Oct 30, 2024
Blair Witch Vol 1-3 ad (Computer Games #120, Nov. 2000)
seen from France
seen from Malaysia
seen from Poland
seen from India
seen from China
seen from United States
seen from Malaysia
seen from Brazil
seen from Serbia
seen from India
seen from Sweden
seen from China
seen from China
seen from Malaysia
seen from Malaysia
seen from India
seen from Japan
seen from Algeria
seen from United States
seen from Russia
Blair Witch Vol 1-3 ad (Computer Games #120, Nov. 2000)
" A dark future... An uncertain past... No one left to trust! "
PC Gamer Magazine n81 - February, 2001.
'KISS: Psycho Circus - The Nightmare Child'
[PC] [JAPAN] [MAGAZINE] [2000]
"Wicked Jester, a band of four, are headed for a Friday night gig at The Coventry, a rundown dive outside of town. They arrive only to find the parking lot deserted, the club seemingly dead. The band's members: Pablo Ramirez, Andy Chang, Gabriel Gordo and Patrick Scott, stepping from their van, are startled by a voice from the shadows. She offers them four tickets to a circus -- tonight's the grand finale! Having nothing better to do, the four accept and the nightmare begins. Based on characters from comic book author Todd McFarlane, KISS Psycho Circus: The Nightmare Child brings the horror and carnage of the Psycho Circus to the PC in a shooter format. There are two-dozen creatures to battle with and three classes of weapons to use, each with four specific types: melee (beast claws, thornblade, twister and punisher), common (zero cannon, magma cannon, windblade and scourge) and ultimate (stargaze, galaxion, spirit lance and draco). In addition to the weaponry, temporary power-ups and instant items such as health, attack and defense powers are available." ~MobyGames
=====
Source: Play Online, September 2000 (#27) || Internet Archive; kitsunebi
The first game in the Mafia series was first released for PC on August 29, 2002. Happy 20th anniversary!
At several pivotal moments in Max Payne, the player experiences a past event in the form of a nightmare sequence. In addition to the bizarre, claustrophobic form that the levels in these sequences take on, the audio is also used to great effect, with a steady heartbeat theme pounding in the background while screams call for the player character’s help somewhere in the maze of hallways. Perhaps most frightening is the silence that the normally sardonic Max provides- he has no narration for these events, and just allows them to play out.
USA 1999
Nocturne