In ten years, I have been recognized, scrutinized, analyzed, criticized, and even terrorized by a handful of the millions of Netword Nanny viewers. Never was I hugged.
“I want a chance to start over and have a real life. One that wasn’t fucked up from the beginning and broadcast on international TV like a freak show.”
A second post for Reality Boy? Yeah, I couldn’t pick just one song. Freak Show just works for Gerald. This song aligns with his feelings about his upbringing being a complete circus, not to mention the fact that he calls himself a “little freak” on page one and thinks of his mother as being the one who turned the entire family into circus animals by inviting a reality TV show into their home.
I am a circus freak
Caught in a cage, caught in a cage
Staring without a blink
Swallow me whole, swallow me whole
Gerald was featured on the TV show Network Nanny alongside his family as a child. Dubbed “the Crapper” for his specific brand of misbehavior (it’s exactly what you’re thinking, but in his defense he was five and had no other way to convey that something was horribly wrong at home), Gerald has become infamous to both peers and strangers. People will approach him, sometimes at work where he’s essentially cornered, and try to goad him into a reaction.
But Gerald can’t react. He’s on thin ice from previous altercations and refuses to take the bait, knowing he’ll be the one blamed for the incident and will face much bigger consequences than those harassing him. In response, he slips into a flat affect, imagining himself as wearing “war paint” that allows him to “lie down and take” the targeted attacks from his peers.
I am a circus freak
Cut out my heart, cut out my heart
Loveless and watch me bleed
Tear me apart, tear me apart, yeah
Gerald has spent years receiving hate mail that makes it clear there is no sympathy for him in the eyes of the viewers. In all of his experiences with those who recognize him, only one stands out as positive: a complete stranger asked if he was okay, hugged him, and apologized to him for the way he was treated on the show (something production never did and probably never will). He reflects, “In ten years, I have been recognized, scrutinized, analyzed, criticized, and even terrorized by a handful of the millions of Network Nanny viewers. Never was I hugged.” The cruel and indifferent responses he received as a child (a child who explicitly told Nanny he feared for his safety, mind you) has stuck with him, and he questions how those who claimed to want to help him could be so heartless to a helpless child, writing in his final letter to Nanny, “Do you think they liked watching me suffer because it made them happy to see a little boy suffering? Do you think it’s because it took attention away from their own suffering? Because we were suffering. Lisi and I told you. You asked and we told you.”
I am a circus freak
So many scars, so many scars
I'm just the common creep
Something to watch, something to watch
Gerald truly is viewed like some kind of circus attraction, his celebrity somehow negating that he’s a real human being who was exploited by the show for entertainment. His worst moments were captured on camera and immortalized online with “six million views so far.” He’s passive aggressive in his criticism of those who watched his cries for help on TV and did nothing, saying, “You all watched and gasped and put your hands over your eyes… I was so entertaining. Right? Wasn’t I?” Gerald is viewed as “part movie star and part maniac,” but very rarely as a regular kid who needed help and was failed by those who could have provided him with it.
I've lost myself in make-believe
(I don't wanna go, I don't wanna go, make me)
Over and over I've deceived
(I don't wanna go, I don't want to go)
You want reform? I can't conform
'Cause I can't take anymore of your tainted bliss 'cause
I've lost myself in make-believe
You can't break me
Nanny was invited to the house to try to fix Gerald’s misbehavior, but Gerald was never able to conform to her rules or be the perfectly behaved child she tried to make him into. Gerald explains, “I couldn’t do what they said. They wanted a tame, loving child. I could give them one if only they stopped telling me what was wrong with me and let me tell them instead.” Despite Gerald still acting out, Nanny leaves the family and things go back to “normal,” with Tasha continuing her reign of terror and their mother pretending that everything is fine. They play along with the narrative of the show, acting as though Nanny fixed them, when really the situation is worsening.
To cope with Tasha’s abuse, his parents’ indifference, and the lasting effects of being exploited by reality TV at such a young age, Gerald daydreams of a place he calls Gersday. In Gersday, Tasha doesn’t exist and he’s free to escape there whenever she torments him. Gerald doesn’t quite grasp how often he zones out, though, and doesn’t think of it as a problem. Teachers point out he’s often “off in la-la land” and Hannah explains that he’s hard to talk to because he’s often lost in his own head. He’s initially defensive of this, willfully ignoring how bad his dissociation has become. He begins to understand the extent to which he’s lost himself, though, realizing that going to Gersday is like cocooning himself in protective wrap, but his mouth and his mind are being stifled by how tight it is. Gerald is constantly on the defensive, and he thinks, “that’s how it works when you grow up in the land of make-believe. To survive, you wrap and wrap and wrap until you’re safe. Gersday is full of shit. Nothing is real.”
I've waited ten long years just to look in the mirror
And to find just what I'm staring at
I've waited ten long years just to tell you I'm fearless
You don't understand, I've become who I am
Oh, you know you can't break me
This verse is the entire reason I wanted to pair this song with this book in the first place.
Remembering how Network Nanny’s crews stormed off for the last time, Gerald thinks of how, at that moment, he shut down. “I went to my room and took a nap. A ten-year-long nap. The Gerald who didn’t have to do anything he didn’t want to do has taken a ten-year-long nap. The Gerald who had control over his life is awake again. Good morning. How did you sleep?”
It’s at this moment that Gerald starts to make demands and stand up for himself. He demands a do-over, a normal life, to stop being such a pushover, to never see Tasha again, and he stand by those demands. Having run away, he tells his father, “I’m not coming back until I don’t have to live with Tasha anymore,” and that it’s “time I stand up for shit.” He experiences such a shift while on the run with Hannah, free from the suffocating house he’s grown up in and (briefly) from all the traumas associated with it. You can see in his new reckless streak that it’s still possible for him to become who he wants to be, for him to free himself from his abusive family, if only he can continue to fight for himself.
Gerald’s family was featured on a reality TV show, Network Nanny, when he was a child. The blame for the family’s dysfunction is placed entirely on Gerald, when truthfully it is his sister, Tasha, who is the cause of most all of the conflict within the family. Gerald’s misbehavior is only a reaction to the torture he suffers at Tasha’s hands, but it is infinitely easier (for both the show’s crew and Gerald’s mother) to place the blame on Gerald than to acknowledge the psychopathic traits Tasha exhibits. Gerald is understandably angry at the adults who should have been looking out for him as a child, as well as at the lack of change in the family’s dynamic. Ten years after filming for Network Nanny wrapped, Tasha continues to terrorize the family and never faces any consequences, all while denying she is at any fault for the family’s breakdown.
And so, Projector seems like a good fit for Gerald. He’s spent his whole life being told he is the problem when it’s abundantly clear to him that it’s Tasha pulling the strings and making everyone’s life hell. It’s an angry song, and it echoes Gerald’s feelings towards his family.
So light me up, my little projector
And eat me up like Hannibal Lecter
Then turn us from a friend into strangers
'Cause you'll never admit that you're wrong
Enough's enough, projector
So sit us down and give a new lecture
Then wear us out like ugly old sweaters
You bummed me out 'til I wrote a song
Enough's enough, projector
When the Network Nanny crew arrived at Gerald’s house, Fake Nanny immediately sat them on the couch for a scene and proclaimed the family needed discipline, all while looking directly at Gerald. He was immediately cast as the “problem child” and became the main focus of their episodes. While Tasha terrorized her siblings behind the scenes, the show, as Hannah puts it, “didn’t make her look all that bad. It was really you they focused on. You know, you were kinda the star of that family… Nothing you didn’t already know, though, right?”
This isn’t news to Gerald: for over half his life, he has been taunted by classmates who watched his most viral moments from the show on YouTube and harassed by strangers who happened to recognize him. Gerald feels he was exploited by the show and is justifiably angry, but also somewhat burnt out by it all, thinking “My life. My life is such a bummer.”
Shut the fuck up, please
You flap your gums until I wanna pull my teeth
You may invade their brain and wear them down into insane to say
"Oh, wow!", "Oh, word!?", "That's wild, I agree"
Fake Nanny, complete with her fake English accent, has no qualifications to mediate family conflicts or to provide guidance on parenting troubled children. While there is a real nanny on set (one who Gerald is sure can see right through Tasha’s tricks), Nanny is an actress who follows directions that his parents also go along with for the cameras.
Nah, but that cannot be me
I see through every smile like 20 thread count sheets
Apologize or die, you'd choose the latter not the right to be
A decent human being just for once
Gerald, on the other hand, understandably struggles to follow the directions the crew gives him, explaining to the reader, “I couldn’t do what they said. They were wrong and I was right. They wanted a tame, loving child. I could give them one if only they stopped telling me what was wrong with me and let me tell them instead.” Gerald is just a child, and he is dependent on the adults around him to protect him from Tasha’s harm. However, he becomes increasingly disillusioned from filming for the show and realizes that the people who claim to want to help him and his family only care about the ratings, not his wellbeing.
His frustration extends to his parents, whose cooperation with Nanny’s rules on-screen does not continue once the cameras stop rolling. Behind the scenes, they continue to turn a blind eye to Tasha’s increasingly concerning behavior. Their attempts at making changes around the house are purely for the cameras so as not to give viewers the impression that they are bad parents.
His mother, especially, is more concerned with appearances than her family’s wellbeing, worrying about what viewers will think of their house and wanting to redo the kitchen before filming begins for their follow-up episode. Meanwhile, she enables Tasha’s behavior and continues to treat her “like a princess even though Tasha hit her all the time.” She defends Tasha to Nanny, even when it is abundantly clear that Tasha is in the wrong, entirely unable to accept that Gerald isn’t actually the problem.
I'm talking to a wall again
Why do I even try?
Gerald explicitly told Nanny (and the cameras) that he was afraid of Tasha harming him while filming their first episode. The first time he confides in Nanny, she laughs his concerns off as exaggeration, saying “Your sist-ah isn’t trying to kill you, Gerald.” He continues to inform Nanny of his sister’s violence in their follow-up episode, saying “Tasha tried to kill me again last week” in one take and “School would be better if Tasha weren’t trying to kill me all the time” in the next, much to the irritation of the crew, who are looking for positive accounts of the family’s progress to feature in the episode.
Shh, listen more, talk less
I've seen this film before and I know how this ends
You tell me how you're right to light relationships on fire
And try to lock us all inside because you're wrong
Between their first episode of Network Nanny and their second, Gerald continued to act out in order to communicate to his mother that something was wrong, that he was “still alive and still angry,” and that “Fake Nanny messed us up worse.” She doesn’t get the message, though, and invites Nanny back to film a second episode. Gerald is skeptical, knowing that Nanny didn’t fix anything that was wrong with their family the first time she visited (in fact, Tasha’s behavior has only gotten worse) and a second visit from a reality TV show probably won’t help either. Nanny does help somewhat, pointing out to his mother that she is “so busy telling him to hush up you forget to listen to him.”
Wow, look at your success
You shit on all your friends and blamed 'em for the mess
But I don't need to believe everything that I read
I can see there's a demon that's stealing my peace
A disease that never leaves until I sing through gritted teeth
Tasha has their mother wrapped around her finger. She doesn’t question Tasha when she blames Gerald for an incident, nor does she punish Tasha when she acts out, and this is something Tasha frequently takes advantage of to make Gerald’s life worse. She is smart enough to only hurt him where cameras can’t see and then run into view of a camera when Gerald fights back, giving the show more footage to villainize Gerald with. Contrary to her depiction on Network Nanny, Tasha is a demon terrorizing her younger siblings and is Gerald’s “number one trigger.” His only escape is to dissociate to a make-believe world where Tasha doesn’t exist.
(Also, “you shit on all your friends and blamed 'em for the mess” is both figural and literal here: Tasha calls Gerald “the problem child,” ignoring the fact that she provokes his bad behavior, but she also defecates in her own room, knowing that (based on Gerald’s track record) she can blame it on him and get him into more trouble.)
If stubborn is as stubborn does
You've done enough tonight
I'm talking to a wall again
Why do I even try?
Gerald’s parents would rather stay ignorant of reality when it comes to Tasha, but this is especially true of his mother. She continues to enable Tasha’s behavior into adulthood and will never admit that her daughter is a problem, even when directly faced with irrefutable proof that she is unwell. Her protecting Tasha has done irrevocable damage to her relationships with her family members, but even still she attempts to normalize Tasha’s behavior and pretend that everything is okay.
Trying to write a post for Reality Boy by A.S. King and I know it’s going to be a Set It Off song I pair it with but the issue is which one. They could all be Gerald’s theme song. Like how am I supposed to narrow this down? Could pick Loose Cannon, Punching Bag, Projector, Freak Show…