Les Parisiennes (1873) by Giovanni Boldini. Private collection.
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Les Parisiennes (1873) by Giovanni Boldini. Private collection.
Laughing Gulls at the Beach
acrylic on canvas
The Rose Girl (also known as Fille aux Roses, Girl with Roses, and La Ragazza delle rose), (detail), (1919) by Émile Vernon (French, 1872 – 1920), oil on canvas, Private Collection
Claude Monet - Water Lilies, 1907
Poppy Abstraction By Jeff Stanford, 2026 Buy prints of this image at: https://fineartamerica.com/featured/poppy-abstraction-jeff-stanford.html or more of my images at: https://jeff-stanford.pixels.com/
Writing Notes: Literary Impressionism
Impressionistic Writing - a style that relies on abstract associations, the subjective point of view of the characters, and the rendering of sensory details to relay the “impression” of a person or event. The impressionistic style of writing leaves the reader to determine the author’s ultimate meaning.
The French art movement of impressionism is frequently associated with famous painters like Vincent Van Gogh and Auguste Renoir.
Yet equally notable authors worked in the medium of impressionistic writing, applying the philosophy of impressionist art to novels and poetry.
How to Write Impressionistic Literature
Just as the French impressionist paintings served as an answer to the clinical, precise rules of academic painting, impressionist writers sought to utilize the English language in new and radical ways. There are many distinct stylistic traits of literary impressionism:
Ambiguous meaning. One of the hallmarks of impressionistic writing is a unique narrative style in which the themes and narration are left ambiguous. An impressionist writer often leaves the reader to draw their own conclusions, forcing them to “read between the lines” in order to exact meaning from the text.
Personal Point-of-View. Impressionist literary works often depict narrative action through the subjective point of view of a given character, often omitting crucial details in the process. This creates a hazy, fleeting image of events, not unlike the paintings of impressionist artists.
Emotional landscape. Another trait of an impressionist writer is a desire to paint an emotional, sensory background for their characters to inhabit. Impressionists are less interested in looking at a scene in terms of literal location than they are evoking the sounds, smells, and feelings experienced by the character. For instance, rather than saying a character had been walking through a field, they might describe the light hitting the grass and the gentle buzzing of the bugs as well.
Non-chronological narrative. Works of the literary impressionist movement often present the events of the narrative out of order. An objective of nineteenth century impressionist writers was to force the reader to focus on why and how events occur, rather than the literal timeline in which they occur.
Strategic selection of detail. Impressionist writers privilege description of details rather than broadly defining the actions of their characters. That means it’s sometimes only possible to see the novel’s true meaning by taking a step back and observing the complete picture.
Origins of Impressionism
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