#earthday

[sparklecats2009]

earth day 2026 ♡⁠(⁠˃͈⁠ ⁠દ⁠ ⁠˂͈⁠ ⁠༶⁠ ⁠)*⁠.⁠✧

[tamapalace]

happy earth day! ILYSM 🌎❤️

[nevver]

In the pink, George Kamelakis

[itsmythang]

The young people in our @ObamaFoundation Leaders program give me hope. One of those leaders, Luisa Neubauer, is working to fight climate change and recently traveled to Antarctica. This Earth Day, I hope you'll check out her incredible story.

[jonasgoonface]

Earthday is fight day

If your "green" project relies on the same practices of land theft, resource extraction, and labor abuse that brought us to this point - then the grifters supporting it are just another variety of climate change deniers. Squat the trees while we still got trees. Defend what you love.

[mbari-blog]

Better together: Finding community in the deep sea for Earth Day 🌎️🌊

Fish schools and squid socials, collections of corals and crowds of marching crabs—the deep sea teems with life. MBARI’s advanced underwater robots provide a glimpse of the communities flourishing in the largest living space on Earth.

We’ve filmed many astonishing gatherings of animals in the depths of Monterey Bay and beyond.

Hotspots of life emerge from the dark when scavengers find a feast on the seafloor or when small fishes seek safety in numbers.

But our ocean and its inhabitants face a rising tide of threats. Pollution, overfishing, and climate change make for an uncertain future. We’re working to understand the deep sea and how these communities are navigating a changing ocean.

All life, including us, depends on a healthy ocean. Together, we can be ocean champions.

This Earth Day, we’re reflecting on our close connection to the animals and environments that thrive in the ocean’s inky depths. Their future is in our hands now.

[greenlivingdaily]

The Solarpunk Manifesto for 2026 🌿☀️

Stop doom-scrolling through the collapse and start romanticizing the regrowth because "the end of the world" is officially out of style. 🌻✨ We are moving past the gritty, neon-noir cynicism and leaning into the sheer audacity of radical hope. It’s giving garden-in-the-city energy, it’s giving high-tech-meets-high-nature, and it’s giving us a reason to plant literal seeds in the cracks of the old world. In a world full of paper-thin dystopias, be the person who chooses the golden-hour future where the air is clean and the community is the main character. 🦋🍃

The future isn’t just something that happens to you; it’s something you build with your own two hands and a lot of sunlight. Refuse the doom, plant the seeds, and let’s make 2026 the year the garden wins. 🕊️🕯️

Reblog if you’re ready to trade the gloom for the bloom, and follow for your daily dose of solarpunk aesthetic and sustainable magic. ✌️🌙

[harvardfineartslib]

Happy Earth Day!

Art has the power to foster emotional connection and deeper understanding for people with what is happening to our planet. For Earth Month, the Fine Arts Library is highlighting artists whose work center on the environment, ecology, climate crisis, and climate action in our special display, Calling for Action: Books for Earth Month!

One of the early pioneers in the Ecological art movement was Agnes Denes (b. 1931), who began working on ecological projects in the late 1960s. Her best-known work was Wheatfield - A Confrontation: Battery Park Landfill, Downtown Manhattan (1982), which addressed larger issues around social, economic, and ethical practice on land. Denes planted, grew, and harvested wheat on a 2-acre lot located in a landfill in lower Manhattan, two blocks from Wall Street and the World Trade Center, facing the Statue of Liberty.  On August 16, 1982, the crop was harvested, yielding over 1000 pounds of healthy, golden wheat. The work addressed greed and misplaced priorities, highlighting the mismanagement of land, food, waste, world hunger, and ecological concerns.  

This publication entitled Dear Earth: Art and Hope in a Time of Crisis highlights the ways in which artists seek to reframe and deepen our psychological and spiritual responses to the Earth, ecology, and the climate crisis. As Nigerian-born visual artist Otobong Nkanga says, “caring is a form of resistance.”

Hayward Gallery host institution., and Rachel Thomas. 2024. Dear Earth : Art and Hope in a Time of Crisis. Hayward Gallery Publishing.

HOLLIS number: 99157020930003941