legitimate reason for characters to be white AND straight AND able-bodied AND middle class AND AND AND. We are no checklists.

Author Marieke Nijkamp in a roundtable about intersectionality at Disability in Kidlit

[disabilityinkidlit]

For years I’d wanted to write a superhero story. And for years I’d wanted to write about a person with a congenital limb deficiency. And I’d wanted to write about someone from Paraguay. And someone who loved science. And someone who was homeschooled. And someone who was burdened with the middle name of “Danger.” And everything just came together in this story. People with limb deficiencies exist in life but not so much in books, and I felt that lack. I don’t think I’d be the right person to write an issue book about disability. But I thought I could write a superhero story, and I thought I could write a character who has one hand.

Author Shannon Hale (Dangerous) at Disability in Kidlit