#olif

[xomakara]

Still working on the ‘00 line story but here’s the graphic and title for it lol. Should be finished either tonight or tomorrow (maybe Friday). It’s going to be a long one, I can tell (atm 7k words and I’m not even half way finished).

I’m also working on other stories that are a bit shorter as well. Look forward to a Taeil, Jungwoo and another Johnny story since those will be up before the ‘00 story.

But until then, enjoy the graphic for the ‘00 line lol.

[oncelivedinflesh]

Ang Altar ni San Bdoi

Ang Altar ni San Bdoi is an examination of the sequential nature of authority and the attitudes Filipino families have towards corporal punishment, deconstructing the sublimated relationship between atrocities of colonial history and forms of castigation present in contemporary Filipino culture. The work illustrates the extending shadow of violence and how Catholicism humanizes the hierarchy of pain that is made apparent through the collective trauma of the Filipino family.

[ladiesoftheknight]

Olif - Minerva’s Lady’s Maid, housekeeper and all around the person you want to keep happy if you want tasty food and clean clothing.

LadiesoftheKnightComic.com

[olifnature]

[tuensartpages]

M-m-m-more gays,,,

[oncelivedinflesh]

Layer By Layer

Layer By Layer is a series of box installations that transforms the narratives of my queer friends into tangible objects as a paradigm of presenting their stories of queer identity and experiences. It seeks to challenge how gender expression and sexuality are perceived and our response to it. By dissecting these bodies, it peers through the complexity of oneself and how they tell a story through these said bodies.

[oncelivedinflesh]

THESIS HIGHLIGHTS: Layer By Layer

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[oncelivedinflesh]

Once Lived In Flesh

𝐀𝐦𝐨𝐧𝐠 𝐰𝐡𝐨𝐦 𝐰𝐞 𝐚𝐥𝐥 𝐨𝐧𝐜𝐞 𝐥𝐢𝐯𝐞𝐝 𝐢𝐧 𝐭𝐡𝐞 𝐩𝐚𝐬𝐬𝐢𝐨𝐧𝐬 𝐨𝐟 𝐨𝐮𝐫 𝐟𝐥𝐞𝐬𝐡, 𝐜𝐚𝐫𝐫𝐲𝐢𝐧𝐠 𝐨𝐮𝐭 𝐭𝐡𝐞 𝐝𝐞𝐬𝐢𝐫𝐞𝐬 𝐨𝐟 𝐭𝐡𝐞 𝐛𝐨𝐝𝐲 𝐚𝐧𝐝 𝐭𝐡𝐞 𝐦𝐢𝐧𝐝, 𝐚𝐧𝐝 𝐰𝐞𝐫𝐞 𝐛𝐲 𝐧𝐚𝐭𝐮𝐫𝐞 𝐜𝐡𝐢𝐥𝐝𝐫𝐞𝐧 𝐨𝐟 𝐰𝐫𝐚𝐭𝐡, 𝐥𝐢𝐤𝐞 𝐭𝐡𝐞 𝐫𝐞𝐬𝐭 𝐨𝐟 𝐦𝐚𝐧𝐤𝐢𝐧𝐝. - 𝐄𝐩𝐡𝐞𝐬𝐢𝐚𝐧𝐬 𝟐:𝟐𝟑 𝐄𝐒𝐕

Once Lived in Flesh confronts traditional beliefs and conservative values toward religion, gender, and sexuality. It peers into the structures that define our perceptions and attitudes of hegemonic practices, examining the destruction of womanhood under the patriarchy, the colonial roots of corporal punishment and how it seeps into domestic spaces, and the alienation of those whose gender and sexuality do not conform to heteronormativity. Through each work, subversions are created to disrupt the narratives that perpetuate within Filipino culture, in an attempt to criticize and transform the physicalities and behaviors that uphold the conventions of our communities.

Featuring works of RAIN BALANE, AMARA AVERION, & SHERRY KAGALINGAN