This is still one of the funniest jokes in Deadloch Season 1:
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This is still one of the funniest jokes in Deadloch Season 1:
I'm just not over how the anime crew made the end of カラオケ行こ | Let's Go Karaoke! even gayer than the manga, despite being a largely faithful adaptation. Admittedly I haven't seen the live-action adaptation, and I think at least some stuff came from that (at least in one of the earlier episodes), but goodness, the anime crew blew it out of the park.
Like Satomi reaching desperately for Kyouji while singing??? That wasn't in the manga. That yearning.
A lot of stuff was just panel for panel adaptation with expansion between dialogue, but this part wasn't (at least not exactly): after Satomi flicks Kyouji's arm away, Kyouji keeps his hand on Satomi's back.
(I mean his arm kinds of sits there in the one manga panel where Satomi is talking, but I appreciate the anime crew just left his arm there)
And then this shot, where the Yakuza are all laughing.
In the manga, Kyouji does pat Satomi on the shoulder/hold his shoulder at least briefly, but when Satomi is thinking about it, he's not in the panel, it's just a shot of Kyouji's smiling face in front of the crowd of Yakuza (which is after this in the anime). Kyouji isn't shown to leave his arm there. But the anime did it. Bless. Poor Satomi and the confusion of puberty alkdjlaj
And just the way the anime shows the slowness of how Kyouji sets his arm on the back of the airport bench around Satomi. The focus on minute movements and the soft fondness in Kyouji's gaze.
I've heard there's some issue with parts of the official English translation, so I'm not sure if what's in the manga is another mistranslation or maybe something odd with the English subs on Crunchyroll, but I find it interesting that while in the English translation of the manga, Kyouji says, "I figured it wasn't fair for you to have some old geezer hanging around while you're trying to enjoy your youth..." In the anime English subtitles, he says, "I just figured it'd be a damn shame if some old fart messed up your youth any more than he already did." Obviously there's kind of some dubiousness about how self-aware Kyouji is about the effect he has on Satomi and what his goals are (though personally I think he's entirely "innocent" in the sense that he's just a Yakuza with bent morals anyway, but also he probably sees it more as a mentorship relationship than anything else, in a similar way to how his boss helped him when he was struggling), and obviously in the sequel he's a lot more aware, at least eventually, of Satomi's feelings and how their relationship might seem, but at least in the subtitles, he seems a bit more self-aware that maybe it's for the best if he took a step back, at least while Satomi is in middle school (though it also might have been he was worried that Satomi would endanger himself more while he was too young, given he just ran into a dangerous neighborhood, twice, looking for Kyouji). He might be aware that Satomi has a crush on him, even back then (which is pretty normal for horny teenagers) but I don't think Kyouji ever intended to do anything with it. Even in the airport, I think he just genuinely likes Satomi as a person, not from a romantic or physical sense. He's like a cat playing with a toy. (Though of course fandom speculates that since Wayama had meant to include seemingly Kyouji getting arrested for assault after the karaoke contest, it's possible he was actually in prison during those three years). Obviously, though, Satomi hasn't let his feelings go.
This close-up shot and the angle is killing me. Poor confused Satomi.
I also really love the frequent shot changes to show them sitting together. The manga made Satomi look a lot smaller than he is, I guess, but the anime actually makes them seem more of a height with each other (at least while sitting, though obviously Kyouji is still a bit taller).
The slowness of this shot and his eyelids lowering and he's clearly like, "Hmm, do I explain to this confused young person or just keep teasing him like the shit I am." Yeah, your name, Satomi. That's the only thing he likes. Definitely not you, the person.
The way they showed Kyouji put his arm back around Satomi earlier kills me. Poor Satomi, getting teased so much. Also I'm so confused about the subtitle choice. So far as I can tell, Kyouji is saying, "Look at you, big brother!" (He says "brother" in Japanese, at least). But the subs say, "Look at you, big boy!" alkdjalda I'm not sure if that's what he's saying actually translates to???
The way the anime has him lean in closer and Ono Daisuke (his Japanese VA) modulates his voice to be softer just ends me alkdjlaj Poor Satomi.
This close-up and the little one eye towards Satomi open just adlkajlaj Amazing.
And this close-up on Satomi's blush, while he's still got Kyouji's arm there. Just... ah. Poor guy. Harassed by this terrible Yakuza.
This shot ended me.
Ono (as Kyouji) says like "mmmn" or something before moving on to the next line of dialogue, on top of this framing and gazing at Satomi just... The soft fondness again. Satomi being like -nervous college student bothered by this ridiculous older guy- Just dead. Dead.
Maybe that's why they did this funny framing for the last shot, which in the manga, has no background.
Yes, I know what an airport terminal is. But the way you have "Terminal" with the arrow pointing at Satomi (and Kyouji) is just alkjdlaj He's defeated by this terrible man.
Such a great adaptation. I have no idea what they're planning to do with the last episode, though apparently it will be entirely anime original, and set after the karaoke contest so... are they finally bringing Wayama's scrapped arrest sequence to life? Do we get to see Kyouji in prison? Will that be truly made canonical? (I would speculate it's planned as, during the karaoke party, Kyouji is more visibly disheveled from the car accident than he is in the manga, where he's basically spotless. If the crew plan to elaborate on that for the anime, they've set the groundwork). Obviously next week will start the adaptation of Captivated, by You, but the final episode is meant to be another episode of Let's Go Karaoke. I assumed they'd do Kyouji's backstory in the last episode, since it was the end of the graphic novel, but obviously that's not happening now (and clearly it wasn't enough to fill a whole episode, so I see why they didn't). Looking forward to what they do with Captivated, by You, at least, and I trust this team to do a good job with original stuff. I really hope they adapt Famiresu Iko at some point in the future, too.
Thoughts on 異世界の沙汰は社畜次第 | The Other World's Books Depend on the Bean Counter, Episode 1: I Got a Job (it was great, even if they have barely any budget :D):
This will be spoilery for the novel and manga as well, since I've read the whole novel and am up to date with the manga!
Also enjoy these two celebratory illustrations by the light novel artist and character designer, Kikka Ohashi, and the mangaka, Kazuki Irodori:
Thoughts about the new X-centered To Be Hero X music video that came out earlier (it's so cool!!!!)
I know a lot of people are thinking of the IvanTill kiss/press in Karma, and I'm thinking about the shot of Till laying down before the heart smash:
I get why a lot of people are jumping on the, "At least Ivan's sacrifice wasn't in vain", train, but I think y'all are maybe misunderstanding what he was doing.
So far as we know (and especially confirmed by Sua in Karma), the characters were all very aware of their inevitable deaths during the contest. Certainly they would have been after the first round. Ivan already survived a round, he saw the results of other rounds. They knew at least one person was not walking off that stage alive, and that the statistical likelihood of any of them - human toys sold as pets, whose continued living relied on having a nice owner who didn't strangle them to death, toss them off a building, or otherwise abuse or neglect them - making it out alive was low, especially when the death match was meant to have one winner.
Personally, I doubt Ivan believed Till could win the whole thing. Not because he doubted Till's ability, but because he was somewhat realistic. Statistics were against him. If anything, if Till made it, he'd be going against Luka, and Luka has a strong track record. Even if Ivan believed in Till, he was likely aware there was still a chance Till wouldn't make it in the end. Certainly, Ivan saw Till unraveling after Mizi disappeared. He likely knew things weren't looking good for the future.
What Ivan bought Till through his own sacrifice was a little more time, and that is invaluable. Ivan died on that stage so that Till didn't have to. Even if Till was shot the next day for losing, that was one more day than he would have had if he'd lost to Ivan. And that little bit is everything when that's all you can do.
Sometimes it's not about the end results. None of us get out alive in the end, after all. But if you hold on - or make it so that other people, particularly folks you care about - can hold on, even for a few moments more, that can be everything. That's love. That's devotion. That's an ultimate sacrifice. It's, to quote Hamilton, "planting seeds in a garden you never get to see." Ivan saved Till's life for at least a small amount of time. Even if Till really was dead after his match with Luka, what Ivan did never would have been in vain. The story in general deals a lot with making it through each individual moment, doing what you can with what you can in horrible systems where most outcomes are bad to some degree, but still fighting until the bitter end. Ivan embodies that. Ivan likely looked at the situation as doing the best with what he could. And that's worthwhile. It's hard for people to buckle down to fight for small victories often obtained with great sacrifice. But it's worth it.
Like yes, the fact that Till seemingly (until Karma) died an apparently short while after Ivan sacrificed himself was part of the tragedy of the story. And it really is wonderful that Ivan saved Till's life for longer than a short amount of time - that's his garden blooming in ways he likely never imagined. I just think coming out of this with, "Ivan's sacrifice wasn't in vain," kind of undermines why he did what he did. Some fights are worth fighting even if they don't ultimately end well. Some things, no matter how small (and Till getting to live for even a short while longer in a contest where he has little agency and a high chance of death is hardly small), are worth dying for. Life (and love, and the life of those we love) is worth it. It's part of what makes us human. It's what the whole thing is about.
Han Yoojin's hierarchy of needs:
Thoughts on 異世界の沙汰は社畜次第 | The Other World's Books Depend on the Bean Counter, Episode 2: I Got Promoted (it was great :D):
There's also this handsome drawing of Aresh by Irodori Kazuki, the mangaka, if you haven't seen it yet:
This will be spoilery for the novel and manga, as well.