#korah

[magnetic-maverick]

The way he says nepotism makes me laugh

[veerierir]

the way chisisi has to pretend he got the plague because he needs to blend in with the israelites, while korah pretends he didn't get the plague because he wants others to think that he didn't sin by taking part in worshiping the golden calf is so funny

[arsonxpp]

happy birthday to korah and william, whos birthdays were yesterday-..

why aren't they happy??? @ashesburnus

[radiomountainmuse]

The name "Sons of Korah" refers to a biblical family lineage with a powerful story of redemption and music.

Who was Korah?

Korah was a Levite who led a famous rebellion against Moses and Aaron during the Israelites' journey through the desert (Numbers 16). According to the Bible, he was punished for his defiance when the earth opened up and swallowed him and his followers.

The Survival of his Sons

A crucial detail in the Bible is that "the sons of Korah, however, did not die" (Numbers 26:11). They did not join their father's rebellion and were spared. This is seen as a major theme of grace—that children are not held responsible for the sins of their fathers.

Their Legacy: The Psalmists

Over time, the descendants of Korah became a prestigious guild of temple musicians and singers in Jerusalem.

Authorship: They are credited with writing 11 Psalms in the Bible (including Psalms 42, 44–49, 84, 85, 87, and 88).

Tone: Their Psalms are famous for being deeply emotional, poetic, and filled with a longing for God's presence (e.g., "As the deer pants for streams of water..." in Psalm 42).

The Band "Sons of Korah"

The Australian band chose this name because they specialize in setting the Psalms to music. For them, the name represents the idea that anyone, regardless of their background or family history, can become a voice of worship through God's mercy.

[welele]

[licensedfool]

diner au :)

[pinkie-pinkeroni]

hiiii super late weekly oc recaps!!!!!! in my defense i got busy with artfight (which was amazing this year btw!!!! i had so much fun!!!!! 😭)

well!! for july i was drawing ocs from various stories from a world with monsters and various fantasy races! we also hit the 200th day of the year on july 19th!!!! so i drew aylin to celebrate <3

now we're in august so i'm drawing angels all month!!! cause 'angel august' sounds like a fun drawing challenge for the month lol and also god i miss my ledian chronicles ocs so!!!! here we are!!!!!!

hope u've all had a good july and are taking care this august 💖

[nonstandardrepertoire]

Parashat Qóraḥ: לְמׇשְׁחָה | ləmoshḥah

A tension: It takes money to maintain a sacred community, but gatekeeping that community behind a financial barrier risks cutting that community off from those who need it most. No one wants to say “You can’t come to Shabbat services unless you pay us $X first”, but also if nobody ever gives any money to the shul, the shul is going to cease to exist. And even if communal leaders truly believe that all should be equally welcome regardless of financial contribution, when fraught questions of communal practice and priorities inevitably arise, it’s hard to resist the gravity of the people keeping the lights on. If you alienate the people keeping things going, eventually things are going to stop.

Another tension: Sacred communities are, at their best, deep networks of interpersonal relationships, but paying for things tends to turn them into commodities [a]. I am sure I am not alone in occasionally encountering people with the attitude “I’ve paid my annual membership dues, what else do you want from me? Just do the work I paid you for and deliver a Jewish Community™ to me”. Building durable community is, definitionally, communal work. It is the work of connecting with other people and committing to them over time. It’s not work that can be outsourced; you can’t just buy a communal network off the shelf. Writing a check doesn’t mean you can write off the rest of this work.

[a] From my completely-outside-the-pertinent-academic-field perspective, the most famous study on this is probably Uri Gneezy and Aldo Rustichini’s “A Fine Is a Price” from the January, 2000, issue (Vol 29, No 1) of The Journal of Legal Studies. Gneezy and Rustichini looked at a number of daycare centers where parents were sometimes late in picking up their kids. In some of these daycares, they introduced fines for such tardy parents, and unexpectedly found that the rates of parent tardiness increased instead of decreasing. One of their proposed explanations was that introducing these fees changed the situation from one of social norms — “If you stay late to look after my kid after hours, that’s a thing you’re doing out of human kindness, which I shouldn’t take advantage of” — to one of market exchange — “The fee is the price you think is fair to look after my kid later in the day, so everything is good as long as I pay it”.

And also: People have limited time and energy. Community doesn’t always love you back. Pouring yourself endlessly into a shul is a good way to burn out catastrophically and never recover.

G-d sets the Temple salaries in this week’s portion [b]. We get an extended discussion of the things that G-d is granting to Aharon and his sons לְמׇשְׁחָה | ləmoshḥah | “as a dedicated portion” (Bəmidbar 18:8). This dedicated portion comes from the offerings of the Israelite community — we are, in a sense, learning how the charitable contributions of the congregation should be apportioned out into various budgetary line items like priestly salaries. It’s easy to skim over this, but I think it’s important that we get this in direct speech from G-d Voidself. Finding the balance between these tensions — relying on money without gatekeeping, stratification, and exclusion; contributing financially without collapsing community into commodity — isn’t a flyover task. It’s difficult, maybe even impossible. It takes explicit intervention from G-d to develop the system presented here, and I’ve yet to attend a synagogue where G-d was a member of the board.

[b] Definitely the main attraction in these chapters; I can’t think of anything else with dramatic narrative interest...

We are going to fumble. We are going to get it wrong. We have to keep trying to come together, buildingly, anyway.

[This has been an installment of one-word Torah. You can read the full series here.]