This level of deliberate ignorance is the current state of journalism.
Not only did Chapman, a lesbian - not "queer" - woman, give Combs approval to cover the song, but as the sole writer and composer, she reaps royalties for his recording, not to mention the uptick in the already considerable exposure of her original recording and back catalogue as a whole from the interest.
“I never expected to find myself on the country charts, but I’m honored to be there,” Chapman tells Billboard in an exclusive statement. “I’m happy for Luke and his success and grateful that new fans have found and embraced ‘Fast Car.’” [..] Combs’ version has generated at least $500,000 in global publishing royalties, Billboard estimates, with the bulk going to Chapman who owns both the writers’ and publisher’s share of the song. Additionally, the success of Combs’ version has boosted Chapman’s original, with weekly consumption of Chapman’s version increasing 44% since Combs’ version was released, according to Luminate.
[ Source: Billboard ]
[ Source: Spotify ]
It couldn't be that Chapman isn't a Country singer, and that an established Country singer is going to do better in the Country charts with a Country cover. No, we have to invent tired identity politics clickbait bullshit involving a racially motivated conspiracy to concoct stories out of thin air.
Consider how much of a shot "I Will Always Love You" had in the R&B charts until Whitney Houston covered Dolly Parton's song. Surely we must conclude that Parton's lack of traction in the R&B genre until Houston's cover came along could only be due to racism against her, right?
Is this level of disempowering and demoralizing language calculated and deliberate, or inadvertent and incompetent? 🤔













