angieeee dont draw on the floor angie... itll hurt your back....
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@theamityelf
angieeee dont draw on the floor angie... itll hurt your back....
whos up deltaing their runes
This is a Keiji Shinogi appreciation post đšđ
I'm rewatching PJO to avoid dealing with TVL, and I just find myself delighting all over again in the writing decision to position Percy as the mental health friend who's emotionally present for his friends because his mother was so emotionally present for him. It's like the opposite of the disgraced wizard series' "How can a boy possibly understand a girl's feelings?" attitude.
all the rights that come with marriage you should be able to have without marriage btw. you should be able to designate a person who can visit you in the hospital regardless of your relationship to that person.
People in the notes are saying "You can!" referring just to the hospital visitation part, and sure (depending). But people should have access to ALL of the benefits of marriage without needing to be married.
You should be able to add anyone you want on your health insurance plan.
You should be able to sponsor the visa of anyone you choose to move to your home country.
You should be able to name anyone you choose as the legal-from-birth legal coparent of any child you give birth to.
You should be able to apply for student aid on your own at any age.
And yes, yes, ideally healthcare and college should be free, international migration should be unrestricted, and the entire concept of legal parenthood should be rewritten from the ground up. But right now we're talking about marriage benefits.
(ID in ALT Text)
its not like i dislike the canon design! i just... can't help myself ;;;
also aang is my exception to the 'no cape' rule
managed to start AND finish this while on my gap between shifts before i head back to work to close up
YES, it's Uma hours again! I like the outfit.
Which of the zombies do you guys think ship Komaegi in the Undead AU?
people focusing on the writers feeding them with âtransfem lestatâ while ignoring the vehement antiblackness they're putting the black gay man through kinda perfectly encapsulates the priorities of white queer fandom
also this is a secondary concern compared to the pervasive and gleeful antiblackness on the show, but lestat's line in s3ep7 that feeds into transfem readings feels like another example of this season going for "tell, don't show" and expecting fanon and fannish interpretation to carry the weight of what they aren't depicting onscreen. the s1ep7 marie antoinette drag scene is one of my fave in the whole show- and i mentioned before s3 aired that after rolin cited rocky horror and hedwig and the angry inch as s3 influences back in 2024, the lack of rockstat drag onstage felt like a glaring omission and was possibly tied to amc's corporate queerphobia given the obvious double standards in how they depict m/m and f/f v m/f intimacy. if the show wanted to make the idea of lestat being genderqueer or some form of transfeminine firmly canon, we could've seen a whole arc play out in s3 especially with gabriella coming back into lestat's life. imagine if drag was a consistent part of rockstat's look and stage performance, and esp around gabriella he insisted it was all for show, meaningless, he was just clowning, and as her control over lestat's music career and lestat himself increased we saw her steering him toward more conventionally cismasc presentation...and then we got hit with the quiet honesty of the line where lestat admits he does wish he was a woman sometimes as a resolution to a season-wide narrative that's primed for further exploration in s4. (this would also be in the hypothetically well-written s3 where lestat faces what he did to louis and claudia more firmly too, instead of 6-7 eps of wheel-spinning and darvo, and safe to say he would not be saying this to the apparition of louis' brother come to comfort him while louis is being tortured). they could've pulled on late 18th century ideas of gender that would've been formative to lestat (male performers performed fem roles then too- show him playing a woman when he was human and having a euphoric experience, show him interested as a child in the markers of femininity and womanhood that gabriella possesses and she rejects etc) being gnc/genderqueer/nonbinary/transfem/gnc (whatever your interpretation of lestat is) in 18th century france and then the early 20th century new orleans and then north america in 2025 are extremely different- your lead is an immortal vampire who's lived through all those eras, explore that.
but instead of doing any of that, instead of engaging with lestat's gender in any kind of arc, the show adds a throwaway line (in a season of throwaway lines) that can be interpreted depending on viewer bias as 1) lestat genuinely expressing some yearning for womanhood and being trans canonically or 2) still-cis lestat just saying he wishes he and louis had a heterosexual relationship to begin with bc it would've made their lives easier- like even though their relationship would've still been illegal if they were a m/f couple, they at least would've had paul and maybe the rest of the de pointe du lacs' acceptance- and plenty of casual viewers are gonna walk away with the 2nd impression. (and speaking of the de pointe du lacs, louis mentioning he was molested is another one of the throwaway lines with paradigm-shifting impact that the show doesn't care to explore in any depth- why bother developing things onscreen when fans will do the work for them and praise the writers as genius for hinting at depth instead of portraying depth onscreen??)
so many choices this season feel like the writers checking off boxes to confirm fan theories bc they seem cynically aware that a lot of people are watching the show less out of care for good storytelling but more to "win" whatever stan or ship war they're personally invested in. they're lines and moments meant to be screenshotted and shared on socmed for the fandom to talk about, pithy quips that can fit into 1-2 screenshots in subtitles and reposted with more pithy quips. the show doesn't care to explore lestat's gender in any deeper form but it does want fans losing their minds over some form of trans lestat being confirmed (with plausible deniability bc amc is the queerphobia network now)- the show doesn't care to explore devil's minion in any deeper form or show how armand and daniel started plotting together but it does want fans losing their minds over past devil's minion being confirmed, etc.
and this is only if you try looking at the arc (and lack thereof) of lestat's relationship to gender in isolation- when you put it back in the wider context of this episode and this season's antiblackness and the nonblack writers' choice to have paul's spirit (even if he isn't meant to be "real" or at least not represent paul's real thoughts) praise and comfort lestat while louis gets graphically tortured by his lynching director in the same episode. (and the white showrunner has already admitted he felt more for armand than louis in that scene and claimed the "apology" louis was coerced into via torture to be some kinda real moment of understanding, rather than louis doing what we saw him do in s2 and try to appease armand when he's helpless and armand holds his life in his hands.) like with the merrick scene in s3ep6, it doesn't matter what in-universe rationale for these choices are, it doesn't matter whether any of this gets revisited or recontextualized with "oh ghost claudia was lying just to hurt louis' "oh paul's spirit wasn't even real" "oh we were totally tryna critique armand's violent antiblackness" bc the problem here comes down to the nonblack writers' decisions and the choices they made in the real world when crafting this story. this show has had a persistent problem since s1 of depicting the onscreen brutalization of black bodies with far more vividness than it does nonblack bodies, and if a nonblack main character is doing the brutalization (lestat, armand) you aren't supposed to hold it against them or expect these choices to have longterm narrative consequences- the camera lingers on claudia and charlie's charred and "melting" faces as they burn but when daciana, nicki, magnus, bruce, antoinette or madeleine are burning, the camera's far quicker to cut away. and this is a deliberate choice- they weren't just pointing the camera at people spontaneously combusting, they had to allocate an effects budget and invest time and energy into showing black bodies burning with graphic detail. they had both delainey and roxane in the vfx makeup chair for their characters' murder scene, but only claudia's death was shown vividly while madeleine burning was a few brief seconds of ash scattering away.
and i simply can't enjoy any form of this "jangling keys in front of the fandom to validate popular interpretations/ships/theories" writing bc it's such a cynical bid from writers who want and expect their viewers to be satisfied with crumbs that we build elaborate headcanons around instead of expecting any form of depthful storytelling or care from them, especially when it comes to their black characters. fans being content with the show just going down a checklist to validate or debunk specific theories and fans not demanding anything more of the writers than perfunctory expository dialogue is exactly what this writing team is counting on.
also theo is right bc if your only reaction to people criticizing the nonblack writers' choices is to be like "neener neener femstat canon" (black folks critiquing the antiblackness and sharing their reactions to the show depicting this level of gratuitous racialized violence toward black bodies have already received comments along those lines) when that has nothing to do with the antiblackness being discussed here, that's ghoulish. like read the room
Anya :(
morning routine w/ suntan
this is actually a redraw of a piece from abt a year ago⊠you can see the og below the cut!!! as well as a version w/o the shapes :3
Plot ideas to save Eloiseâs season:
(based on my own thoughts, conversations I had with friends, and some wonderful, scientifically proven posts Iâve read)
Marina doesnât die but merely runs away. Posted about that here already, but essentially Marina just leaves Phillip behind (with or without her children). Heâs still a married man, so Eloise wonât feel pressured to marry him in any way. They can have an affair while she remains unmarried and becomes a famous author/activist.
She meets a working class man called Phillip (similar to Theo) and refers to him as âSir Phillipâ to hide his background
Alternatively, it can also just be Theo who uses the pseudonym of âSir Phillipâ (but either way, they donât marry â because the class difference doesnât allow it, but most importantly, because Eloise doesnât want to)
Eloise falls in love with Marina instead of Phillip â and if Ruby doesnât want to come back, they can recast Marina (but only with Rubyâs permission â if she wants for Marina to be hers alone, we can go for another storyline from this list)
They ditch Phillip altogether and bring back Cressida (tbh, from what I know about Eloise's book, she could actually be a fitting replacement for Phillip - theme wise)
Again, âSir Phillipâ is merely a pseudonym â used by a gender nonconforming lesbian that Eloise falls in love with
Alternatively, âSir Phillipâ is a trans man â which is the only scenario in which I will support Eloise marrying a man, because weddings like that very much happened during that time and it would be incredibly interesting to watch the show explore that (or maybe not)
Eloise and Phillip are both ace. And yeah, I know this show is all about sex. But we already have a dozen very sexually active couples â so they have more than enough characters to use for the obligatory sex scenes
This is not a ranking btw â all ideas would be equally great. Some of them can also coexist. Feel free to add more :)
Just watched the first episode of Ride or Die, and as soon as Octavia Spencer Character's Husband Character appeared onscreen, I was like, "Wait, is that...?" And it cut away to a different shot, and I'm like, "No, show me that man's face again," and guys it's Dan from West End Next to Normal.
got a bit carried away with wonder woman redesigns. if I was 100% dedicated to historically acurate minoan clothing her thangs would be out, but I did also want to post this. so.
Set at the beginning of @theamityelf's debate club au because I really enjoy Ishimaru being the one to bring him into things. In a normal school year setting he's the perfect one to encourage this if he's already noticed Naegi's hidden aptitude.
Komaeda was declared the winner of their debate today, and Ishimaru feels thoroughly trounced. He knows that there were flaws in his upperclassman's argument, but attempting to address them in the moment had eluded Ishimaru today, unable to satisfyingly counter one before Komaeda redirected the conversation to another (wrong) argument. If he wants to win tomorrow, he needs not only to better prepare his own case, but a new strategy entirely.
He asks Naegi to come to the debate club's next meeting. "Not to argue!" Ishimaru assures him. "I would like your assistance in my upcoming debate against Komaeda on Friday, and to better prepare, you must study the opponent with your own eyes. There's nothing more reliable than a primary source when researching!"
Naegi reluctantly attends the Wednesday debate. Komaeda and Koizumi are against each other first, and Naegi mostly pays attention. He might let his mind wander and doodle in the margins in the middle there, but debate for the sake of it just isn't really his wheelhouse. Then, it is Ishimaru's turn to debate Komaeda and Naegi witnesses a car crash. They're supposed to be talking about the effectiveness of national vs local environmental policy to combat deforestation--how on earth did they get to arguing over whether efforts can ever surpass born talent???
At first, Naegi only feels uncomfortable in a vaguely insecure way. Then Komaeda just keeps talking and he forgets to take any notes entirely because he's completely flabbergasted. The school has to know he acts like this, right? Why are they letting him walk around like this? After club is over Ishimaru asks what he thought of Komaeda's presentation and Naegi can only say, "Healthy people don't talk about other people like that. Do you think Hope's Peak would pay for therapy? Because that guy needs it."
"I will bring your concerns up to the staff at a more appropriate hour! However, I insist we return to the topic at hand. Perhaps crushing his arguments will be enough to change his despicable mindset!"
Naegi doesn't think it likely. He follows Ishimaru to the library anyway to compare notes. Mostly, Ishimaru shoves his own extensive notes at Naegi, every argument Komaeda made in frenzied handwriting on page. "How would you refute this first argument, Naegi?"
Ishimaru really wants this, Naegi thinks. This matters to Ishimaru more than he realized. He doesn't really get it, the drive his classmates all share to win, but he's never needed to understand to lend them a hand. Naegi musters up the energy to really attack this.
"First off, your strategy of taking down one point at a time would actually be better served if you start by pointing how none of these arguments make any sense together."
"Huh?"
Makoto points to the first bullet point, and then somewhere halfway down the page points to another argument. "These two things don't belong in the same conversation, let alone a coherent argument. Let Komaeda make his points, as many as he thinks he needs to, and then find the ones that don't make any sense together. Press him on it, make him justify why those two things aren't contradictory. They are, so whatever he comes up with will be nonsense. Use that reason to frame all of these, and they'll all come up short by his own reasoning."
"It appears I was missing the forest for the trees. I was so focused on how contradictory his statements were to my own beliefs that I didn't notice how contradictory they were to his own previous words." Ishimaru looks over the arguments list more closely, and points to five eleven and twelve. "Not all of them are, though. These two work quite well together, and strengthen his previous argument here. He is not an incompetent opponent, so how would you dismantle this reasoning?"
They talk it over. Ishimaru rarely gets to see Naegi like this. He'd asked for his help specifically based on previous averted disasters where Naegi has successfully talked his classmates out of foolish behavior, but he hadn't anticipated that Naegi would go all out for this challenge.
Ishimaru loves it when his classmates give their all to something. It's both motivating and reassuring when his peers show the initiative needed to be upstanding citizens. He himself will need to be his best to keep up with them, and more personally, he enjoys taking note of what they're passionate about. However, Naegi doesn't often show passion for things. It's somewhat disappointing, but Ishimaru can admit that his willingness to never take anything too personally is a boon in their class of eclectic and often headstrong personalities. He's honored, in that light, that his classmate took Ishimaru's request for assistance so seriously.
Ishimaru utterly destroys Komaeda on Friday. He knew Naegi was the right person to ask about this, the look on the club members faces when putting into practice this alternative style he'd studied is very, very satisfying. Arguing with his rival usually feels like attempting to walk uphill in a landslide, but today Ishimaru has felt more in control of of conversation than ever.
Komaeda compliments him on his victory. "I'm glad that I was able to push you to new heights. It only makes sense that I was thoroughly beaten today."
"Yes! This is the power of effort, you know. I studied Naegi's strategy for hours in preparation for this moment, and such hard work paid off!"
"...Naegi's strategy?"
"Naegi Makoto, Class 78's own lottery winner. He is very persuasive when he feels the need to be, and I requested his advice on how to better reject your ridiculous world view. He was very helpful!"
Komaeda would like to debate with Naegi directly. Naegi would prefer that not to happen, but since when does that ever mean anything?
This is so delightful and so in-character for everyone involved. Thank you for enjoying and embellishing on my AU!
Yeah, I love a situation where Nagito zeroes in on Makoto as a formidable debate opponent. (It occurs to me that this AU almost feels like a prequel to one of my fics where that is largely their dynamic, but I digress.)
Makoto has the perfect amount of reluctance here. I love that he's going to be dragged into the mix anyway, lol.
Iâm glad you like it! I have to imagine that at first Nagito just wants to know if Makoto is like him or just happened to be useful this one time, but once Makoto really brings it he canât help but be genuinely intrigued.
Makoto is just awkwardly standing behind the podium fiddling with his jacket beforehand and Taka gives him a motivational speech that is a little too enthusiastic. At some point he tells Makoto to debate like his life depends on it, which makes Makoto even more sweaty until Nagito actually starts talking and heâs like, oh, yeah. This guy.
I canât decide if I like the idea of Makoto genuinely trying to talk him out of his spiral and ending up really shining, or him doing his best because âMaybe if I win I wonât have to come back?â lol
I like the idea of it starting from a place of, "Taka asked me to do it, so I guess I'll try," and then getting to the point of "Hey, this guy isn't okay and no one seems to really be meaningfully saying anything to him."
Maybe with the added drama of the debate being considered "over" before Makoto feels he's really resolved anything with Nagito, so Makoto is getting congratulated for winning and he's just like "Haha yeah thanks, anyway can we actually keep talking about this please, maybe as just a side thing? I don't enjoy arguing, but I am worried about you."
Ah, yeah I like that. Maybe Komaeda gets dragged away by his classmates before Naegi actually gets to ask him about talking more. Heâs still uneasy about the whole thing, so he goes back to debate club, but he doesnât get paired with Komaeda for any of the debates. So he goes again and does get put across the aisle from him, only for Komaeda to start a tangent about some other wild thing entirely and Naegi just canât help himself from falling for the distraction. No, thatâs wrong. Just so wrong, heâs heard Hiro say more sensible things, is Naegi being pranked right now?
(Maybe being friends with Kirigiri has made him a little more inclined to expose the truth of a matter. Or Togami has finally rubbed off on him a little lol)
Eventually, he does get to bring up the whole âcould we maybe talk more about your very concerning ideology. Did I mention itâs concerning? Iâm concerned.â
By then itâs too late, though. The other debate club members like having him on the team. They expect him to keep showing up, and when he tells someone he wonât be going next Friday Ishimaru or someone else informs him that yes he will. Naegi weâre doing pairs on Friday you have to be on my team, câmon man.
Bro is trapped. I love this.
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