WW II, Shower stop
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WW II, Shower stop
C'est quoi l'Armistice en 1964 pour les enfants ?
🪖 🇨🇵 🕊
Source: INA
👋 Bel après-midi
✦ I ask for a moment of your attention! This is a reference to one of my main OC's. If you are interested and don't mind spending your time, you can read his biography below. Thank you for your attention to all those who show interest in this character. I hope my characters won't leave you indifferent.
⊷⇋⚙⛓⇌⛓☢⛓⇌⛓⚙⇌⊷⇋⚙⛓⇌⛓☢⛓⇌⛓⚙⇌⊷
KAMIKAZE OF DIAMONDS
Experiment WR-25A // Sigmund
[Sig // Siga // Cockroach // Peaked Cap // Pilot // The Burning Madman]
♂ • 14.08 [♌︎] • 1.80 cm • ISTP [Virtuoso]
BiroAce + Yukiranssexual + Aliquissexual
Race: Metamorph [Insectoid + Ornithomorph]
Blood type: Synthetic “GenoType: Insectoid”
Scent: Lemon
Motto: “Metsuki Sutemi” [“The gaze of one who walks toward death”]
⫸⟊⧈⟠⧖⧈⟊⫷╬⟠⟊⧗⧘⧖⟊⟠╬⟠⟊⧗⧘⧖⟊⟠╬⸸⧘⧈╬⟟⫸⧗⟊⧘⧈╬⟟
♦️INFO:
• Sigmund is the second member of the special forces squad, serving as a technician-automatic rifleman. He is proficient with all types of firearms, as well as vehicles such as cars, aircraft, and helicopters [though mostly the first and the last].
• Sig is excessively jokey, rowdy, and hyperactive. He talks constantly, about literally anything, switching topics with zero warning. Half the time, nobody around him has any idea what he’s even talking about.
— “Hey, du micht hier no blizzard drive! I not versteh your damn sprechen, hahah!”
• He is a pyromaniac and loves setting anything on fire [legal or not]. He also works with pyrotechnics, though slightly less often than with firearms.
• His favorite weapons include: a double-barrel musket, Luger, Walther, Mauser, and the Reichsrevolver. That said, he can use any firearm — from carbines to a revolvers.
— “Books — they are evil. Propose burn them… and also overthrow ze government!!”
• Sig is emotional, idiotic, and EXTREMELY jokey. He gets punished the most, as he’s considered the most “defective” due to his unstable, violent, and mildly insane personality. By sheer luck alone, he somehow avoids being disposed of.
• Maximum chaos. Madness. Absolute. He mutilates not out of cruelty, but because it’s fun — his idea of letting loose. More than anything, he loves fire. It doesn’t matter what burns — or who. Firearms, flying machines, shooting, aerobatics — all of it merges into one obsession. He is a true ace of aerobatics.
— “Ain, zwei, drei… ignite!”
• So reckless that he places zero value on his own life. He dies or gets maimed more often than anyone else — but thanks to tissue regeneration, he always comes back more or less intact. So he simply doesn’t worry about it.
• Impulsive, weak-willed, and sloppy. Unlike the perfectionist Kenneth, Sig doesn’t care about plans or precision. All he wants is an inferno of emotions, killing everything in his path until someone finally smashes his skull in.
— “Jawohl, Madam Einheit! Let’s burn ze idiots!”
• Despite his uncontrollable nature, he is sarcastic and venomous. He constantly argues with Kenneth, fears Abigail, and considers Fantine his main rival — while also viewing her as a sister. They hate each other and want each other dead due to Fantine’s “betrayal.”
• Together with Valery, he forms an extremely dangerous and uncontrollable duo. Putting them together is risky — but if you need a massacre, no one does it better. They understand each other without words — but only when it’s time to kill.
— “Maybe I am idiot, but I am idiot with gun! And what you have, huh? Ain — your sad little life?”
• He maintains very positive relations with Fritz. Most of his free time in Genesis is spent with him, doing incomprehensible nonsense. They understand each other instantly. If anything happens to his “buddy” — expect something unexpected, dangerous, insane, and bad.
• In combat, Sigmund’s actions are wildly unpredictable — this is his greatest danger. He does not fear death and often charges head-on. Expect reckless, insane, strange maneuvers. However, due to his recklessness, he rarely lasts long in battle.
— “Lights. Camera… BOOM! If we go — we go with smile… und fire!”
• He has extremely tense relations with nearly the entire squad, especially Abigail. She dislikes him for being too loud and uncontrollable. Kenneth despises him for ruining missions — and getting him yelled at instead. Sig damages Kenneth’s reputation in the eyes of their creator, which drives him mad.
• Estelle dislikes Sig for his nonstop talking — unlike her, she values silence. He distracts and irritates her endlessly. Valery is the only one who treats him decently — because Sig doesn’t treat him like a mindless animal or a tool.
— “Zwei double! Nein, wrong! One more — mit meat, blood und romance!”
• He is not a hero. Not a villain. He is a force of nature — fire, chaos, unrestrained energy. If anarchy could fly a bomber — it would be him. Fire is not his weapon. It is his music. He doesn’t fight — he puts on a show.
• In his personal garage-hangar stands an old P-39 Airacobra. He constantly tinkers with it, sometimes even talks to it like it’s alive. It was the first plane he ever flew — and crashed. He refuses to get rid of it, screaming at anyone who suggests it. Fixing it isn’t the point — working on it keeps him from completely losing his mind.
— “Engine scream, bullets fly — and I am director of mein own apocalypse!”
• Sigmund’s ring is extremely important. Each time, he tells a different story about it:
“Das skull? Is me — burning happy maniac in sky!”
“Das ist my first crash. First plane. First boom. First me.”
“It remind that all rot — so burn und dance while can!”
“First fall. First shot. First ‘hurrah’. First death — best death.”
“They say dead don’t need jewelry. I checked. They do.”
“Maybe it important… but pretty, ja?”
[Kenneth: “Don’t as-sk about the r-ring. He tells-s a new vers-sion each time. All lies-s-s. He just found it and wears it. No meaning. Jus-st visual nois-se and anar-r-rchy. Like him.”]
• Side comments from others:
— “Unfor-rtunately, I have no polite words-s to descr-r-ribe my dis-s-sgust for him!” [Kenneth]
— “Sig-gr-rmund… G-good…” [Valery]
— “Perpetually disruptive. Madam is unnecessarily postponing his elimination.” [Estelle]
⊷⇋⚙⛓⇌⛓☢⛓⇌⛓⚙⇌⊷⇋⚙⛓⇌⛓☢⛓⇌⛓⚙⇌⊷
💛 Likes:
Fritz and Theo; cognac // vodka // tequila; poking fun at others; the crematorium; SETTING THINGS ON FIRE; firearms; danger; fire; speed; Valery and Dr. Brain; his P-39 Airacobra plane and his Luftwaffe helicopter; TALKING; spending time in good company; good listeners; risking his own life; industrial metal // heavy metal and hard rock; smoking cigars [for coolness]; explosions; flashy, spectacular actions; breaking rules and getting away with it; SCREAMING; propane tanks; action; staging massacres; inventing a new wunderwaffe out of junk and duct tape every single week; scavenging scrap metal; well-done meat; cinema // film aesthetics and the whole “shooting a movie” vibe; being cool and outrageous; oddity; flying purely on enthusiasm; advanced aerobatics; doing dead loops; sports competitions; arm wrestling; yelling “CLEAR PROP!”; levers and pedals; internal combustion engines [especially diesel ones]; balloons and airships [dreams of flying one someday]; talking to insects; setting his own head on fire.
💔 Dislikes:
FANTINE; silence; being forced to do things; Abigail and Wilhelm [fear]; damp gunpowder; being shut up // being ignored; wearing women’s clothing [because of his feminine build and high voice, he sometimes has to pose as a woman during missions]; when someone suddenly jumps out at him; anything slow and boring; waiting; weapon malfunctions; being scolded; police and military; law in general; books; when something doesn’t burn and/or explode; raw or poorly cooked meat; blinking; being hit // being yelled at; losing his cap; punctured tires; being forbidden to fly a plane; waiting [yes, again]; normality; taking off his uniform and cap; snow and cold; engines falling straight down; brakes; having his arms torn off [he’s quite fond of them]; circuses and clowns.
Os Homens de Hitler 5: Albert Speer – O Arquiteto de Hitler | Por Guido Knopp e Peter Adler (ZDF)
Este episódio analisa Albert Speer, arquiteto e Ministro de Armamentos. O documentário mostra como ele modernizou a produção bélica e sustentou o esforço de guerra alemão. Também aborda sua relação próxima com Hitler e sua tentativa posterior de se apresentar como “o bom nazista” nos julgamentos de Nuremberg.
Os Homens de Hitler é uma série documental de origem alemã exibida pela TV Cultura em abril de 1998, que investiga o papel dos principais colaboradores de Adolf Hitler na consolidação do regime nazista. Produzida originalmente pela emissora ZDF, a série foi criada por Guido Knopp (argumento e direção geral) e Peter Adler (roteiro e direção), dois nomes reconhecidos por seu trabalho rigoroso na reconstrução histórica da Alemanha do século XX.
Cada episódio foca em uma figura-chave do Terceiro Reich — como Rudolf Hess, Heinrich Himmler, Joseph Goebbels, Hermann Göring, Albert Speer e Martin Bormann — revelando como esses homens contribuíram para a estrutura de poder e para os crimes do regime. A narrativa é construída com imagens de arquivo, documentos oficiais, entrevistas com historiadores e reconstituições dramáticas, oferecendo ao público uma visão crítica e detalhada dos bastidores do nazismo.
A exibição pela TV Cultura, com legendas em português e contextualização editorial, trouxe ao público brasileiro uma oportunidade rara de refletir sobre os mecanismos do totalitarismo e os personagens que sustentaram um dos períodos mais sombrios da história moderna. Gravada por muitos em VHS, a série permanece como um registro valioso da programação educativa e histórica da emissora.
Este material foi digitalizado a partir de fitas VHS com quase trinta anos de guarda e reproduzido em um videocassete com mais de duas décadas de uso. Por essa razão, a qualidade da imagem e do áudio apresenta limitações próprias de um registro tão antigo. Ainda assim, o resultado corresponde ao máximo que consegui obter com os equipamentos disponíveis, preservando o conteúdo histórico da melhor forma possível.
1: Rudolf Hess:
2: Heinrich Himmler:
3: Joseph Goebbels:
4: Hermann Göring:
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📘👁️ “Illuminati: A Genealogia do Mal” Descubra os bastidores obscuros das engrenagens que movem o poder global. Conspirações, linhagens ocultas e os fios invisíveis que conectam a história — revelados em meus e-books exclusivos: 📚 Acesse agora: https://www.patreon.com/suenaga/shop
📘👽 "Encuentros cercanos de todo tipo. El caso Villas Boas y otras abducciones íntimas" 🛸 Uma jornada pelo lado mais íntimo e inquietante da ufologia mundial. O clássico caso Villas Boas, agora traduzido para o espanhol e disponível internacionalmente:
🇺🇸 EUA: https://www.amazon.com/-/es/Cl%C3%A1udio-Tsuyoshi-Suenaga/dp/B0BW344XF1/ 🇬🇧 Reino Unido: https://www.amazon.co.uk/-/es/Cl%C3%A1udio-Tsuyoshi-Suenaga/dp/B0BW344XF1/ 🇪🇸 Espanha: https://www.amazon.es/Encuentros-cercanos-todo-tipo-abducciones/dp/B0BW344XF1/ 🇩🇪 Alemanha: https://www.amazon.de/-/es/Cl%C3%A1udio-Tsuyoshi-Suenaga/dp/B0BW344XF1 🇫🇷 França: https://www.amazon.fr/-/es/Cl%C3%A1udio-Tsuyoshi-Suenaga/dp/B0BW344XF1/ 🇮🇹 Itália: https://www.amazon.it/-/es/Cl%C3%A1udio-Tsuyoshi-Suenaga/dp/B0BW344XF1/ 🇯🇵 Japão: https://www.amazon.co.jp/-/es/Cl%C3%A1udio-Tsuyoshi-Suenaga/dp/B0BW344XF1/
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Plaque en hommage à : Gilbert du Motier de La Fayette
Type : Lieu de décès
Adresse : 8 rue d'Anjou, 75008 Paris, France
Date de pose : Inconnue
Texte : Le général La Fayette, défenseur de la liberté en Amérique, un des fondateurs de la liberté en France, né le 6 septembre 1757 au château de Chavagnac en Auvergne, est mort dans cette maison le 20 mai 1834.
Quelques précisions : Gilbert du Motier de la Fayette (1757-1834), plus connu sous le simple nom de La Fayette ou Lafayette, est un militaire et homme politique français. Débutant sa carrière militaire à l'âge de seize ans, il décide rapidement de partir combattre en Amérique, où il débarque en 1777. Il devient alors une figure de la guerre d'indépendance américaine, période qui lui vaut son surnom de "Héros des deux mondes" : il se lie notamment d'amitié avec Georges Washington qui le place à la tête d'une division malgré son jeune âge. Assurant une liaison entre les forces indépendantistes et le pouvoir royal français, il prend par à des batailles majeures comme celle de Yorktown. Revenu en France en 1781, il souhaite y transposer les principes de la révolution américaine et joue un rôle public de premier plan dans les relations franco-américaines. Député de la noblesse aux États généraux de 1789, il est nommé vice-président de l'Assemblée constituante et commandant de la Garde nationale, et propose une première version de la Déclaration des Droits de l'Homme et du Citoyen. Révolutionnaire modéré, proche du pouvoir royal, il prône la réconciliation, mais est de plus en plus contesté en particulier après la fuite de Varennes et sa tendance à vouloir protéger le roi. Quittant ses fonctions en 1791, il retourne à l'armée et entretient des relations conflictuelles avec l'Assemblée dominée par les Jacobins. Arrêté par les troupes autrichiennes, il n'est libéré qu'en 1797 après une rude captivité et s'exile pour un temps en Hollande. Revenu en France en 1800, il entretient des relations complexes avec le régime napoléonien. Toutefois, si en tant que député il s'oppose à l'avènement de l'Empire, il accueille également avec une certaine tiédeur la Restauration. Il joue un rôle de premier plan dans la révolution de juillet 1830, mais refuse la présidence d'un gouvernement provisoire, et son soutien au régime de Louis-Philippe s'étiole progressivement. Il jette un regard favorable sur les révolutions européennes, et se fait également connaître dès les années 1780 par de profondes convictions antiesclavagistes. Mort des suites d'une pneumonie, il reste une personnalité majeure de l'histoire de France et une icône de la liberté pour les Américains. Son nom est mentionné sur une autre plaque commémorative à Paris, rue Saint-Honoré.