Ok fuck it- I keep seeing the Great Gatsby pop up (thanks Gravity Falls lmao) and recently saw The Great Gatsby on Broadway and I need to spill out my thoughts on this musical
I’ll hold off my grips with it compared to the book till the very end- since I know a lot of argument around this musical is that it’s an adaptation and the adaptors are liable for taking creative liberties. Which- yeah! That’s valid! But I’d argue that in order to adapt something successfully, if you’re gonna make huge (and I mean HUGE) changes to the source material, it’s gotta somewhat follow some reason that makes sense for the characters and/or adds some layer or depth to the story or else you get something like HBOs Velma. But more on that in either an entirely other post or later depending on how long this gets
Read bellow if you want a really fucking long, detailed description of the show and what I think it did right and very, very wrong.
I will say- as a TLDR rn- I thought the show was just…ok. Like- “yeah that show sure was a musical.” kind of ok. The good songs and amazing spectacle of a few of the numbers kinda cancel out the bad pacing and really questionable narrative choices the show made. Also- hearing Eva Noblezada sing live changed my life.
OK- so I’ll start out by saying- I believe we had basically all the original current cast except for Jordan Baker was played by Traci Elaine Lee (who was absolutely phenomenal so I’m not too sad about missing Samantha Pauly)
I really thought the show was ok. Like I don’t hate it vehemently but I don’t love it either. I feel like the only reason it’s so famous is because of its two powerhouse leads (Hot take? Maybe.) Anyways, I don’t know how to go about this so we’ll go list form
1) PACING WAS ATROCIOUS
Again, not even comparing it to the novel- the pacing felt really off and didn’t even make much sense story wise. Like we would rush past certain information and then linger on scenes that didn’t really need to be lingered on? At least to me, I felt like there was other stuff the show should have prioritized showing- CAUSE THATS THE THING WITH THIS SHOW- is that they TELL not SHOW a LOT of information- so it kinda just feels like you’re being tossed plot without experiencing it.
For example, literally as soon as the show starts, Nick and party goers just throw all the information about Gatsbys party and being mysterious at the beginning by telling us and not showing, like he never shown to be cryptically hanging around in the first like 20 minutes of the show (at least that I remember- there was a lot happening in the opening number 😭) . Which sucks because they did this REALLY COOL thing right before the show started where Gatsby was standing there and was immediately gone as soon as a screen passed. LIKE YOU COULDN’T HAVE THAT HAPPEN AGAIN WHEN THEYRE ACTUALLY TALKING ABOUT HIM???
(Also- recently saw a rehearsal (?) video where Gatsby like actually opened the opening song “Roaring On”, and that would have been great if they kept that! Because looking back, I felt like Gatsby had the least amount of stage time. Which probably I sn’t actually true, but it really felt like it. Like where is the main guy??? His first appearance (after his little disappearing act) is like, 20 minutes into the show. Idk for something that’s called “The Great Gatsby” he sure wasn’t on stage a lot. )
Then a couple scene later, Gatsby reveals to Nick- a man he JUST MET FACE TO FACE- that he’s in deep love with his married cousin and asks him TO HIS FACE that he wants him to set up a meeting with her. And then they move on. Like???
If you watched the show, maybe this’ll make sence to you, maybe this won’t, but it feel like they rushed past everything in the original source material, and only expanded and talked at length the aspects they wrote in.
Also the ending was so. Incredibly. Rushed. Like we don’t even get to see Daisys reaction to killing/hitting Myrtle. As soon as the fight at the Plaza ends everything else happens in like 15 minutes. Are you kidding me. WE DONT GET TO SEE DAISY ACTUALLY HIT MYRTLE. They did the ol’ “Bright lights get shined at the audience as character pretends to get hit” but that’s it! Literally THE REASON why Gatsby is killed and we don’t get to see it or their reactions in the moment. They just… tell us what happened instead of showing it to us. (“Daisy tried to swerve to the next lane but there was a car coming- and then… she just peeled off. She’s packing now…” YOU COULDN’T SHOW THIS TO US???) No idea of how Daisy or Gatsby reacted immediately after, only the next day. No rambled and frightened dialogue of their game plan, no glimpse into Daisys psyche where it’s shown she’s not going to choose Gatsby after all. Nothing.
Oh! And guess how long Gatsbys funeral was? Like a minute long. Just Nick sitting next to a casket in the background while party goers, Jordan and Wolfsheim dismiss Gatsby with a throwaway line. Like bro… that’s your main lead character… shouldn’t you give him, idk , at least more than a minute on stage when he dies? And like yeah I get that that’s the point that he’s forgotten, but I thought it was going to be more prominent than that! Give me Nick standing solemnly next to a casket thats dead center on a completely empty stage while he narrates how no one showed up. How despite the riches and infamy, no one, not even Jays own father (cause literally no one was by the casket on stage but Nick) showed up for his funeral. Instead of weirdly dismissing it like it’s not important?
2) NICK AND JORDENS “RELATIONSHIP”
Nah this actually pisses me off because there’s literally no point in this being so highlighted when it literally goes fucking nowhere.
So their relationship arc goes like this: Jorden says relationships sucks because she wants to be an independent woman in the 20s. Nicks like, I am not looking for a relationship but if we were in one I’d let you do all those things. They flirt, almost kiss, flirt more, do kiss, Nick says “let’s get married /j” Jorden says “yeah let’s get married /srs”, they get ENGAGED, they fight after discussing if they inadvertently caused Myrtle’s death (Jorden intentionally let Myrtle know where they were going that night), break up, and never speak to each other the rest of the show.
HELLO? What the actual fuck was the point of this then? If you wanted to expand Jorden to be the independent, feminist, girlboss *cough lesbian cough* that she is, just let her stay single?? She doesn’t need to be with Nick if you want her to be a part of the main cast.
The main problem I have with this is that the musical put wayyyy too much emphasis on it. And it’s so funny because there’s this big, dramatic, movie-esc pause Nick does after he says “I don’t want to marry you”, and sorry to the people who genuinely gasped, but be fr, are we surprised??? Jordan has been saying from literally her first line that men/marriage sucks, and that she would never do that willingly- then when she get married to a guy she knows for, at most? 1-2 weeks (idk how long the musical take place over), I’m supposed to take that relationship seriously????
In fact, I felt like their relationship often overshadowed Gatsby and Daisys, which shouldn’t happen, because the whole fucking shows about Gatsby.
For example, they steamrolled Gatsby and Daisys reunion with a budding Jordan and Nick plotline, for some reason??? Like they literally show Gatsby and Daisy seeing each other, have them say a few sentences wistfully reminiscing their first meeting, then have them go inside the house while their silhouettes are shown talking while the audience stays with Nick and Jorden OUTSIDE as they joke and almost kiss each other. HUH??? How are you going to literally push your years-long, slow burn yearning MAIN ROMANCE reunion to the side for a budding relationship that came out of nowhere and frankly dosent need to exist? And since we’re not going book accurate, you can actually SHOW how Gatsby and Daisy fall back into each others orbit, how their conversation went. But no.
It got so bad that I honestly can’t tell if one of the themes of this musical is something about marriage because of how much they pushed the “married/ people in a relationship” dynamic. Like what are you trying to tell me? All marriages are doomed??? I don’t even know (mayhaps just me being aroace)
What grips me the most is that they don’t even get any closure. Like they literally never speak to each other after that night Myrtle is killed. (Mostly cause the show ends literally 5 minutes later). The whole show they put these two together, build up their romance, show them having cute and funny moments together… all for what? For nothing?
AND I DID LIKE THEM. They were a cute couple, and their chemistry and jokes together were funny and charming. Their dynamic was interesting too, with Jordan wearing the pants, so to speak, and insisting she maintain her freedom while in marriage/ a relationship which wasn’t heard of in the 20s. But for all that to end because Jorden didn’t want to tell the cops Gatsby and Daisy possible ran her over/they’re partially responsible??? Like they INVESTED. SO. MUCH. in this relationship (to the point where they got ENGAGED???) that it feels so stupid and dumb for it to end like “wow you’re heartless :c I don’t want to marry you anymore :ccc” “well too bad, L, you’re guilty too asshole. Bye.”
AND what really grinds my gears is that if they cut this whole shit out, or at least made it more in the background, it would give more time to flesh out the few other problems I have with this show
3) SONG… EFFICIENCY (?)
Ok last point that’s not as much of a complaint as the others, but it was still something that bothered me. Some of the songs just say nothing/ repeat stuff we already know. Mainly thinking of (and sorry to people who like these songs- I’m not saying they’re bad! They’re just not a lot of info there) “For Her”, “Go”, or “Shady”
Like “For Her”, he’s just saying “I did [list of things involved with his fame/money] for her” for 4 minutes and you don’t even know who “her” is until like, the last line. Like this could have been a perfect opportunity to deep dive into Gastbys upbringing/ past, but the most the musical goes into Gatsby’s past is that he was in the war. Like you don’t get the sense that this man worked his way literally from the ground up for this woman. It’s just so repetitive that, even though it was Jeremy Jordon, I was getting bored halfway through.
AGAIN, this is not slandering Jeremy Jordan (JJ stans please spare me), you could have the most amazing Broadway singer sing with the best technique, but if it’s a dull, repetitive song, PERSONALLY, I’d be bored. They could have just combined this with another song, or as I suggested, add more purpose to the song and maybe put it later in the musical.
Similarly, “Go” (and, AGAIN, love Jeremy and Eva) was super repetitive and could have just been reduced to dialogue.
And “Shady”, though also a really good song, frankly could have been cut out. For some reason the musical really wanted Wolfsheim to be a main antagonist/prominent character and gave him this song- but there’s nothing in it that wasn’t already implied in the first Act and it really has nothing to do with any of the other characters, other then a vague “Jay and Daisy” gotta keep their affair secret (which… yeah I think we know that, but also to compare that to… hiding dead bodies and minding your own business- it’s???? Idk what they were going for)
(Tbh- I conversed with my dad who also mainly wanted to see the show for Jermey Jordan and Eva Noblezada and he said that none of JJ songs were that memorable, which I kinda agree with. He’s a great singer, a very talented man, but the songs he was made to sing in this show were not it. Just nothing of substance or catchiness. Which SUCKS. Because how are you going to get someone like Jeremy Jordan and not have him sing an absolute banger? But weirdly, none of his songs (maybe except “Only Tea” which I really liked) stood out which I’m so disappointed about.)
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Ok that’s all just as it’s own thing (mostly) NOW MY FUCKING PROBLEMS WITH IT COMPARED TO THE BOOK
1.B) NICK AND GATSBY’S FRIENDSHIP
THIS IS THE BIGGEST ONE- Nick and Gatsby friendship is so fucking integral to the original, and it feels like it didn’t even exist in the musical.
Like regardless on whether you ship them or see them as friends- Nick was Jays only fucking friend. He was the ONLY ONE who truly cared about him and went to his funeral when no one else did. In the book, Nick did So. Much. just because he wanted to for Gatsby. Gatsby had to ask Jorden to ask Nick to set up his tea meeting, he attempts to charm and lavish him in trips, and even tries to pay the man to get him to agree. But Nick refuses and is even offended that Gatsby would pay him money for such a thing and immediately accepts the night he finds out. And they actually hung out! Like a lot! At least before Jay asks him for the tea request. And though it could been because he wanted to make it easier for Nick to say yes, they were friendly with each other, and felt like actual pals. Nick genuinely was worried about Gatsby at the end, and even tried to warn him about what he was attempting to do multiple times.
In the musical that bond is just… not there. They rush past meeting each other, they never hang out one on one, and any interaction between them seemed slightly aggressive or politely concerned, like one would be to a stranger, which they technically are!!! The only reason he agrees to Gatsbys plan is basically petty revenge against Tom for punching Myrtle and being an asshole to Daisy/ in general. (Which- I feel like a move thats so out of character for Book!Nick cause he also dislikes Daisy.) Like Nick never learns Gatsbys backstory here (I don’t think he ever tells it, not even to the audience).
The “ you can’t repeat the past” line seemed more aggressively exasperated in delivery then the more soft concern for a close friend I initially read it as. And the “you’re worth more then whole rotten crowd put together” line didn’t really hit as hard because they don’t feel like close friends and nowhere in the show has Nick expresses this pedestal he puts Gatsby on like in the book.
Literally the only times they’re together alone is their initial meeting, and setting up for tea at Nicks. Every other time either Gatsby is with Daisy or Nicks with Jorden. They could have at least put together a cool ass montage of them hanging together, using those moving panels, going through diffrent activities as Jay introduces himself with his Oxford and army line, instead of dumping it all on him on their literal first meeting in his study.
(Also noted that they made it so Gastby owns the property Nick lives on and is renting it out for the man. Idk why they did this- to make it so Nick is indebted to Gatsby??? Also Gatsby vaguely threatens/ says something with a condescending/threatening aura (???) before Nick leaves after Jay ASKS A MAN .5 SECONDS AFTER MEETING HIM FOR THE FIRST TIME FACE TO FACE for the tea set up. Like there was a moment where he held onto Nicks hand as they shake goodbye, held his eye and said a line (I forgor) and kinda stood there staring him down before Nick awkwardly left. LIKE WHAT WAS THAT???? WHO ARE YOU???? WHY??? Literally doing everything to make sure no one can ship them)
2.B) THEY STRAIGHT-IFIED MY BOY.
NICK WHAT DID THEY DO TO YOU. It felt like they wanted to take away any whiff of an implication that this man is gay. Like literally no build up to Jay and Nicks friendship, no meaningful scenes between the two, going head first and completely committing to Jordan, AND THE MR MCKEE SCENE BEING LIKE THAT.
AND MR MCKEE, IM SO, SO SORRY WHAT THEY’VE DONE TO YOU. They made him to be some predator who harasses Nick the whole party scene. And this could have been so. easy. to fit into the queer lens if the actor who plays Nick (Noah J Ricketts, fucking what a talented man) acted interested in Mr.McKee but was actively restraining himself and trying not to engage in order to save face in front of Tom and Co. (Please, please, please- making a prayer circle and manifesting that one of the later actors does this down the line) But noooooo, Nick is shown to be mildly uncomfortable while McKee follows him around (in an unfortunately a banger of a song) EVEN THOUGH IN THE BOOK NICK ACTIVELY ENGAGES WITH HIM IN HOMOEROTIC DIALOGUE AND EVEN GOES TO BED WITHBNANJSBSJB
3.B) Jordan’s Purpose
Already touch this before but what the hell was the point of Jordan here. I love the “cool independent woman in the 20s” angle they were going for, but then why the hell would you immediately shackle her to a romantic relationship with Nick when that goes against literally everything she stands for. And I’m not saying she can’t get in relationships, but the speed in which SHE of ALL PEOPLE, was like “Yes I want to get married to you for real” make me…
Sure it was said in the novel that Nick and Jorden were together, but he was always flighty about her; saying he was attracted to her but also hated some of her qualities (dishonesty and heartlessness). It wasn’t the main focus like it was here (I can’t even remember much of their relationship in the book tbh) and they didn’t invest so much in it as they did in the musical that it didn’t feel out of nowhere or too much of a big deal when they broke up. Like it fr felt like the musical held up a “Gasp Now” sign when Nick said he doesn’t want to get married to her cause they wanted that moment to hit so hard for some reason???
AND. There was an ACTUAL PURPOSE to Jordan relationship with Nick in the book (a representation of the wealth he was attracted to then repulsed by [*cough* also contributing the “Nick is Queer” lens *cough*]) they… kinda? did it in the musical? And it would have been boosted by Nicks new naivety in the musical, but it falls short because they never speak again, or really explain Jordan’s value on wealth and herself is why it went wrong other then a “you’re heartless” line that feels out of nowhere. (Idk maybe I was too focused on how pointless that relationship felt that I failed to noticed if Nick had a Big RevelationTM here on Wealth and Jordan)
4.B) Character Differences
Some of them are great, like there’s more dimensions to some, but some character choices, I’m like- that goes against everything they’re supposed to represent in the book.
Like I found it so weird how willing Daisy was to run away with Gatsby in the musical when in the book it was more obvious, at least I read it so, that she was holding back a bit and was never going to run with Gatsby that far. Like wdym Gatsby could have had it all if he just ran with Daisy then, WDYM HE SAID NO BECAUSE OF HIS PRIDE???? HUH? WHERE did this priority of PRIDE come from???? When Daisy’s RIGHT. THERE. Like she was sobbing, begging him to run with her. In what universe would Gatsby turn that down???
Like many people say, this seems like it’s supposed to be a love story between Gatsby and Daisy, but in the book it’s pretty obvious how Daisy isn’t as committed to Gatsby then she is Tom cause of their Old vs New money.
And Myrtle? Why did she suddenly turn back to George? I felt like the only reason why that happened is cause the creators wanted shock and tragedy factor. Like “aw she finally found peace in where she is but oops now she’s dead”
And it would have been good if they actually showed why she thought this beyond the 3 minute song, cause that’s not enough time for someone who only chased after money to do a 180. Like, sure she figured Tom would just move on from her (YES EVERYONE CHEERED, GREAT CHARACTER MOMENT) but George isn’t shown to be that great either in his last moments with her. I mean he locked her in the house? Bathroom? and was pretty violent towards her. Sure we learn earlier that he’s doing a lot for her but we never SEE it. He sings to US the audience about his dream to move them out and live a nice life but not to HER which could have been a cute point of connection but nooooooo.
They also made Nick like, kinda naive. Like he really likes Daisy and Jorden and I guess Gastby (though it’s not shown) compared to his counterpart who know how money corrupts and kinda hates everyone (even Gatsby at points). Any I feel like they could have done well with making him naive to that fact, to really make this a tragedy (like Hadestown esc) but they fell short somehow. I think it’s cause the ending was so rushed. Like there wasn’t enough time to show the consequences of everyone’s actions and how hurt and changed he is. It all flys by in like 7 minutes.
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Ok now we’re done being cynical- here are the good things I liked
1.C) The woman are 3-Dimensional yay/ Nicks also here
Myrtle’s song (Second-Hand Suit) is phenomenal. Great way to introduce more character and backstory to someone who originally had none.
Also, again, loved Jordan’s independence angle (if only they WENT SOMEWHERE WITH IT) and I lowkey loved the “well Tom cheats why can’t you” line and Daisy’s whole attitude as she one ups Tom in the dinner table scene. Also Daisy was already kinda complex in the book, but it really shows how turmoiled she is here and that’s interesting,
And despite how I kinda ragged on it, I really did like Nicks personality throughout the musical. He was sooo humorous in a way he wasn’t in the book. Also, thinking about it, his nativity is an interesting spin on his character that I really would have liked if it was executed properly.
2.C) The songs fucking slap
I can’t lie, most of these songs are bangers. I have half of the songs on loop. Not to mention the actors who sing them are absolutely incredible. I won’t lie, I was mostly interested in this musical cause of Jeremey and Eva; and Eva, holy shit, is an absolute powerhouse to witness live. I was So. Surprised by how effortlessly she sang notes and how clear and crisp they were (“Absolute Rose” was… idk what it was about that song, but I’m obsessed with how she sang that song, [except the “open” part? Idk it grates me for some reason???] even though it’s not my favorite song) Like she truly embodies Daisy Fay and it was incredible to see that in person.
However, the rest of the cast was so incredible too, ESPECIALLY MYRTLE (Chilina Kennedy). Holy Fuck is that woman amazing at singing. Her two songs she sang absolutely ate, like I’m obsessed with her voice. Wolfsheim (Eric Anderson) and George (Paul Whitty) also had amazing voices.
Also NICK??! Holy shit, I’m so sorry you’re not in like any promotional stuff cause you fucking killed it. The way I’m obsessed with how he sings “If only I’d knew then, that I would never be the same” in “Roaring On” and how he sings “The Met” is amazing
3.C) Visuals- kinda
Some of the visuals were ok tbh- kinda boring- but the ones that went big, WENT BIG. Of course “New Money”, “Roaring On” and “The Met” are the ones that stand out the most in my mind. “New Money” and “Roaring On” are exactly what you probably think it is, big dance numbers with sparks and huge lights. But I loved “The Met” cause the furniture slid around and literally moved around Nick while people drifted in and out of the room. It was just great to watch visually.
4.C) THE ENDING NUMBER HOLY SHIT
I. Love. Love. LOVE. How they brought back the opening number, and the theme of party goers going on from party to party to show how unimportant Gatsby was to the world, and how everyone moved on.
Like, Nick stood in the center of the stage, reciting the end of the book, in tears and voice cracking, as the ensemble in the back slowly get revealed and are just having a grand ol time looking for the next party. Just- chills. It was amazing conceptually and they pulled it off so well.
If the musical got nothing else in terms of structure going for it- at least they got the last minute right cause omg, I love when media has opposing moods in the same scene, and they did so well here.
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Overall, yeah. Not horrible but I don’t love it. The lack in plot and nonsense relationships and complete disregard of the book didn’t totally ruin the musical cause I had a good time and liked the songs and such but I would not go back and re watch it.
I think of you know nothing about the book or anything about The Great Gatsby other then there’s a guy named Gatsby and he’s great and you just want a nice sounding show, you’ll probably like this, but people who are burdened by the knowledge of the book will be hung up on a lot of things I mentioned here.
Always, long ass post, congrats to anyone who actually read this real informal review. I haven’t gone into how this is a pretty bad adaptation, but I’ll have to do that in another post (if people want to see that) and another time cause this took my literal hours to type out.
(Tbh I might just do the adaptation essay anyways, cause I’ve written at least 4 papers on adaptation in media [and how Groundhog Day the musicals the best Movie to Musicals adaptation] and I love that shit)
John Zdrojeski, Sara Chase, Samantha Pauly, Jeremy Jordan, Eva Noblezada, Noah J. Ricketts, Eric Anderson, and Paul Whitty at opening night for The Great Gatsby [via Getty Images]
