Join One Flaming Arrow: Inter-tribal Art, Music, & Film Festival & R.I.S.E.: Radical Indigenous Survivance & Empowerment at the Historic Hollywood Theatre in Portland, OR - June 5th-6th, 2015.
Friday, June 5 at 7:00pm - $8
Hollywood Theatre
4122 NE Sandy Blvd, Portland, OR -97212
Ticket link:
http://prod3.agileticketing.net/websales/pages/info.aspx?evtinfo=144052~5f969332-ec94-41af-822d-5c7ec8f2ca2b
DRUNKTOWN'S FINEST (2014) 95min
Writer/director: Sydney Freeland (Navajo)
DRUNKTOWN'S FINEST was accepted to the Sundance Film Festival in December of 2013 and premiered at the festival in January. The film has screened at over twenty festivals since its 2014 world premiere, including the prestigious Sundance London Film and Music Festival. The critical response has been largely positive both at home and abroad.
The feature film will be preceded by two short films:
HUY HUY - 2014 (5:05 min) Director: Sky Hopinka (Ho-Chunk)
A deal between two men threatens to unravel as tensions rise in this contemporary look at indigenous language and culture. Set in Portland, Oregon, one man comes from a lower, working class, and is at the beck and call of the other man, who lives in more privileged comfort.
THE MIDNITE MINE - 2014 (7:25 min) Director: Jeff Ferguson (Spokane)
This video was created to raise awareness to “The Midnite Uranium Mine” on the Spokane Indian Reservation. This is an open pit mine that has been left open with exposed radioactive ore throughout the site since 1981. The EPA has declared this a “superfund” cleanup site however, it still have yet to be cleaned up and continues to contaminate the land, the animals and the people of the Spokane Reservation.
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INDIGENOUS FUTURISMS: Curated by Grace Dillon
Total film running time: 153.33 (2.5 hours)
7:30- 9:00pm - $8
INDIGENOUS FUTURISMS Shorts Program
Hollywood Theatre
4122 NE Sandy Blvd, Portland, OR -97212
Ticket link:
http://prod3.agileticketing.net/websales/pages/info.aspx?evtinfo=144053%7E5f969332-ec94-41af-822d-5c7ec8f2ca2b&
7:30-8:00: Opening Remarks by Grace Dillon about the Indigenous Futurisms movie genre followed by shorts program.
THE CAVE - 2009 12min
Director: Helen Haig Brown (Tsilhqot'in)
A hunter on horseback accidentally discovers a portal to another world in this fantastical true Tsilhqot'in story.
HORSE - Spoken Word/Musical Collaboration/Film Piece 8:46min
Director: Archer Pechawis (Cree)
"Horse" is an historical re-imagining of the West told with voice, drum, video and cello (Cris Derksen).
SAVAGE - 2009 5:35min
Director: Lisa Jackson (Ojibwe)
The first day of school for a First Nations girl in the 1950s is depicted in musical style as akin to being detained as just another number in a prison.
FILE UNDER MISCELLANEOUS - 2010 5:51min
Director: Jeff Burnaby (Mi'gMaq)
A spiritually exhausted and destitute Mi'gMaq man has resolved to assimilate into the ruling culture: he visits a surgical clinic to undergo a procedure to rid himself of his red skin. The poem is adapted by Mi'gMaq director/writer Jeff Barnaby from the Pablo Neruda poem "Walking Around".
THE PATH WITHOUT END - 2011 6 min
Director: Elizabeth Aileen La Pensee (Anishinaabe/ Metis and Irish)
An Indigepunk/Native steampunk short film by Portland based artist Elizabeth Aileen La Pensee.
MIGRATION - 2009 10 min
Director: Sydney Freeland (Navajo)
Writer: Cody Harjo (Seminole/Otoe/Creek/Cherokee)
In a future wracked by global warming and controlled by an authoritarian government, an American Indian family goes into hiding, holding out one last hope for the planet's survival.
THE NOSTALGIST- 2014 17min
Writer/Director: Giacomo Cimini and based on a short story by Daniel H. Wilson (Cherokee)
A science-fiction short film based on a story by NY Times best-selling author Daniel H. Wilson (Robopocalypse, Amped). In the futuristic city of Vanille, with properly tuned ImmerSyst Eyes & Ears the world can look and sound like a paradise. But the life of a father and his young son threatens to disintegrate when the father's device begins to fail. Desperate to avoid facing his own traumatic reality, the man must venture outside to find a replacement, into a city where violence and danger lurk beneath a skim of beautiful illusion.
INDIGENOUS FUTURISMS Feature Length Film
9:30- 11:00pm - $8
Hollywood Theatre
4122 NE Sandy Blvd, Portland, OR -97212
Ticket link:
http://prod3.agileticketing.net/websales/pages/info.aspx?evtinfo=144053~5f969332-ec94-41af-822d-5c7ec8f2ca2b
SLEEP DEALER - 2008 90min
Director: Alex Rivera (Latino)
'Sleep Dealer' is set in a future, militarized world marked by closed borders, virtual labor and a global digital network that joins minds and experiences, where three strangers risk their lives to connect with each other and break the barriers of technology.
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Dr. Grace Dillon, Ph.D. (Anishinaabe) Film Curator. Grace Dilon is an Associate Professor in the Indigenous Nations Studies Program at Portland State University in Portland, Oregon. Her PhD is in literary studies with emphasis on sixteenth century (early modern) literature, while her current research focuses on science fiction (sf) studies. The two points are not so distant as one might imagine from a casual glance: (post)colonial studies fits naturally with sf paradigms of first contact and marginalized or “alien” cultures. Her scholarly agenda reflects personal origins: of First Nations Anishinaabe descent, her family moved transnationally between Garden River Reserve, Ontario, Canada and Bay Mills Reservation in the Upper Peninsula, Michigan, USA. An abiding interest in issues of indigeneity or place is easily seen throughout her publications and presentations. She is the editor of Walking the Clouds: An Anthology of Indigenous Science Fiction (University of Arizona Press, 2012) and Hive of Dreams: Contemporary Science Fiction from the Pacific Northwest (Oregon State University Press, 2003).
For more information and scheduling for One Flaming Arrow visit:
www.OneFlamingArrow.com
For more information on R.I.S.E.: Radical Indigenous Survivance & Empowerment visit:
www.facebook.com/RISEindigenous
www.burymyart.tumblr.com
A special thank you goes out to the Hollywood Theatre, Portland Institute for Contemporary Art‘s Precipice Fund, the Calligram Foundation, The Andy Warhol Foundation for the Visual Arts, KBOO Community Radio, The Na’ ah Ilahee Fund, & Potlatch Fund for their support.
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