#plotbunny

[cheeseanonioncrisps]

A murder mystery film set in a medieval village. After an outbreak of plague, the villagers make the decision to shut their borders so as to protect the disease from spreading (see the real life case of the village of Eyam). As the disease decimates the population, however, some bodies start showing up that very obviously were not killed by plague.

Since nobody has been in or out since the outbreak began, the killer has to be somebody in the local community.

The village constable (who is essentially just Some Guy, because being a medieval constable was a bit like getting jury duty, if jury duty gave you the power to arrest people) struggles to investigate the crime without exposing himself to the disease, and to maintain order as the plague-stricken villagers begin to turn on each other.

The killer strikes repeatedly, seemingly taking advantage of the empty streets and forced isolation to strike without witnesses. As with any other murder mystery, the audience is given exactly the same information to solve the crime as the detective.

Except, that is, whenever another character is killed, at which point we cut to the present day where said character's remains are being carefully examined by a team of modern archaeologists and historians who are also trying to figure out why so many of the people in this plague-pit died from blunt force trauma.

The archaeologists and historians, btw, are real experts who haven't been allowed to read the script. The filmmakers just give them a model of the victim's remains, along with some artefacts, and they have to treat it like a real case and give their real opinion on how they think this person died.

We then cut back to the past, where the constable is trying to do the same thing. Unlike the archaeologists, he doesn't have the advantage of modern tech and medical knowledge to examine the body, but he does have a more complete crime scene (since certain clues obviously wouldn't survive to be dug up in the modern day) and personal knowledge from having probably known the victim.

The audience then gets a more complete picture than either group, and an insight into both the strengths and limits of modern archaeology, explaining what we can and can't learn from studying a person's remains.

At the end of the film, after the killer is revealed and the main plot is resolved, we then get to see the archaeologists get shown the actual scenes where their 'victims' were killed, so they can see how well their conclusions match up with what 'really' happened.

[csilla-nocturne]

AU where after his second banishment, every time Xie Lian is injured bad enough to be near death, or dying a hallucination of Wu Ming appears to comfort him. Xie Lian learns very quickly not to touch this Wu Ming, because he vanishes if touched.

One day Xie Lian is attacked by a strange creature that has paralyzing venom, and is able to break off and eat Xie Lian's curse shackles gravely injuring Xie Lian in the process. He is comforted by Wu Ming being there even knowing he really might not survive this time. Only not long after another Wu Ming appears. This one looks different, but he's undeniably Wu Ming, kills the creature and while being clearly distressed immediately begins tending to Xie Lian, touching him, and making Xie Lian realize this new Wu Ming is definitely real.

"New Wu Ming" abandons the creature's body, which leads to someone from the heavens finding it, and after the heavenly court investigates they find the ingested curse shackles, and come to the conclusion Xie Lian is dead.

Xie Lian completely unaware of any of this is the most happy he's been in centuries as he recovered under the care of Hua Cheng, and gets to learn all about what his Wu Ming has being doing while they were separated.

Cue absolute chaos when Xie Lian's third ascension happens.

[starsanddiamond]

🐰 Plotbunny Time!

Ship: Harringrove

Trope: Soulmate AU

Instead of Soulmarks, it's bruises and scars that show up on the partner.

Steve Harrington had a pretty easy childhood, the occasional bruise here and there from his sports but then one day he wakes up black and blue. The marks don't hurt. His soulmate must be very daring or clumsy.

Over time it becomes apparent that the bruises only ever show up where they aren't visible every day, on his back, his chest. Never on his face.

It stops for a while.

Steve has his brawl with Jonathan and suddenly the next day he is covered in bruises again. It's strange to say the least.

In fall Billy Hargrove joins their classes, looking far too put together and clean for someone who keeps antagonising everyone.

The brawl at the Byers house happens.

A few days later at school Steve gets a look at Billy, and it's like looking in a mirror.

✨️

AN: I have this idea and I don't want it to die in my plotbunny graveyard. More cake and all that. I need this story 😭

[soratatakano]

As someone who does not speak English as their first language, I often encounter a problem when writing: how to describe certain activities.

This is because translations do not always convey the meaning I want to express. That is why I have been working on a mini dictionary for some time now.

The list will be updated as soon as I manage to create another category or encounter another problem.

Below you will find:

Said

Asked

Sounds Without Words

Touch

Move

Emotions In Speach

Voice Tone

Way Of Breathing

Eye Expression

Movement / friction

Involuntary Sensations / Muscle Responses

Onomatopoeic Words

Verbal reactions

Mouth movements

Posture and body position

Physiological reactions

It may contain mistakes, I'm not a genius at English, I may have messed something up.

I have also started a new batch with prompts, i.e., what to do when I run out of words and need new, alternative phrases that better convey the meaning. Divided into categories for convenience (solo posts). It will be updated on an ongoing basis:

Reactions to leaving without permission

Pulling away — similar to leaving without permission

Giving compliment — or so it's for me

What he can say after a kiss

Commands

Control through attention

Said

1. Neutral / Basic

said – the most common, neutral reporting verb

told – to give information to someone directly

stated – to say something clearly and formally

remark – to comment casually or briefly

noted – to mention or observe in passing

observe – to say something as an observation or fact

declare – to announce formally or officially

proclaim – to announce publicly and with emphasis

assert – to state firmly and confidently

announce – to make something known publicly

affirm – to confirm or strongly state something as true

2. Sharp / Aggressive

snap – to speak suddenly and sharply, often in anger

growl – to speak in a low, rough, angry tone

bark – to shout abruptly, like a command

hiss – to whisper angrily, with sharpness or contempt

spat – to speak angrily and abruptly, often after an insult

roar – to shout loudly in rage or authority

thunder – to speak with booming, overwhelming force

snarl – to speak with hostility, like an animal baring teeth

scream – to cry out in anger, fear, or frustration

threat(en) – to speak in a menacing or intimidating way

3. Impatient / Reluctant

grumble – to complain in a low, annoyed tone

mutter – to speak quietly and unclearly, often displeased

mumble – to speak unclearly, almost under one’s breath

groan – to complain or respond with frustration or pain

sigh – to speak while exhaling, showing weariness or resignation

4. Quietly / Confidentially

whisper – to speak very softly, in secrecy or intimacy

breathe – to speak almost as softly as breathing itself

murmur – to speak softly and gently, often soothingly

utter – to say softly, often with difficulty or hesitation

mutter – to speak low, under one’s breath (can be secretive or annoyed)

5. Emotional / Emphasis

exclaim – to cry out suddenly, in surprise or excitement

shout – to speak loudly, often in urgency or anger

yell – to call out loudly, usually emotionally charged

cry – to call out in distress, fear, or strong feeling

plead – to ask desperately, with urgency and emotion

beg – to implore, asking earnestly or desperately

demand – to ask forcefully, leaving no room for refusal

order – to command with authority

command – to give a directive authoritatively and decisively

6. With Additional Emotions

laugh – to speak while laughing, light-heartedly

chuckle – to speak with a quiet, amused laugh

sneer – to speak with contempt, mocking or scornful tone

mock – to imitate or ridicule cruelly or playfully

tease – to joke or provoke lightly, often playfully

taunt – to provoke or insult to upset someone

jeer – to ridicule loudly, often in a group

joke – to say something humorous or playful

Asked

1. Neutral / Basic

asked – the standard, most neutral way to request information

inquired – to ask formally or politely about something

queried – to raise a question, often showing doubt or curiosity

2. With Emotion / Tone

wondered – to ask in a reflective, curious, or uncertain way

questioned – to ask closely, sometimes with suspicion

demanded – to ask forcefully, expecting an answer

pressed – to push for an answer, with persistence

probed – to dig deeper with detailed, sometimes uncomfortable questions

challenged – to question in a confrontational or defiant way

3. In Everyday Dialogue

inquired of – to ask someone directly, a bit formal but conversational

wanted to know – casual phrasing, showing simple curiosity

checked – to ask in order to confirm or verify something

posed – to put forward a question, often neutrally or thoughtfully

4. Emotional Strain

snapped – to ask sharply and angrily

barked – to ask abruptly, like an order

growled – to ask in a low, hostile tone

hissed – to ask with anger or contempt, in a sharp whisper

muttered – to ask quietly, unclearly, often annoyed

whispered – to ask very softly, in secrecy or intimacy

stammered – to ask while stumbling over words, nervous or shaken

pleaded – to ask desperately, with emotion and urgency

begged – to ask earnestly, desperately seeking a response

implored – to ask with intense emotion, almost a heartfelt plea

Sounds without words

1. Surprise / Emotions

gasp – a sudden, sharp intake of breath, often from shock or awe

pant – short, quick breaths, usually from exertion or excitement

huff – a sharp exhalation, often showing irritation or impatience

puff – heavier, blowing breaths, usually from effort or tiredness

2. Pain / Suffering (neutral use, not in NSFW)

groan – a low, drawn-out sound of discomfort, pain, or annoyance

moan – a prolonged sound expressing pain, sadness, or exhaustion

whimper – a soft, broken sound, showing weakness or distress

yelp – a short, high-pitched cry, usually sudden pain or fright

cry out – a loud exclamation of pain, fear, or strong emotion

wail – a long, loud, mournful cry of grief or suffering

3. Sadness / Fatigue

sigh – a deep breath out, showing weariness, sadness, or relief

sob – loud, uncontrolled crying, with heaving breaths

sniffle – short, wet inhalations, often while holding back tears or with a runny nose

snivel – crying or whining with weak, self-pitying sounds

4. Anger / Frustration

snarl – a low, aggressive sound, often with bared teeth

growl – a deep, rumbling sound of anger or threat

grunt – a short, rough sound, showing effort or annoyance

grumble – a low, complaining sound, halfway between words and noise

roar – a loud, booming cry of anger, frustration, or authority

5. Joy / Relief

chuckle – a soft, low laugh, amused and gentle

giggle – a high-pitched, silly laugh, often nervous or playful

snicker – a suppressed, sly laugh, mocking or secretive

laugh – a general expression of amusement or joy, varying in tone

cackle – a loud, harsh laugh, often manic or mischievous

squeal – a high-pitched cry of delight, excitement, or surprise

Touch

1. Light / Gentle Touch

brush – to touch lightly in passing, often barely noticeable

caress – to touch softly and lovingly, usually with the hand

stroke – to move the hand gently and smoothly along a surface

pat – a light, quick touch, often reassuring or friendly

tap – a small, brief touch, usually with the fingers or hand

dab – to touch lightly, often to apply or remove something

graze – to touch slightly, often by accident or in passing

2. Stronger / Definite Touch

grab – to take hold of suddenly and firmly

clutch – to hold something tightly, often with desperation

seize – to take hold of forcefully or with urgency

grip – a firm, controlled hold with the hand

hold – to keep something in the hand or arms steadily

squeeze – to press something tightly between hands or fingers

press – to push down or against with steady force

grasp – to take firmly into the hand, usually with intent

3. Movement / Friction

rub – to move the hand repeatedly back and forth on a surface

knead – to press, stretch, and work something (like dough or muscles) with the hands

massage – to rub or knead muscles, usually to relieve tension

scratch – to scrape with nails or fingers, sometimes relieving an itch

tickle – to touch lightly in a way that provokes laughter or squirming

ruffle – to move through or disturb (like hair or fabric) with the hand

4. Urgency / Intensity

shove – to push roughly or forcefully

push – to apply force to move something or someone away

tug – to pull quickly and sharply

jerk – to move or pull suddenly with force

yank – to pull with a strong, sharp movement

drag – to pull someone or something along the ground or surface

5. Supportive / Caring Contact

embrace – to hold closely in the arms, often warmly

hug – to put arms around someone in affection or comfort

cuddle – to hold close for warmth or affection, often gently

snuggle – to settle closely and comfortably against someone or something

hold onto – to keep physical contact, often for reassurance or stability

Move

This category may be similar to movement / friction, but I see subtle differences, so I made a separate category. Move is intended to show motion from point to point. Movement / friction may refer more to motion in place, movement of a body part, not necessarily the whole body as in move.

1. Neutral / Basic Movement

moved – general, neutral

shifted – slightly, imperceptibly

turned – rotation, often with determination

leaned – slight movement in one direction

reached – movement with the intention of reaching for something/someone

2. Slow / Hesitant

inched – literally: to move inch by inch; tension, caution.

crept – quietly, as if in hiding; not only physically, but also emotionally (“crept closer”).

slid – smooth movement, almost silent, can be sensual or disturbing.

drifted – fluid movement, aimless, often with thoughtfulness.

glided – elegantly, lightly, almost effortlessly.

3. Sudden / Sharp / Controlled

snapped – violent, impulsive; can refer to movement of the head, hands, or body.

jerked – sudden, jerky movement; lack of full control.

whipped – quick, sharp, like a cut; intense reaction.

lunged – violent step forward, often with aggression or desperation.

snatched – quick movement with intent; control, desire, anger.

4. Heavy / Reluctant / Exhausted

dragged – slow, forced movement; fatigue, resistance.

staggered – unsteady gait, lack of balance, exhaustion.

lurched – sudden, uncertain movement, often under the influence of emotion.

slumped – collapsing from weakness or fatigue.

trudged – heavy step, as if every movement of the legs was a struggle.

5. Subtle / Controlled / Intimate

tilted – a slight movement of the head, may suggest curiosity or challenge.

shifted – a slight change in position; tension, anxiety, anticipation.

angled – a deliberate, conscious movement of the body; may be dominant.

stilled – stopping movement, freezing tension.

edged – slow approach, despite risk or tension.

6. Emotional nuance

approached – neutral, but decisive; you can play with tension.

closed in – like a predator; confidence, superiority.

retreated – withdrawal, but also defense.

advanced – formal, cool, controlled approach.

withdrew – elegant, emotional distancing.

Emotions in Speech

1. Sad / Weak Tone

sob – to speak while crying, with broken or shaky breaths

cry – to speak or call out in tears or distress

moan – to express sadness, pain, or despair with a drawn-out sound

wail – to cry out loudly in grief or suffering

sigh – to speak or exhale with a long breath, often showing sadness or weariness

quaver – to speak with a trembling, unsteady voice

stammer / stutter – to repeat sounds or syllables due to nervousness or emotion

whimper – to speak in a weak, plaintive tone, like soft crying

plea – to ask urgently, often with desperation

beg – to implore sincerely and persistently for something

2. Irony / Mockery

sneer – to speak with scorn, contempt, or superiority

mock – to imitate or ridicule someone in a scornful way

scoff – to speak with open disbelief or disdain

jeer – to taunt or insult with loud, rude remarks

taunt – to provoke or challenge someone in a mocking way

tease – to make fun of lightly, often playfully or irritatingly

joke – to speak humorously, not seriously

3. Uncertainty / Hesitation

mumble – to speak quietly and indistinctly, often nervously

falter – to speak hesitantly, with pauses or uncertainty

hesitate – to pause before speaking, uncertain of what to say

whisper – to speak very softly, as if unsure or afraid of being overheard

trail off – to gradually let speech fade into silence, leaving thoughts unfinished

4. Strong Emotions / Anger

exclaim – to speak suddenly and strongly, with surprise or emotion

shout – to speak loudly, usually with force or urgency

yell – to cry out loudly, often in anger or excitement

cry – to call out loudly, not necessarily with tears (e.g., “cry for help”)

demand – to speak forcefully, expecting obedience or compliance

order – to give a directive in a commanding tone

command – to issue instructions with authority and control

5. Joy / Ease

laugh – to express amusement or joy with vocal sound

chuckle – to laugh quietly or lightly, often to oneself

Voice Tone

1. Pitch

high-pitched – a high voice, sometimes thin

shrill – very high and piercing; can be unpleasant

squeaky – a squeaky, thin voice; like creaking

nasal – nasal, sounds like it comes through the nose; often when speaking with a blocked nose

low – low voice, full and deep; gives a sense of seriousness or calm

deep – very low, strong; often associated with authority

baritone – medium-low voice, typical male range between tenor and bass

bass – very low, rich, resonant; often in choirs or older men

2. Volume

loud – strong and easy to hear; fills a room

booming – very loud and resonant; can command attention or respect

resonant – full and echoing; pleasant to listen to

faint – barely audible, weak; used for whispering or delicate speech

soft – gentle, pleasant; not disturbing to surroundings

gentle – calm, friendly, soothing

whispery – like a whisper, quiet; voice floats in the air

3. Tone quality

husky – slightly rough and deep; can sound sexy or tired

raspy – rough, scratchy; often when sick or after strain

hoarse – croaky, changed; after shouting or illness

velvety – smooth, soft, pleasant to the ear

smooth – even, flowing; without roughness

melodic – like singing, musical; pleasant to listen to

clear – pure, easy to understand; no distortion

mellow – soft, calming; often older voices or relaxing tone

harsh – sharp, unpleasant; can create tension

gravelly – rough, with a “gritty” texture in the voice

4. Delivery

monotone – without variation; can be boring

flattened – dull, unexpressive; without emotion

shaky – unsteady, trembling; shows fear or emotion

trembling – stronger and more emotional shaking

breathy – with a lot of air, as if speaking on the exhale

quivering – slightly shaking repeatedly; often from emotion or cold

5. Emotional tone

warm – friendly, open, inviting; builds trust

cold – distant, unfriendly; can sound unpleasant

sharp – quick and direct; often critical or alert

gentle – soft, kind; calms or soothes

commanding – authoritative, confident; demands attention

playful – fun, teasing, light; for joking or flirting

mocking – teasing or ridiculing; makes fun of someone or something

soothing – calming and comforting; can reduce stress or pain

threatening – menacing, warning; can cause fear or respect

Way Of Breathing

1. Calm / Neutral breathing

breathe – to draw air normally

inhale – to breathe in

exhale – to breathe out

sigh – to release a long breath (relief, resignation)

hum – low breath with sound of content

2. Fast / Shallow breathing

pant – to breathe quickly, shallowly (exhaustion, arousal, fear)

gasp – a sudden, sharp intake of breath (shock, surprise, pain)

wheeze – to breathe with a whistling or rattling sound (effort, illness)

huff – quick, annoyed or exerted breaths

puff – to breathe quickly after exertion

3. Deep / Heavy breathing

draw a deep breath – deliberate inhalation (calm, preparation)

heave – to breathe heavily, as if lifting weight

groan on exhale – sound tied to effort or pain

breathe deeply – steady, grounding

steady one’s breathing – to calm oneself intentionally

4. Unsteady / Emotional breathing

sob – broken, shaky breaths with crying

choke – irregular, cut-off breathing (crying, panic, grief)

quiver – breath trembling audibly

hitch – a sudden stop or catch in breathing (crying, holding back tears)

tremble on inhale/exhale – breathing unsteady with emotion

5. Silent / Controlled breathing

hold one’s breath – stop breathing briefly (anticipation, fear, hiding)

shallow breath – restrained, minimal

measured breath – controlled, intentional

whisper-breath – very quiet, almost inaudible

breathless pause – silence between words or actions

Eye Expression

1. Direction / Focus

direct – looking straight at someone; shows confidence, interest, or confrontation

averted – eyes turned away; shows shyness, embarrassment, or avoidance

wandering – eyes moving around; shows distraction or boredom

fixed / locked – staring without blinking; shows concentration, fear, or fascination

2. Duration / Intensity

brief glance – a quick look; shows curiosity or uncertainty

lingering look – a longer look; shows interest, desire, or analysis

intense stare – strong, penetrating gaze; shows threat, scrutiny, or strong emotion

darting eyes – quick, rapid eye movements; shows anxiety, deceit, or fear

stare – to look steadily and intently; shows focus, fascination, or threat

3. Eye openness / Shape

wide-eyed – eyes wide open; shows surprise, fear, or wonder

narrowed / squinting – eyes partly closed; shows suspicion, skepticism, or focus

half-lidded – eyes slightly closed; shows fatigue, boredom, or flirtation

blinking / fluttering – frequent blinking; shows nervousness, surprise, or uncertainty

4. Emotional signal

warm / kind eyes – friendly, full of kindness

cold / hard eyes – distant, unfriendly, or unapproachable

tearful / watery – eyes full of tears; shows sadness or emotion

sparkling / bright – eyes shining; shows joy, excitement, or enthusiasm

glassy / empty – blank eyes; shows apathy, shock, or exhaustion

soften – eyes becoming gentler or warmer; shows empathy, affection, or understanding

harden – eyes becoming colder or more rigid; shows anger, resolve, or defensiveness

glimmer – a small light or spark in the eyes; shows hope, mischief, or excitement

darken – eyes looking darker or more serious; shows anger, sadness, or fear

5. Subtle movements

rolling eyes – moving eyes upward; shows irritation or sarcasm

narrowing / squinting – slight closing of eyes; shows focus, suspicion, or anger

fluttering lashes – quick movement of eyelashes; shows nervousness, flirtation, or surprise

raising eyebrows – lifting the eyebrows; shows surprise, questioning, or skepticism

Movement / Friction

1. Gentle / Light Contact

graze – to touch lightly while moving across a surface.

brush – to pass lightly across a surface with minimal pressure.

stroke – to move gently and smoothly along a surface.

glide – to move effortlessly and smoothly without friction.

slide – to move smoothly along a surface without lifting.

2. Moderate Pressure / Steady Motion

rub – to move back and forth against a surface with moderate pressure.

massage – to rub or knead muscles or surface to soothe or stimulate.

knead – to press, fold, and squeeze repeatedly, like working dough.

smear – to spread a substance by rubbing it across a surface.

scuff – to move in contact with a surface, producing a faint scrape.

3. Heavy / Intense Pressure

grind – to press and move firmly with heavy pressure, often creating resistance.

scrub – to rub hard and repeatedly, often for cleaning.

scrape – to drag across a rough surface, producing sound or marks.

drag – to pull something across a surface with effort and resistance.

press – to push firmly against a surface, without necessarily moving.

4. Quick / Abrupt Motion

jerk – to move suddenly and sharply against a surface.

tug – to pull with a short, strong motion.

yank – to pull with a sudden, forceful movement.

snatch – to seize quickly, often in one swift motion.

5. Repetitive / Continuous Motion

pat – to touch lightly and repeatedly, often with a flat hand.

tap – to touch quickly and lightly in succession.

drum – to tap repeatedly with fingers or hands in rhythm.

rattle – to move back and forth repeatedly, producing a sharp sound.

pound - to hit something heavily and forcefully, often repeatedly

Involuntary Sensations / Muscle Responses

1. Light / Subtle

tingle – faint prickling, like pins and needles or a rush of nerves.

prickle – sharper than tingling, a stinging surface-level sensation.

flutter – light, irregular vibration, like a rapid heartbeat or eyelid twitch.

twitch – tiny, sudden contraction of a muscle.

quiver – faint trembling, often continuous and emotional.

flicker – quick, weak movement that appears and vanishes.

tremble – noticeable shaking from weakness, fear, or suppressed emotion.

shiver – small wave of shaking, often from cold or nerves.

2. Moderate / Noticeable

pulse – steady rhythmic beat, usually tied to heartbeat or blood flow.

throb – stronger, heavier pulse, often linked to pain, stress, or desire.

pound – violent, insistent pulsing, often in head or chest.

ache – dull, continuous discomfort or heaviness.

thrum – low, steady vibration or hum through the body.

tremor – ongoing shaking, less controllable than trembling.

quaver – shaky vibration in voice or body, revealing strain.

shudder – sudden, full-body tremble, emotional or physical.

3. Strong / Intense

jerk – abrupt, sharp involuntary motion.

spasm – brief, forceful contraction, sudden and uncontrollable.

clench – muscles tighten hard, often from restraint or pain.

cramp – painful, prolonged tightening of muscles.

convulse – violent, repetitive contractions across the body.

thrash – uncontrolled, wide, forceful movements.

writhe – twisting, struggling motion under intense sensation or pain.

heave – strong, body-shaking movement, often from sobbing or retching.

4. Extreme / Overwhelming

quake – violent, uncontrollable shaking as if the whole body quakes.

seize – muscles lock up suddenly, body stiffens hard.

jolt – explosive, electric-like involuntary shock through the body.

convulse violently – the highest degree, body completely overtaken by force.

spasm uncontrollably – repeated, severe, overpowering contractions.

Onomatopoeic Words

(words will repeat cause they fit into several categories at the same time)

1. Metal sounds

clang – loud, resonant metal-on-metal strike

clink – light metallic tap (like glasses or keys)

clatter – rattling, series of metallic collisions

clangor – echoing, continuous metallic noise

ting – short, high metallic note

tang – sharp metallic ring

chink – small, bright metallic sound

click – quick, precise metallic tap

clunk – dull, heavy metallic hit

creak – slow, squeaky metal bending sound

scrape – drawn-out friction between metal surfaces

grind – harsh, continuous scraping noise

rattle – repeated sharp metallic movements

snap – short, sharp metallic break

2. Wood sounds

crack – sharp sound of breaking wood

creak – long, complaining wooden sound (like an old floor or door)

thud – dull, heavy impact of something hitting wood

knock – single, firm hit (like on a door)

rap – quick, light knock

tap – gentle strike with fingertips or small object

clunk – heavy, muffled wooden hit

split – snapping sound as wood breaks apart

thump – heavy but soft blow against wood

scritch – faint scratching sound

3. Water sounds

splash – large amount of water displaced at once

drip – single drop of water falling

plop – heavier, round drop landing in water

trickle – continuous, light flow

gurgle – bubbling, throaty water sound

ripple – soft, expanding disturbance in water

swish – smooth sound of something moving through water

slosh – irregular, messy movement of liquid

squelch – wet, suction-like sound (mud or soaked ground)

hiss – fine stream of water or steam escaping

4. Footsteps / Movement

thud – heavy, muffled step (boots)

tap – light step (heels, nervous pacing)

shuffle – dragging, slow movement of feet

stomp – forceful, angry step

pat – soft, repeated touch

clomp – clumsy, heavy walk

scuff – scraping step, as if through dust or dirt

creak – when floorboards respond under weight

patter – quick, light footsteps (child, rain)

crunch – step on gravel, snow, or broken glass

5. Impact / Collision

bang – loud, sudden impact

boom – deep, echoing explosion or impact

slam – violent closing or hit

smack – flat, sharp impact (like skin or slap)

crash – large, chaotic collision

bash – forceful blow with weight behind it

whack – single, strong hit

thump – dull, blunt impact

wham – very forceful, abrupt strike

thwack – sharp impact, often from something flexible

crack – sharp, splitting sound

snap – fast, breaking sound

6. Fabric / Soft Materials

rustle – quiet movement of fabric or leaves

swish – smooth, sweeping movement

whisper – almost inaudible brush of material

flap – soft sound of fabric moving in air

flutter – light, irregular movement (like a flag or curtain)

slip – soft, gliding sound

brush – gentle contact sound

crumple – paper or fabric wrinkling together

scrunch – tighter, rougher version of crumple

7. Fire / Heat / Electricity

crackle – popping, snapping sound (fire or static)

sizzle – sharp, hot hissing (frying, burning)

pop – quick, small explosion (firewood, spark)

snap – small electric or dry crackle

hiss – steady release of air or heat

buzz – low, continuous vibration (electric current)

zap – brief electric burst

fizz – bubbling, soft crackle (spark, carbonation)

8. Air / Wind

whoosh – fast air moving by

whirl – swirling air movement

whizz – something flying fast through air

swish – smooth rush of movement

gust – strong, sudden burst of wind

howl – long, deep wind through gaps

rush – sudden movement of air or force

flutter – small, light air vibration

9. Organic / Body sounds

gulp – swallowing audibly

gasp – sudden, sharp intake of air

pant – quick, shallow breaths

sob – broken, vocal breathing through crying

sniff – inhale through nose

hiccup – involuntary sharp breath sound

groan – deep, low sound of pain or effort

moan – drawn-out vocalization (pain, exhaustion)

whimper – weak, trembling sound

grunt – short, low sound of exertion

snarl – animal-like, angry sound

growl – low, rumbling warning sound

Verbal reactions

This category will be slightly different, but equally necessary. These are verbal reactions during speech without interrupting the dialogue to add narration. This makes it easier to imagine how a particular statement sounded without constantly inserting reactions into the narration. Below, I have created some categories, emotional tones, and rhythmic nuances (how length, repetition, and punctuation change the sound or meaning).

1. Light / Breathless / Startled

Used when a character is surprised, breathless, flustered, or reacting to sudden touch or emotion.

ah - soft, startled - brief intake of breath — surprise, slight pain, or pleasure e.g.: “It’s not— ah— like that.”

oh - airy, emotional - softer than ah; often linked to realization or wonder“ e.g.: Oh... I didn’t expect you here.”

hah - breathy, amused - mixes air and sound — half-laugh, half-exhale e.g.: “Don’t— hah— tease me.”

uh - uncertain, hesitant - filler of hesitation or confusion e.g.: “I— uh— didn’t mean to.”

hm / hmm - thoughtful, restrained - often shows mild agreement or suppressed emotion e.g.: “Hmm... you really think so?”

mm - muffled, through closed lips - gentle hum of satisfaction, sometimes sensual e.g.: “Mm... maybe.”

Rhythmic note: Short = spontaneous (reaction). Repeated (hah, hah) = panting or breathless. Ellipsis (...) = hesitation or soft trailing off.

2. Heated / Sensual / Restrained

Used for NSFW or high-tension moments when speech and breath collide — words interrupted by physical reaction, desire, or restraint.

ahh - open, releasing soft - breathy exhale of pleasure or relief E.g.: “Ahh— right there.”

hahh - shaky, forced heavier breathing - tense control or arousal E.g.: “Don’t— hahh— stop.”

mmh / mnh - muffled, closed-mouth -subdued moan or breath through resistance e.g.: “Mmh... you’re impossible.”

ngh - guttural, restrained sound caught in the throat — effort or stifled pleasure e.g.: “Ngh— wait.”

hnn -internalized, tense - tight, barely audible; often signals control e.g.: “Hnn— you think I’ll break?”

aah - open, vulnerable louder or less controlled sound — surrender or high emotion e.g.: “Aah— please—”

uhn / unh - low, rough throaty - frustrated or overwhelmed e.g.: “Uhn— can’t— focus.”

Rhythmic note: Longer vowels (ahh, mmh) = sustained, ongoing reaction. Short bursts (ngh, hnn) = effort, tension, or resistance. Combining (ngh—ahh) = shows progression (from restraint to release).

3. Effort / Pain / Strain

These fit physical tension, exhaustion, or controlled movement — not necessarily sexual, but still very bodily.

tch irritated click tongue - click, annoyance or disbelief e.g.: “Tch... always so stubborn.”

kh sharp, throat - cut short exhale — pain or suppression e.g.: “Kh— damn it.”

ngh strained can double as effort or pain e.g.: “Ngh— lift it higher.”

hah (short) forced breath tight exhale - exhaustion or hit e.g.: “Hah— you hit hard.”

uhh tired, weighted longer version - sighing through effort e.g.: “Uhh... not again.”

Rhythmic note: Ending with consonant (tch, kh) = clipped, abrupt, physical. Ending with vowel (uhh) = tired, fading energy.

4. Rhythmic Variations & Emotional Shifts

How small differences in length, punctuation, or repetition completely change the feeling.

ah - short, startled - quick reaction or mild surprise

ahh - open, relaxed warmth - comfort, or pleasure

ahhh - extended, uncontrolled - release, surrender, intensity

hah - brief - exhale light amusement or breathless effort

hahh - shaky - heavier strain or arousal

hah—hah - repeated panting - breathless

mm - light hum - satisfaction or distraction

mmh - longer - sensual or suppressed sound

mmmh drawn-out deep - indulgent pleasure

ngh - stifled - tension, effort, control

ngh—ahh - transition from restraint to release

...hah. - trailing - tired fading control or quiet resignation

ah—! - sudden - sharp startled, overtaken by sensation

hah—hah—hah - rhythmic repeated breath, exhaustion, rhythm of movement

Mouth movements

1. Neutral mouth movements (no subtext)

parted – slightly open the lips (often involuntarily, in reaction)

pressed – tighten the lips (control, tension)

pursed – pull lips together (disapproval, concentration)

brushed – touch something very lightly with your lips

hovered – hover your lips just above something, without touching it

closed around – enclose something with your lips (purely mechanical description)

2. Tongue movements – descriptive, technical

licked – run your tongue over a surface

traced – follow a line/shape with your tongue (slow, precise)

brushed (with the tongue) – to touch very lightly with the tongue

flicked – a quick, short movement with the tip of the tongue

pressed – to press the tongue against something

dragged – to slowly drag the tongue with noticeable pressure

3. Mouth movements (more “complete”)

sucked – create negative pressure by pulling something into the mouth (neutral description of the mechanics, the context does the rest)

lapped – rhythmically scoop up liquid with the tongue; often used with animals, water, blood, but also metaphorically

tasted – to touch with the tongue to check the taste

worked (with the mouth) – to move the mouth and tongue continuously

rolled (on the tongue) – to roll something around with the tongue in the mouth

4. Subtle/sensual, but still non-graphic

lingered – to hold your lips/tongue on something longer than necessary

toyed (with) – to play with something with your lips or tongue

caressed (with the mouth) – very soft, slow contact

explored – to examine the surface with your lips/tongue

Posture and body position

1. Static posture (how the body “is,” not what it does)

These words create a first impression, authority, distance.

stood – to stand (neutral)

stood rigid / stiff – to stand stiffly

stood at ease – to stand comfortably

remained upright – to remain standing straight

held themselves still – to keep their body motionless

kept their posture – to maintain their posture (control)

carried themselves – the way they carry their body (very good narratively)

2. Opening vs closing the body

Very important in relationships between characters.

Openness

opened up – relax their posture

faced fully – face forward

leaned back comfortably – lean back freely

let their shoulders drop – lower their shoulders

settled into their stance – “settle” into their posture

Closure

closed off – close off with posture

turned away – turn away

angled their body away – position themselves at an angle

drew their shoulders in – pull their shoulders in

folded into themselves – curl up

3. Shifting body weight (micro-movements)

This brings the scene to life, even in silence.

shifted their weight – shift their weight

rocked back on their heels – lean back on their heels

planted their feet – plant their feet firmly

adjusted their stance – adjust their posture

squared their shoulders – straighten their shoulders (decision)

4. Lean, distance, direction

Perfect for controlling tension.

leaned in – lean closer

leaned closer – shorten the distance

leaned away – move away

hovered near – be close without touching

loomed over – tower over someone (pressure)

stood over – stand over someone

5. Body axis and angle positioning

More “technical,” but very precise.

angled toward – position the body toward someone

angled away – position oneself to the side

half-turned – partially turned

fully turned – completely turned

twisted slightly – twist the body

6. Stop

stilled – to become motionless

froze in place – to freeze

held their position – to maintain their position

paused mid-movement – to stop in mid-movement

7. Movement

stepped forward – take a step forward

stepped back – take a step back

closed the distance – shorten the distance

created space – move away

circled – walk around

8. The body as a reaction (without named emotions)

This is gold when writing “show, don't tell.”

stiffened – stiffen

relaxed visibly – visibly relax

went still – freeze

hesitated, then moved – hesitate, then move

yielded ground – give way (physically)

9. Position and power/control

Great for dialogues, conflicts, tension.

held their ground – not give way

asserted their presence – make their presence felt

dominated the space – dominate the space

withdrew physically – withdraw physically

made themselves smaller – “shrink” their posture

Physiological reactions

1. Breathing & airflow

Controls tempo, tension, and immediacy.

breathed out – released air

exhaled slowly – controlled release

inhaled sharply – sudden intake (surprise, shock)

held their breath – suspended breathing

their breath hitched – breath caught mid-cycle

breathed shallowly – short, restrained breaths

took a steadying breath – deliberate regulation

let out a shaky breath – loss of control creeping in

2. Muscle tenison & release

The body deciding before the mind does.

tensed – muscles tightened

stiffened – whole body locked

relaxed visibly – tension released in a noticeable way

their shoulders tightened – localized stress

let their muscles loosen – conscious release

locked their jaw – restrained reaction

unclenched slowly – gradual letting go

3. Involuntary reactions

Hard to fake, very honest narratively.

flinched – reflexive recoil

shuddered – involuntary tremor

jerked slightly – small, sharp movement

froze – full-body pause

their body reacted before they thought – instinct first

twitched – brief muscle response

4. Skin & surface responses

Subtle but intimate, not erotic by default.

their skin prickled – heightened sensitivity

a chill ran over them – cold response

heat crept up their neck – warmth spreading

their skin flushed – visible color change

goosebumps rose – temperature or stimulus reaction

5. Heart & internal rhythm

Often implied, rarely stated directly.

their pulse quickened – heart rate increased

their heart thudded – heavy, noticeable beat

their chest tightened – pressure sensation

their heartbeat steadied – returning to baseline

felt their pulse in their throat – heightened awareness

6. Mouth, throat & swallowing

Extremely useful for tension and restraint.

swallowed – dry or deliberate

their throat tightened – constriction

their mouth went dry – lack of saliva

licked their lips unconsciously – reflex moisture response

exhaled through parted lips – loss of composure

7. Hands, extremities & fine motor reactions

Great for showing nervous energy.

their fingers curled – preparing or restraining

hands clenched – tension or resolve

their grip tightened – escalating pressure

their hands trembled – loss of control

steadied their hands – conscious correction

flexed their fingers – releasing tension

8. Balance & grounding

The body negotiating space and gravity.

shifted their weight – instability or adjustment

planted their feet – grounding

swayed slightly – imbalance

steadied themself – regained control

felt unsteady – internal disorientation

9. Temperature & internal state

Often paired with emotional turning points.

felt suddenly warm – internal heat rise

cold settled in their chest – emotional withdrawal via body

heat pooled low – physiological concentration (neutral phrasing)

their body warmed despite themself – involuntary response

[generalluxun]

A “Back to the Past” AU where Chloe was sent back to the moment she opened the bee miraculous, as you’ve said before, would vary wildly from canon. Chloe would hide and be a lot more careful. Hawkmoth would stay in retirement until Feast in all likelihood.

I do wonder how she would handle heroes day, as her thoughts would most certainly be elsewhere. I wager when she’d be asked what her good deed is for heroes day, she’d probably be delayed in response before blurting out something like “I’ll be helping Jean (insert name here) around the hotel today” as a retort to Marinette scoffing that she has nothing planned (if I remember the episode correctly).

This world would be fun to look over, as Chloe is often a catalyst. After Feast, Ikari Gozen seems to be the most reasonable akuma to be next in the timeline. Though they’ll likely defeat the akuma a different way considering Ladybug would be FAR less willing to give out a miraculous, even temporarily. Timetagger might not even exist. Miracle Queen would never happen as Chloe is a lot less vulnerable than she was originally. If we’re looking at a far flung future out to season 4’s timeframe then Lukanette and Adrigami would never split, that is if Chat Blanc is overall unaltered by the time Gabriel would have spent with Adrian in the time between him coming in and out of retirement.

I wager that Gabriel would take a less manipulative “ephemeral” approach and just lay it all out for Adrian once he knows he’s Chat Noir, his desire for his wife to return and obligations to the kingdom conflicting with the new bond with his son that he wants to sustain. I honestly think it’s the best scenario for a peaceful resolution where Adrian and Gabriel hash out his desire for his wife to return, as Gabriel has learned to live more in the present, and to cherish the family he has left far more than canon Gabriel does. He has a good chance of just giving up the butterfly and peacock once Adrian says he doesn’t share that same desire he does and is willing to move on. Heck, Felix (the episode) might be a great prelude to this conclusion for Gabriel with Adrian’s suggestion of him and Nathalie becoming close.

For an AU centered around Chloe originally it has such massive ripple effects for all characters that hypothetically it can lead to the happiest outcome for a good while. Gabriel resigns from the Kingdom, with Tomoe needing to pick up the slack. I think Gabriel and Tomoe would collaborate on the alliance still, just with Gabriel out of the loop on its greater strategic purpose. Noe appears a lot earlier than scheduled and appears at the diamond ball, now hosted by Andre and Audrey.

Once we get more information on the kingdom you could write a more detailed fanfic with the fallout of both the kingdom and the order of the miraculous clashing over the miraculous, minus the Bee of course. I don’t think Chloe would get the opportunity to use the Bee for the most part, and she’d probably have pride in just having it over using it after a while. Having it is a win, isn’t it? It’s better than when she got it originally.

There’s full rolodex of questions to be asked considering the expansions seen in season 6 and everything before that.

Would Gabriel and Nathalie marry at some point?

Would they invite Amelie and Felix? I don’t think the rest of her family would bother to come.

How would Felix change? The peacock isn’t where he thinks it is anymore.

Fu is still the guardian in this timeline, and even by the time the guardians are revived Fu has all of the miraculous but one, the Bee. How would the guardians handle Fu?

Andre is a lot more interesting to explore here as his wife is more involved in the plot at the same time his life has become more turbulent with her other children seemingly coming out of nowhere. It would FINALLY be a good time to discuss that whole clusterfuck.

I wonder how Gabriel will handle his and Tomoe’s deal IF Adrinette has set sail and stays together long enough.

I wonder how Zoe would feel about her distant and cold half sister and open but suspicious half brother in this timeline.

Sorry if this was all a bit much. It’s just that when you start to imagine emergent possibilities from one change it can be hard to stop asking questions with a canon so far removed from the point in time being returned to.

Sorry I didn't read everything but I agree with you. I love canon divergent fics. I have several that look at 'what if one thing had happened differently?' You can shift mountains with a single act.

[mimimixxie]

all the perpollo fic recs have percy travelling to the ancient past, but i wonder at flipping the script and having an ancient apollo travelling to the future and being disoriented at the shift in the balance and power

[cyberfrostian]

Kinda craving sex pollen incident between Clark and Lex (Clark tops)…please do share recs if you have any

[maxibabey]

Looking for a roleplay partner! 18+

My name is max, I’m 24, I’ve been roleplaying for years. I am active and respond pretty often, especially if we can get a good flow going, est time! I only rp on discord. I expect literate replies, and want at least one paragraph replies. Must be okay with adult topics like sex, drugs, abuse, extreme kinks, etc. i love sending visuals, and would love someone who will also send them. I only double up! I am open to all sexuality and gender. I am very open minded and expect the same from who I rp with.

꧁✬◦°⋆⋆°◦. 𝓕𝓪𝓷𝓭𝓸𝓶𝓼 ◦°⋆⋆°◦✬꧂

• One Direction

• Stray Kids

• Big Bang

• Stranger Things (doesn’t have to be a character, can be an actor from the show)

• Euphoria

• Squid Game

• am open to writing others like solo artists since I only do doubles! Some examples would be Yungblud, Djo, Sabrina, etc.

If you don’t get a response on here please add me on discord! @maxi.org