'Assassin and Victim' by Jeanne Mammen, (1890 - 1976).

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'Assassin and Victim' by Jeanne Mammen, (1890 - 1976).
🎨 Hey #portfolioday ! I’m Anna, a freelance illustrator based in Germany, working in both digital and traditional media. I specialize in fantasy art, but I’m always up for new challenges across genres.
I’m currently available for:
✨ Cover artwork
✨ RPG & book illustrations
✨ Character design
✨ …and anything else that needs a creative touch!
From dark horror vibes to whimsical worlds – I love bringing stories to life with line & color.
You can find more of my work on my website:
👉 www.linestyle-artwork.de (also linked in bio!)
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The Temple of Vesta - Constantin Hölscher (May 16, 1861 - February 3, 1921), German
Oscar Bluhm
(1867 - 1912)
In the Pergola
Oil on panel
20 x 14 inches
Signed and dated '94
„The show’s not over until the mockingjay sings,” she said.
“The mockingjay?” He laughed. “Really, I think you’re just making these things up.”
“Not that one. A mockingjay’s a bona fide bird,” she assured him.
“And it sings in your show?” he asked.
“Not my show, sweetheart. Yours. The Capitol’s anyway.“
- Suzanne Collins, The Ballad of Songbirds and Snakes
I finished the book today and start drawing after this. Here is the finish piece.
Happy Birthday to Anni Albers (1899 – 1994) who was born on this day!
In 1968, Anni Albers gave an interview to Sevim Fesci for the Smithsonian Institution’s Archives of American Art. When asked about how she got started with weaving, Albers responded that she originally thought the weaving workshop at the Bauhaus was “rather sissy.” But that workshop was the only thing that was open to her (as a woman), so she joined. In the beginning, she still was not very interested working with, “just these threads. And there was a very inefficient lady, old lady, sort of the needlework kind of type, who taught it.” But as she got into it, Albers found it intriguing, working within the possibilities of the medium and breaking through it.
“ … I have this very what you call today "square" idea that art is something that makes you breathe with a different kind of happiness.
And I find art is something that gives you something that you need for your life. Just as religion is something that you need even if you constantly find it denied today.”
Albers was born Annelise Elsa Frieda Fleischmann in Germany in 1899. She married artist Josef Albers in Berlin in 1925. In 1933, under pressure from the Nazis, they fled to North Carolina and began teaching at the experimental Black Mountain College. Albers worked primarily in textiles and later experimented with printmaking, blurring the lines between traditional craft and art.
Wall hanging Albers, Anni, 1899-1994, German [artist] Silk, cotton, and acetate 145 x 92 cm. German 1925 Repository: Neue Sammlung, Staatliches Museum für Angewandte Kunst, Munich, Bavaria, Germany HOLLIS number: olvwork719794
Dish of the day! What on the plate of this #squirrel? The January @scrawlrbox was a unique one, especially the colour palette. I really like the @seawhiteofbrighton #concertinasketchbook and the @derwentartofficial blender pen can create some interesting effects with the #ballpointpen and #colouredpencil. . . . . #scrawlrboxchallenge #scrawlrbox #scrawlrchallenge #artchallenge #challenge #germanart #germanartist #instaartist #instaart #artistsoninstagram #zeichnen #drawing #share_drawings #share_sketches #ballpointpenart #pencildrawing #colourpencilart #mixedmedia #mixedmediaart (hier: Potsdam, Germany) https://www.instagram.com/p/Cp7yggZt9nI/?igshid=NGJjMDIxMWI=