Jesus betet von Albert Robida (engraving)

seen from Spain
seen from China

seen from United States
seen from Germany

seen from United Kingdom
seen from Türkiye
seen from Germany
seen from United Kingdom
seen from Latvia

seen from Latvia
seen from Australia
seen from United Kingdom
seen from China
seen from United States
seen from United States
seen from Latvia

seen from Australia
seen from Netherlands
seen from United States

seen from United States
Jesus betet von Albert Robida (engraving)
„Ja, um der Liebe Jesu willen vergebe ich ihm ... und ich will, dass er mit mir im Himmel ist.“ (Italienisch: „Sì, per amore di Gesù, lo perdono... e voglio che venga con me in Paradiso.“)
„Sie starb, um ihre Reinheit zu verteidigen, aber vor allem starb sie, weil sie sich Jesus ganz hingab.“ (Papst Pius XII, bei ihrer Heiligsprechung 1950)
„Maria Goretti hat nicht gepredigt – sie hat gelitten. Und ihre Predigt ist stärker als tausend Worte.“ (Ein Missionar bei der Seligsprechung)
Dont forget the moment some mysterious reason in 1850~ made people collect all 432hz Bells to replace and destroy them befor you and me could hear healing frequencies
Fuck it, Tokio Hotel-natural
Heilig- Tokio Hotel
ID: A series of 7 digital drawings of Dean and Cas, set in the dangeon during the confession scene from 15x18, apart from the 6th image. Over the images are the lyrics from the first verse and chorus of Tokio Hotel's song Heilig. English translations are given in brackets and are not on the drawings.
The first panel shows Cas' back to the left of the image as he paints a ward on the door. Dean is visible in the right bottom corner, clutching his chest. The lyrics shown are: "Ich halt mich wach für Dich, Wir schaffen’s nicht beide, Du weiβt es nicht." (I keep myself awake for you, we won't both make it, you don't know.)
The second panel shows Cas to the left of the image looking at Dean, with Dean to the right. He is half turned away from Cas to look behind himself and there are tears in his eyes. The lyrics are: "Ich geb’ mich jetzt für Dich auf, Mein letzter Wille hilft Dir raus." (I give myself up for you now, my last intention helps you out.)
The third panel shows a black void opening in the wall (the Empty) with an empty chair in front of it. The lyrics are: "Bevor das Meer unter mir zerbricht." (Before the seas breaks beneath me.)
The fourth panel shows Cas and Dean in profile, facing each other. Cas, again on the left, has placed his right hand on Dean's left shoulder. The lyrics are: "Ich glaub an Dich, Du wirst für mich immer Heilig sein." (I believe in you, you will always be holy to me.)
The fifth panel shows Cas center frame looking up as the tendrils from the empty claim him. The lyrics are: "Ich sterb für unsere Unsterblichkeit." (I die for our immortality.)
The sixth panel is a composit of three images. The main image is of Stull cemetry from 5x22 with Dean kneeling in the center and Cas standing over him, hand reaching down to heal him. In the top left corner is a close up of Dean from 15x18 with Cas' hand print in blood on his shoulder. In the bottom right corner is a close up of Dean from 4x01 rolling up his sleeve to show Cas' handprint branded on his shoulder. The lyrics are: "Meine Hand, von Anfang an, über Dir." (My hand, from the beginning, over you.)
The seventh and final panel is a wide shot of Dean leaning against the wall in the dungeon following Cas' sacrifice. The is an inset close up of his head in his hands in the top left corner. The lyrics are: "Ich glaub an Dich, Du wirst für mich immer Heilig sein." (I believe in you, you will always be holy to me.)
End ID.
(Translations are by me so may not have the full nuance of the lyrics.)
heroes & villains
Alle unsere Erinnerungen sind profan und alle sind heilig.
Ferdinand von Schirach: “Strafe”, S.183
ᚹᚫᛚᚦᚢᛉ - Der Wald
Dem Wald, der schon immer unsere Heimat war und mit dem wir tief verwurzelt sind, wohnt eine Seele inne. Das erkannten unsere Ahnen schon vor Jahrtausenden. Sie konnten seine heilige Präsenz spüren, welche so magisch und wunderbar zu sein schien, dass sie nur von den Göttern stammen musste. Deshalb galt der Wald in heidnischen Religionen und Philosophien schon immer als etwas Göttliches. Auch im fernen Osten erkannte man schon sehr früh, dass der Baum als umseeltes Geschöpf eine hohe Form der Erleuchtung darstellte und im Einklang mit dem Rest der Schöpfung ein Inbegriff für die Vollendung und Harmonie der Welt war.
ᛞᛖᛗ ᚹᚨᛚᛞ, ᛞᛖᚱ ᛋᚲᚺᛟᚾ ᛁᛗᛖᚱ ᚢᚾᛋᛖᚱᛖ ᚺᛖᛁᛗᚨᛏ ᚹᚨᚱ ᚢᚾᛞ ᛗᛁᛏ ᛞᛖᛗ ᚹᛁᚱ ᛏᛁᛖᚠ ᚢᛖᚱᚹᚢᚱᛉᛖᛚᛏ ᛋᛁᚾᛞ, ᚹᛟᚺᚾᛏ ᛖᛁᚾᛖ ᛋᛖᛚᛖ ᛁᚾᚾᛖ ᛫ ᛞᚨᛋ ᛖᚱᚲᚨᚾᛏᛖᚾ ᚢᚾᛋᛖᚱᛖ ᚨᚺᚾᛖᚾ ᛋᚲᚺᛟᚾ ᚢᛟᚱ ᛃᚨᚺᚱᛏᚨᚢᛋᛖᚾᛞᛖᚾ ᛫ ᛋᛁᛖ ᚲᛟᚾᚾᛏᛖᚾ ᛋᛖᛁᚾᛖ ᚺᛖᛁᛚᛁᚷᛖ ᛈᚱᛖᚨᛋᛖᚾᛉ ᛋᛈᚢᚱᛖᚾ, ᚹᛖᛚᚲᚺᛖ ᛋᛟ ᛗᚨᚷᛁᛋᚲᚺ ᚢᚾᛞ ᚹᚢᚾᛞᛖᚱᛒᚨᚱ ᛉᚢ ᛋᛖᛁᚾ ᛋᚲᚺᛁᛖᚾ, ᛞᚨᛋ ᛋᛁᛖ ᚾᚢᚱ ᚢᛟᚾ ᛞᛖᚾ ᚷᛁᛟᛏᛖᚱᚾ ᛋᛏᚨᛗᛖᚾ ᛗᚢᛋᛏᛖ ᛫ ᛞᛖᛋᚺᚨᛚᛒ ᚷᚨᛚᛏ ᛞᛖᚱ ᚹᚨᛚᛞ ᛁᚾ ᚺᛖᛁᛞᚾᛁᛋᚲᚺᛖᚾ ᚱᛖᛚᛁᚷᛁᛟᚾᛖᚾ ᚢᚾᛞ ᛈᚺᛁᛚᛟᛋᛟᛈᚺᛁᛖᚾ ᛋᚲᚺᛟᚾ ᛁᛗᛖᚱ ᚨᛚᛋ ᛖᛏᚹᚨᛋ ᚷᛁᛟᛏᛚᛁᚲᚺᛖᛋ ᛫ ᚨᚢᚲᚺ ᛁᛗ ᚠᛖᚱᚾᛖᚾ ᛟᛋᛏᛖᚾ ᛖᚱᚲᚨᚾᛏᛖ ᛗᚨᚾ ᛋᚲᚺᛟᚾ ᛋᛖᚺᚱ ᚠᚱᚢᚺ, ᛞᚨᛋ ᛞᛖᚱ ᛒᚨᚢᛗ ᚨᛚᛋ ᚢᛗᛋᛖᛚᛏᛖᛋ ᚷᛖᛋᚲᚺᛁᛟᛈᚠ ᛖᛁᚾᛖ ᚺᛟᚺᛖ ᚠᛟᚱᛗ ᛞᛖᚱ ᛖᚱᛚᛖᚢᚲᚺᛏᚢᛜ ᛞᚨᚱᛋᛏᛖᛚᛏᛖ ᚢᚾᛞ ᛁᛗ ᛖᛁᚾᚲᛚᚨᛜ ᛗᛁᛏ ᛞᛖᛗ ᚱᛖᛋᛏ ᛞᛖᚱ ᛋᚲᚺᛁᛟᛈᚠᚢᛜ ᛖᛁᚾ ᛁᚾᛒᛖᚷᚱᛁᚠ ᚠᚢᚱ ᛞᛁᛖ ᚢᛟᛚᛖᚾᛞᚢᛜ ᚢᚾᛞ ᚺᚨᚱᛗᛟᚾᛁᛖ ᛞᛖᚱ ᚹᛖᛚᛏ ᚹᚨᚱ ᛫
🧜♀️🦀 MerMay Day16 #deity . Still late, sorry...also thank you all so much for the support and I'm so happy you liked the No° 14 so much. Thank you all! You are awesome! Also stay healthy and safe! 💙 . #mermay2020 #mermay #mermaid #demongirl #digitalart #characterart #holycrap #germanillustrator #illustration #イラスト #crap #Krabbe #heilig #pictureoftheday https://www.instagram.com/p/CATNr6RqnqT/?igshid=1bictcko9i0z9