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[smashpages]

McFarlane Productions has been on a roll introducing Spawn into various genres, and this summer they’ll return to the world of humor and satire with Spawn Kills Every Spawn. Like the previous Spawn Kills Everyone and Spawn Kills Everyone Too, this comic features the tiniest Spawn, Spawny, deciding to kill another set of comic characters — the Spawn universe.

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[comicweek]

The Scorched

The Scorched #1 

Greg Capulo and Jonathan Glapion

[outlandidol]

Sketchbook page of my favorite comic- Deadly Class by Rick Remender and Wes Craig. Go read it!

[comicweek]

Some Thoughts on Sleepless #7

Written by Sarah Vaughn Illustrated by Leila del Duca Colored by Alissa Sallah and Gabe Fischer Lettered by Deron Bennett

The “Sleepless” creative team pulls off something most comics do not, employ massive time jump. The seventh issue picks things up a year after the previous issue. It’s a bit of a gutsy call by writer Sarah Vaughn, the first arc ended on a cliffhanger note that this series rarely goes for. The decision does read in keeping with the sort of Diana Gabaldon mold of treating the fantastical in a magical realist tradition and not really wanting to explain the magic. From a readers standpoint the time skip is made effective because of how it mimics the act of reading “Sleepless” issue by issue. The sixth issue was released in May 2018, the trade the following month, and now here we are roughly four months later picking things up. It’s like seeing friends for the first time in awhile, they kept on going even if you didn’t see it. Building in something that plays off the distance between publications is a nice sort of realist touch for this fantastical series.

Baking in the time skip also puts the series in a bit of a stasis, if it were important it would’ve been shown on panel. Stasis isn’t a bad thing, considering how artists Leila del Duca gets that feeling across, and what it allows the book to do with its readers. The time skip allows this issue to smoothly act as a sort of introduction (or reintroduction) to readers about books core drama: Poppy’s liminal status in court and the machinations of feudalism. Issue 7 might not be the start of the series, but it’s the kind of issue you could give to a new reader and it will explain the series to them without getting them the trade first.

The term stasis implies some sense of inactivity or equilibrium, but that isn’t a comforting feeling for Poppy. The time skip and what we see of her in this issue helps to reinforce how she is betwixt in all things (culture, royal status, relationships, etc.), unable to move forward she can only repeat the past. One of the things that makes issue #7 read like an introduction is how artists Lelia del Duca mirrors the very first page of issue #1 in the seventh. One of the main characters stares at a symbol of death in three panels with the fourth pulling out to reveal them in catacombs. In the first issue it was Cyrenic watching Poppy pay respects to her father, now she does it alone. Her inability to progress helps to bring out a real nostalgia to Poppy as she tells Princess Rellen about traveling her personal estate. The nostalgia in this sequence is different from previous instances with it’s specificity and enhanced sense of meaning the minor details in her story compared to larger more vague ones developed in the previous arc. One of the nice things about having this book back is getting to see del Duca work in great subtle character acting physicality that reinforces Vaughn’s scripting which shines through in this sequence.

Full Review @ MultiversityComics.Com

[towritecomicsonherarms]

Ten grand