9-1-1 s8 wish:
no more grief and loss for hen, karen and denny wilson. no more happiness stolen away by the system or some vindictive other party. just give this family some happiness and nothing less

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9-1-1 s8 wish:
no more grief and loss for hen, karen and denny wilson. no more happiness stolen away by the system or some vindictive other party. just give this family some happiness and nothing less
to forget is to remember, to cherish
BY NICOLORENALDIGENOVIA
For @yusufalkaysanibingo - “Joe as the Oldest Immortal”
[READ HERE ON AO3]
***
Sometimes, Joe forgets.
But then he sees how Andy’s breath hitches when she’s sparring with Nile, or how she readily leans onto Nicky when they’re trekking through the dessert like they’ve done a thousand times before. It’s during these little moments that it hits him.
Andy’s mortal. And with mortality, comes the end.
One day, Andy is going to die, and Joe…
When Joe remembers, the day that follows is difficult. There’s a numbness that settles into his chest that makes it hard to breathe. Because suddenly, he remembers that one day, their dearest Andromache will be gone. And there will only be four of them left, and he will be the oldest out of all of them.
i've always loved opening disasters but i think this one is my favourite yet. from beginning to end it's just been so wonderfully paced. not once did i think "what was that?" the timing, the cuts, everything about it was just done with such precision that it fit so perfect. from the lines to the acting and the changes from heartfelt to comedy, this was just hit after hit after hit
like they've done the opening disasters well before, but there was just something about this one. the cohesiveness of the multiple storylines coming together in one perfect ending was chef's kiss. every character, at some point, got to show off their chops, especially the firefighters. like you see how much they've grown, but especially, you see the seedlings of where all of their stories are going
but i think my most favourite part of the whole thing is how athena threaded everything altogether, while also coming through her own personal storyline and overall growth in a way that i always hoped for but did not anticipate. for a bit now she's been going in circles in terms of her anger, and her constant need to put her role as a cop first more than anything else, but this one was different
this time, we saw her competency as a civilian. like we know she's always been inspirational, always been good at getting people come to her side, but here her humanity connected her to everything. to the people on the plane, the people on the ground and to dennis. her humanity and her ultimate goodness, as a person saw her through, and in the end she was able to let go of that anger that's been haunting her for so long as well. that and she was powered by her love for bobby. it was amazing seeing them work so well together, miles apart and still so in sync
everything about it was just so amazingly well done, and i cannot wait for the rest of the season to unfold
trick or treat
"Evan," Tommy starts, eyes wide as he slowly puts his hands up, though he's cautiously inching towards his boyfriend. "What are you doing?" he asks, watching carefully. Evan turns to him, his eyes wide, nearly black with how dilated his pupils are. His skin is sheen with sweat, and when he moves, it takes everything in Tommy's power not to step back. "What the fuck did you do to him--" Evan growls, and Tommy frowns. Something was clearly wrong.
"I didn't do anything--" he starts, just as the door behind him opens, and he feels Eddie's presence there, urgent but steady, and Tommy finds himself shielding Eddie as Buck lunges forward.
"Buck, what the fuck!?" Eddie yells, but Evan doesn't even look at him, eyes all on Tommy, knife in hand and shaking.
"What the fuck did you do to Eddie!? Where is he?!"
trick or treat 🎃
"What do you mean he just left?"
Buck snorts, taking another swig of his drink. Red wine, left over from two nights ago, that Tommy left behind. Because he wanted to drink it for his planned dinner for when they have Eddie over tonight.
Except that's not happening, because just this morning he woke up to a note on the side table.
Evan, I love you. I promise I'll be back soon. Love, Tommy
"Stop that," Eddie says, grabbing the wine glass from him, and sitting beside him instead, sighing. He's holding the note in his other hand. "Buck, he left but he left with this," he starts, only to pause when Buck gives him a look, and Eddie looks properly placated.
He's not the only one who's had a note on the dresser and nothing else.
"I'm sorry," Eddie mutters instead and Buck nods weakly, leaning into Eddie as the man wraps an arm around his shoulders.
"Yeah, me too." Suddenly, he hears the phone and he looks up, grabbing his, only to find it silent. Eddie blinks, and pats his pockets for his own, frowning at the screen first, before answering, looking at Buck.
"Tommy, what the hell--" he starts, only to pause. Then, after a moment, his eyes widen and he nods, firm. Buck's heart starts to beat wildly in his chest. When Eddie hangs up, Buck stands.
"Eddie--"
"We have to go."
Trick or treat!
so one of the treats can be fics in progress, so i have this one where buck finds out what really happened after she leaves and before she gets to boston - here's a buck and eddie scene in the immediate aftermath
“Buck.” Buck blinks at the clipboard in his hand. The check list is blank, and he hasn’t moved since he grabbed it. He looks up to find Eddie beside him, grabbing the clipboard out of his hand. He has that look on his face makes Buck feel like he can tell him anything. And there will be no judgement. Not when it matters. “Are you okay?” Eddie whispers, keeping his voice low and it makes something in his chest crack harshly. He feels out of breath, all of a sudden and there’s not enough oxygen in the room. A hand grips his shoulder tight and he’s being pushed back against the wall, made to lean against it. “Woah, hey. I got you,” he hears, and when he looks up, Eddie is there, brown eyes wide, worried. His thumb is pressing against his collar and he shivers, leaning into him, into it, and a gasp just breaks through. When it does, Eddie’s arms are around him, and he’s squeezing Buck like he’s holding him together. He doesn’t say anything, and just lets Buck cry. When his cries turn into sobs, he doesn’t hush him. He just holds him, and at that point he didn’t care that he can hear his own sobs echo in the firehouse. No one else approaches them. Whether because he’s not actually that loud or Eddie told them to leave, he doesn’t care. Buck nearly lost his sister, and he thought he was doing what was best for her. He doesn’t care.
in light of shannon diaz coming back and being established as an intricate part of the diaz family and all their growth, i will shameless self promote this fic that address just that, set after pepa starts to push eddie to date
in love, and in loyalty, we meet again
Published: 2023-06-02
“You know, Shannon really liked sunflowers.” “Then we should get some for your kitchen.” Eddie falters just a tad, as they walk through the farmer’s market, just behind Christopher. The teen was on a health kick, and wanted honey from a very specific beekeeper that had a stand at the other side of the market. Buck glances at him and watches, as his friend smiles just a little, before nodding. “Yeah, I think that’d be nice.” — or the one where Buck notices the way Eddie starts bringing Shannon back into their lives and meets her all over again
you know what i really like about 911? is that even though we don’t see everything on screen, when something is mentioned in passing, i believe it. they give me no reason not to. i just believe that there’s that deeper nuance to each of the relationship we see on screen. there’s the obvious ones of eddie talking about buck bringing chris to the zoo, or eddie knowing exactly what buck is talking to dr. copeland about in his emergency session
but then there’s the blink and you miss it ones like buck’s suggestion to call athena to get her opinion on maddie going back to big bear, or the ones played off as comedy such as karen being comfortable enough to call bobby on making hen captain and even more comfortable enough to call him an idiot. it’s stuff like this that makes me okay with all the choices when things aren’t shown on screen that most folks think it should’ve been like the buck and chimney talk, because when they do show it on screen it packs a punch when it has to, and when they don’t, it’s still just as valid and just as important