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Lenny + Midge + Parallels, Callbacks, & Foreshadowing (Seasons 1-5)
+Bonus
so yknow how fu hua always had survivor's guilt because she thinks she hasn't done what she could have done. what if in hsr, (assuming marshal hua is fu hua and she retains her memories) there is some supernatural thing ending the hsr world and at that moment she sacrifices herself (i know nothing about hsr).
like here is the scenario, himeko drives the star rail to that supernatural thing to k word it by exploding the star rail on it, but that means she k words herself. fu hua can't handle the fact she is going to send another himeko to her death so she temporarily intercepts the train, gets himeko to safe ground, and conducts the train to sacrifice herself instead and there nothing you can do about it. then you hear her last words over the comms talking about how kiana saved her once, referring kiana as a brave compassionate girl, and also say something how she used to be so weak and helpless and all her life she did what she told to do and not what she was meant to do. Then her speech ends with her bitterly saying that she doesn't believe in second chances.
presuming imogen is in her early twenties, at the time her powers started manifesting (a decade before that) and campaign 3 starts in 843 PD and caleb widogast is 33 in 835 PD (if the wiki is right)
and now this is very loose and more wishful thinking, but the angst of caleb, a well-renowned wizard and researcher, could have come into contact with a desperate liliana temult, seeking answers for powers that were far greater than herself, trying desperately to find answers to powers growing beyond her control, beyond her little daughter's control-
and imagine the thoughts running through caleb's mind, about how he will not let magic rip another family apart, how this is the chance he has, to use his brain and his devotion to science and magic to make a difference, to save this woman whom he barely knows and the little girl whose image liliana shows to him one night
and he tries, and he tries, but the red moon burns on, and the truth keeps slipping from his grasp, over and over again.
and so the cycle continues, of two children, whose magic burns too brightly, too fast, and no starlight or soltryce academies hold the answers for them, two sides of the same coin. they were only children, really, when fire was placed in their hands, and magic blurred the lines between what was real and what wasn't.
perhaps one day, he meets a girl with hair of the purest lavender, and a southern drawl that reminds him of a woman he once met, and maybe this time, he thinks that this spark is something he can coax into something brighter.
BBS EP12: The Small Moments (or Attack of the Parallels)
I’ve now watched this perfect episode half a dozen times and keep discovering these small, quiet moments that P’Aof sneaks in between the bigger ones. P’Aof is so adept at layering his narrative; he’s like a puzzle maker revealing small pieces at a time that seemingly don’t fit only for it to form a full and complete picture later. It reminds me of those i-spy/hidden picture books, there’s just so much to look at that you miss out on the tiny details that make the whole thing just sing. He's also great at crafting the series as a complete journey with many call backs to previous scenes.
We open with Pat waking up and brushing his teeth. He takes several beats here to stare wistfully at his toothbrush. The first time I watched this I interpreted this as him remembering Pran putting toothpaste on his toothbrush for him. BUT on rewatch, I re-interpreted this as Pat missing Pran and wondering if he’s awake and going about his morning routines too. Then we jump to Pran doing that very thing. It’s a nod to the opening sequence of EP2 where we see them each getting ready for their morning classes. This seemingly small detail is so well done.
In the high school flashbacks we are shown that PatPran have always been looking at each other and still are years later. Pat finally got his man’s attention after so much pigtail-pulling antics, but it's only more recently that he learns he's always had it.
When Pat opens the door and reveals Pran, we can see him visibly swallowing like he has to catch his breath or stop himself from reaching out and grabbing Pran. Such a great small detail by Ohm.
The micellar face wiping scene needs no explanation. And that line you’re still the cutest, put your face on my palm I am lit from within every time I watch this scene.
Pran’s I hate you from EP4 compared to Pran’s I still hate you in this episode. We know both times it’s him saying the opposite and Pat knows it now too.
Pat’s come here when he shows Pran the memory board. Another great call back to EP5′s come here. Same words, same intent but different delivery.
Pat kept most of Pran’s emoji lights because he misses him and simultaneously wanted to recreate their college ‘love nest’. He even kept all their post-it notes, what a Pran thing to do.
Their entire duologue about being rivals (this guy with the fierce eyes is Pat/This guy with the dimples is Pran) while standing in front of the memory board is a call back to their first reunion in EP1. Then we see the young versions of themselves standing in front of their respective houses in the same way the grown versions do in both the end of EP11 and in this episode. Magnificient parallels.
The running gag of Pran forgetting his earbuds case and Pran 'scenting' his friend/unfriend shirt for Pat. It's comforting that years later Pat still isn't over Pran's smell.
The fake enemies walking towards each other on campus only to hook pinkies as they pass is a great nod to EP7′s “the bet” when they secretly held hands at the bus stop.
Pat bundled in a comforter with Nong Nao in his arms rushing over to Pran’s for a sleepover. Such small yet so complete detailing.
The return to the noodle stand in front of their dorms where Pran orders an extra wonton for Pat to steal. What a sweet call back to EP3 and the hilarious chopsticks duel. Also note that Pran lines up his chopsticks to make sure they’re even. This show is so amazingly consistent with its characterization.
Pat asking Pran when he’ll get to enter his house normally like other people and Pran’s response that’s for other people and Pat isn't one of them and why would he want to be? Pat has special access, for life. What a simple, perfect response.
In Pran’s room, PatPran sing “Just Friends” to each other while Pran’s parents are downstairs. Such a great juxtaposition to his parents walking in and disrupting their Christmas performance of the same song but now with different results. I can’t get over Dissaya’s quiet smile here and Dad knowingly placing his head on her shoulder saying I’m proud of you honey. I’ve said it before but it’s worth mentioning again, this was my favorite non-PatPran scene of the episode.
The string-can telephone scene on the balcony- how they had young PatPran dressed in the same color scheme and style as their older selves is such a small detail but man does it stick the landing.
Pat singing Same Page when he kisses Pran during their nighttime picnic on Pat’s patio. So many sweet moments in this scene calling back to their competitiveness.
Pat knowing that the first song Pran ever learned guitar chords for is from the band So Cool is such a great call back to EP5. Something Pran probably doesn’t go around broadcasting, but Pat is adorably proud of himself for knowing this about Pran that nobody else does.
PatPran engaging in foreplay and chasing each other in the bonus credit scene was perfection and also is a big nod to their race to their dorms in EP3.
The background music in this episode was on point. They used so many recognizable songs from the series creating this feeling of nostalgia and warmth, it never feels overdone or formulaic- just cozy and familar, like coming home.
I may go back and do these small moments and parallels for each episode at some point, maybe. In the meantime, you can find my intital reaction on my first viewing of EP12 here.
also telling that person who is committing these serial suicide-murders is the only other person besides mary described as being a “Dead [wo]man walking” just...hmmm
The Batman // Batman Telltale Series (Batcat Parallel)
Chenford Week: Day 2: TV Tropes Day: Favorite Season 5 parallels