‘Let It Be’ a ‘Golden Anniversary’
I was 10 years old when a fairly stoned looking Paul McCartney dominated the screen of our practically new (rented) Philips colour TV as he knocked out ‘Let it Be’ in a pre-recorded ‘Video’ for Top of The Pops.
Don’t get me wrong, at such a tender age, I had no idea the ‘nice’ member of the Beatles was all but out of it – just thought his eyes looked huge – but was simply completely taken by the song, the performance and how cool ‘Macca’ looked – while also being totally unaware of why I instinctively loved John’s unwashed, long haired, corporation glassed, emaciated heroin induced appearance, George’s nonchalance displaying distance and easy disinterest and Ringo’s workmanlike determined ‘happy’ drum technique played through an unfocused sad stare.
I was already aware of the Beatles – who wasn’t back in the 60’s and 70’s – but this was the first time I’d seen them in colour, live and un-sanitised. And I found myself experiencing the new emotion of being entirely infatuated - for the first time I can remember anyway.
The last album the band released as a band was ‘Let It Be’ and that was 50 years ago this year and it took me no time at all to embrace it when I eventually could afford to buy it – I was 14 by then – but a long time to get a handle on its significance as a piece of work and a major footnote in musical history.
I put the album on loop on the laptop yesterday and read lots of on-line reviews, opinion and comment from lots of people far more authoritative than me on the significance of the album - the raging psychology contained within its personnel, construction and tracks - its definition of a time and place - how it personified the end of an era of peace and love - the return to the beginning to hail the end - and ‘What Happened Next’.
Most of this written word palled rapidly as Paul warbled about ‘Two of Us’ riding nowhere leading to John, in rock and roll simplicity, asking me, for reasons best known to him, to ‘Dig a Pony’ before being still consternated and perplexed with his hugely melodic ‘Across the Universe’ dirge until George makes it all about others with ‘I Me Mine’.
I was further asked by Mister Lennon to ‘Dig it’ before being advised by Mister McCartney to ‘Let it Be’ only for the ultra cynical John to remind - all of all the band and all of all the listeners – of the roots of this four piece combo with his off the cuff rendition of ‘Maggie Mae’
Paul then became somewhat dramatic with ‘I’ve Got a Feeling’ before John found a live raucous voice in ‘One after 909’.
Phil Spector comes close to ruining Paul’s performance on ‘The Long and Winding Road’ but it’s too good a song to be murdered by over production and of course I sang along sentimentally over the ridiculous string section.
George found room to give fair warning to his future output with ‘For You Blue’ before JoJo makes his laudable entrance to take me to a replay with ‘Get Back’
It is by no means the Beatles best album – Sergeant Pepper / Revolver / Rubber Soul / White Album vie for that title in that order – but for this aging lover of great tunes and a deep sense of musical history it has a happy place to live for as long as I do.
-o-
A SNAPSHOT OF FACTS (For those who don’t remember or never knew about a band that broke up 50 years ago)
NUMBER OF SINGLES SOLD: 1.6+ BILLION
NUMBER OF ALBUMS SOLD: 700+ MILLION
NUMBER OF WEEKS AT NUMBER 1 WORLDWIDE: 3506+: (Estimated from 73 Sovereign States out of 196 worldwide)
NUMBER OF TIMES ‘YESTERDAY’ HAS BEEN COVERED BY OTHER ARTISTS: 3169+: (That’s just one song – no count has been published for the number of times Beatles songs have been covered)
Believe me there’s a reason those numbers are what they are and if you don’t believe me then check out any of the albums by the band and get back to me with an apology!













